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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

De Palma Community

The Virtuoso
of the 7th Art

The De Palma Touch

The Swan Archives

Carrie...A Fan's Site

Phantompalooza

No Harm In Charm

Paul Schrader

Alfred Hitchcock
The Master Of Suspense

Alfred Hitchcock Films

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a la Mod

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a la Mod

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and the Infield
Fly Rule

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Directorama

The Filmmaker Who
Came In From The Cold

Jim Emerson on
Greetings & Hi, Mom!

Scarface: Make Way
For The Bad Guy

The Big Dive
(Blow Out)

Carrie: The Movie

Deborah Shelton
Official Web Site

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Offices of Death Records

The Carlito's Way
Fan Page

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Guillotine

FilmLand Empire

Astigmia Cinema

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A Lonely Place

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italkyoubored

Icebox Movies

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24 Frames Per Second

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So Why This Movie?

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Nothing Is Written

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This Recording

Mike's Movie Guide

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Dangerous Minds

EatSleepLiveFilm

No Time For
Love, Dr. Jones!

The former
De Palma a la Mod
site

Entries by Topic
A note about topics: Some blog posts have more than one topic, in which case only one main topic can be chosen to represent that post. This means that some topics may have been discussed in posts labeled otherwise. For instance, a post that discusses both The Boston Stranglers and The Demolished Man may only be labeled one or the other. Please keep this in mind as you navigate this list.
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Sunday, June 28, 2020
ANDREW STEVENS ON MAKING 'THE FURY'
SWIMMING COMPETITION WITH KIRK DOUGLAS, DE PALMA SAID TO ANDREWS, "SLOW DOWN, SLOW DOWN"
https://www.angelfire.com/de/palma/furyfatherson.jpg

Andrew Stevens was asked by filmmaker Paul Kyriazi to talk a bit about making The Boys in Company C and The Fury. Stevens responded with a brief video (below), which Kyriazi posted to his YouTube channel two days ago. Here's what Stevens says in the video about The Fury:
As soon as I got back to the states, I had auditioned years before for these guys I'd never heard of named George Lucas and Brian De Palma. And they were casting together two little movies... this weird Star Wars movie that I thought made no sense, and a movie called Carrie, which was actually appropriate for me and my age at the time. But De Palma elected to go with William Katt and Sissy Spacek, who were a half a generation older than me. But he had remembered me, and I got an audition for this movie called The Fury. And he actually booked me for the role. The problem was, I was under contract to Universal Studios, and I had to get permission to be loaned out from Universal to 20th Century Fox. And the studio just paid me my rudimentary, probably $500 a week, and negotiated a big salary for me on The Fury, and took all the money. But what complicated matters was that I was shooting an NBC Universal series at the time called The Oregon Trail, and we were in Flagstaff, Arizona. So the studios worked together, Universal and Fox, to work out a schedule, and I bounced back and forth continually from Flagstaff, Arizona to Los Angeles, Chicago, and ultimately Israel, where we shot The Fury.

Kirk Douglas couldn't have been nicer. He was warm, he was embracing, he was paternal, he had no attitude whatsoever. And when I really saw the grandeur of his iconic celebrity was when we got to Israel, and he was the biggest star in the world in Israel. [Andrews mimics an Israeli accent] "Kirk Douglas! Kirk Douglas!" Because Kirk Douglas was Jewish, and he was revered and loved by all Israelis. And he was like... imagine traveling with The Beatles, and still, he was... he was gregarious, he was not reclusive, he was inclusive. And when we shot a whole sequence in Caesarea-- we originally based in Tel Aviv, and then went to Caesarea where we shot the terrorist sequence where I think my dad's been killed, and John Cassavetes whisks me away-- and Kirk and I had sort of a swimming competition [starts laughing] I remember that when we got in the ocean and we were racing in to shore, actually, I was beating Kirk Douglas, and De Palma said, "Slow down, slow down." He said, "You can't win, and at the most, you have to tie."

So, but it was a great scene, sitting around this table there. De Palma set a dolly track that was 180 degree semi-circle, and we shot the scene in one take. We did several takes of this particular one-take, but there were no cuts in that scene where we're eating and talking, and then Cassavetes comes over, I think I go to the men's room or whatever, and then all hell breaks loose.



Posted by Geoff at 8:30 PM CDT
Post Comment | View Comments (1) | Permalink | Share This Post

Tuesday, June 30, 2020 - 2:04 PM CDT

Name: "Chris"

He was four years younger than William Katt. Odd to say that's "half a generation" of age difference. 

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