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Recent Headlines
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Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


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De Palma a la Mod
site

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Sunday, December 13, 2015
NEW CD - DONAGGIO, SONGS FOR MOVIES
NEW ORCHESTRAL RECORDINGS INCLUDE "I NEVER DREAMED..." FROM 'CARRIE', "SALLY & JACK"
Quartet Records and Music Box Records are both taking pre-orders for a new Pino Donaggio CD collection being released this week, Canzoni per il Cinema ("Songs for Movies"). The CD contains new orchestral arrangements of Donaggio songs, chosen by the composer himself, including songs from Carrie and Blow Out. Donaggio and film music author Gergely Hubai also provide liner notes in a "lavishly designed 20-page full-color booklet." Here's the rest of the description, as listed on the websites:
For over 55 years, legendary composer Pino Donaggio has been in the forefront of the Italian popular music scene; 40+ years of his career have spanned an impressive line of film scores as well. This orchestral album, Canzoni per il Cinema, is a testament to the composer’s versatility, featuring some of his most popular songs for cinema in brand-new orchestral arrangements.

Recorded with The Bulgarian Symphony Orchestra under the baton of Maurizio Abeni, the program—personally selected by Donaggio—focuses on two different types of compositions: it naturally includes some of Donaggio’s most beloved theme songs written for movies (Don’t Look Now, Carrie, Blow Out, Trauma, Cin cin, etc.), but it also includes some of his pre-film-scoring hits that were subsequently used in various films (immortal songs such as “Io che non vivo,” “Come sinfonia” or “Una casa in cima al mondo”). The selection thus comprises not only fan favorites, but also some lesser-known pieces that merit a second look in the decades-spanning career of Pino Donaggio.


Posted by Geoff at 11:38 AM CST
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