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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


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De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

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Carrie...A Fan's Site

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No Harm In Charm

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a la Mod

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and the Infield
Fly Rule

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Came In From The Cold

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Scarface: Make Way
For The Bad Guy

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(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

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Offices of Death Records

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Fan Page

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Guillotine

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italkyoubored

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24 Frames Per Second

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So Why This Movie?

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This Recording

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Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Thursday, January 8, 2015
ANOTHER DE PALMA FILM SERIES IN BRAZIL
FEATURES DE PALMA FILMS, SOMETIMES PAIRED WITH FILMS THAT INSPIRED THEM
The other day, I posted a belated entry about a Brian De Palma retrospective at Cine Lume in Brazil. That retrospective ended yesterday, but it turns out there has been a separate De Palma series going on at Sala Walter da Silveira. This one started January 2nd, and runs through January 14th-- that last day, there will be a screening of a surprise De Palma film. This series includes many of De Palma films, and sometimes pairs them up with a film that inspired De Palma: Rear Window and Body Double were screened back-to-back on January 5th; Battleship Potemkin and The Untouchables were back-to-back last night; and Fritz Lang's The Thousand Eyes of Dr. Mabuse and De Palma's Snake Eyes were back-to-back earlier tonight. Monday, January 12th, Dario Argento's Suspiria will follow a screening of the movie that introduced Jessica Harper, De Palma's Phantom Of The Paradise. Back on January 4th, both versions (Hawks' and De Palma's) of Scarface were screened back-to-back, and on Tuesday January 13th, De Palma's Scarface will screen again, this time following a screening of Jean Vigo's Zero For Conduct. I've never seen the latter, so if anyone knows how it may link to Scarface, please feel free to share. Which reminds me, all of these screenings are free.

Posted by Geoff at 11:59 PM CST
Updated: Friday, January 9, 2015 12:07 AM CST
Post Comment | View Comments (2) | Permalink | Share This Post

Friday, January 9, 2015 - 10:10 PM CST

Name: "harry georgatos"

ZFC is set in a strict boarding school and was banned for a period of time where it was released in 1945. It deals with a dwarf tyrant headmaster as the students revolt against the school. It runs for 47 minutes and was influential to certain filmmakers. How it relates to SCARFACE I simply don't know. Saw it in the early seventies on a government funded network for foreign films. It only runs for 47 minutes.

Sunday, January 11, 2015 - 7:32 PM CST

Name: "Jeremy O C"

Zero de Conduite is a tremendous short film, basically remade by Lindsay Anderson as If...

Vigo's style amalgamated social realism with sudden outbursts of poetic visual images. He died young after only one feature, and was a key influence on later French cinema and the New Wave.

 As far as relating to Scarface, the connecting thread could be the theme of anarchic rebellion, although I find it hard to believe it was an actual influence for De Palma. The documentary A Propos de Nice could be a more appropriate Vigo to screen, dealing as it does with an outsider's view of a decadent society

 

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