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De Palma a la Mod

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Recent Headlines
a la Mod:

Domino is
a "disarmingly
straight-forward"
work that "pushes
us to reexamine our
relationship to images
and their consumption,
not only ethically
but metaphysically"
-Collin Brinkman

De Palma on Domino
"It was not recut.
I was not involved
in the ADR, the
musical recording
sessions, the final
mix or the color
timing of the
final print."

Listen to
Donaggio's full score
for Domino online

De Palma/Lehman
rapport at work
in Snakes

De Palma/Lehman
next novel is Terry

De Palma developing
Catch And Kill,
"a horror movie
based on real things
that have happened
in the news"

Supercut video
of De Palma's films
edited by Carl Rodrigue

Washington Post
review of Keesey book

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Exclusive Passion
Interviews:

Brian De Palma
Karoline Herfurth
Leila Rozario

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AV Club Review
of Dumas book

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« December 2023 »
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Interviews...

De Palma interviewed
in Paris 2002

De Palma discusses
The Black Dahlia 2006


Enthusiasms...

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The Virtuoso
of the 7th Art

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Carrie...A Fan's Site

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No Harm In Charm

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a la Mod

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and the Infield
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Came In From The Cold

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(Blow Out)

Carrie: The Movie

Deborah Shelton
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italkyoubored

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So Why This Movie?

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EatSleepLiveFilm

No Time For
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The former
De Palma a la Mod
site

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Thursday, December 14, 2023
REMEMBERING BART DE PALMA, WHO HAS PASSED AWAY AT 86
WORKED WITH HIS BROTHER BRIAN ON HI, MOM!, OBSESSION, FEMME FATALE
https://www.angelfire.com/de/palma/barton1.jpg

We are saddened to hear about the recent death of Bart De Palma, who passed away on December 1, at the age of 86.

Bart's younger brother, Brian De Palma, had assisted Bart in making an experimental film in 1959, titled Gray Rain, while Bart was attending Washington and Lee University in Lexington, Virginia. Eleven years later, Bart assisted Brian in making Hi, Mom! (1970), and went on to work with Brian on Obsession (1976) and Femme Fatale (2002).

Bart's son, Cameron De Palma (who had appeared in Brian De Palma's Carrie), posted about his father last week on Facebook:

Barton De Palma, my father, passed away last friday in our home at 12:40pm, a couple of days after his 86th birthday. It has been an honor to care for him these months of joy and sadness and connection. He floated away gently, surrounded by his beloveds. Bart was always chasing and creating beauty, preparing for new adventures, making new friends. Until his liver decreed otherwise last year, he never grew old. I got to see this guy build televisions from scratch, train his telescope on the apollo craft as it went by, create new worlds on canvas, score touchdowns, have a family twice, photograph nebulas, scuba, assemble computers, become a gourmet chef, work in the movies, teach overseas, you get the idea…Unfillable shoes. Great love and respect for my incredible wife Dana, who befriended Bart and went above and beyond to hold us all up with love and grace ♥️.

GRAY RAIN

In the book Double De Palma by Susan Dworkin, Brian is quoted, "I knew a lot about still photography from my science fair days. And I guess it was my brother Bart, he was taking a filmmaking course at Washington and Lee, and we made a little film at the shore."

HI, MOM!

On Hi, Mom!, Bart is credited as part of the N.I.T. Journal crew (along with Bettina Kugel/Tina Hirsch and two others), and he is also credited as still photographer.

OBSESSION

For Obsession, Bart painted the portraits that are seen in the film, and he also took the photos that are used in the film's opening slideshow.

FEMME FATALE

For Femme Fatale, Bart makes a cameo as a security guard, and was also a visual consultant - he created the "Déjà Vu" poster of Rebecca-as-Ophelia, and took 3200 photos during the making of the film to make up the photo mural seen in the apartment of Antonio Banderas' character. (Interestingly, Déjà Vu was also the working title of Obsession.) Bart appears on screen in one of the Laurent Bouzereau special feature documentaries on the Femme Fatale DVD:

My job on Femme Fatale was to produce the photographic work that Antonio was going to create in the course of the film. When Antonio read the script, he was bothered by the fact that the character was a paparazzi, something that he apparently has considerable dislike for. The interesting thing was, once he saw the montage that we were creating for his character, he said to Brian, “Now I understand. Now I understand what this person is, and who this person is.” I figured out when I was done, I shot 3200 photographs of this location. And I must say that many people on the production crew bent over backwards to work on this picture just because they wanted the opportunity to work with somebody who was going to make it technically interesting for them, and interesting visually.


Posted by Geoff at 8:11 AM CST
Updated: Thursday, December 14, 2023 5:18 PM CST
Post Comment | View Comments (3) | Permalink | Share This Post

Monday, December 18, 2023 - 7:09 PM CST

Name: "Christian G"

Very sad news.

 

 

Let's hope Brian lives into his 90s, and perhaps makes a final film.

Although, I guess I'm in the minority when I consider Domino a perfectly fine swan song.. 

Monday, December 18, 2023 - 10:13 PM CST

Name: "Rex"

Bill Pankow had stated it wasn't the way DePalma wanted the film to have come out. DePalma was disappointed with the final outcome because of shady financiers who slashed his budget while filming.

Tuesday, December 19, 2023 - 5:26 PM CST

Name: "Christian G"

He was very frustrated with the production, but seemed pleased with the film they were able to create in the end. When asked whether the end result was good though, he answered "Yes, it's good." To which his girlfriend chimed in "It's very good." I think that's the only quote that exists on De Palma's view of the finished film (which he has stated several times he doesn't want to talk about.) I agree with their sentiment; it's good, even very good. 

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