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Posted May 24 2004![]() WRITES NEW FORWARD FOR REVISED HODEL BOOK; FILM WILL STICK TO 'ARTISTIC VISION' OF NOVEL ![]() ELLROY SAYS NEW FILM WILL STICK TO HIS NOVEL |
Posted May 10 2004 CLARKSON'S VOICE AT ODDS WITH LOOKS "I THINK DE PALMA LIKED IT" ![]() |
Posted May 9 2004 SAY HELLO TO OUR LITTLE FRIENDS SCARFACE ACTION FIGURES ON THE WAY FROM MEZCO ![]() (Thanks to Cost at the briandepalma.net forum!) |
Updated with response from De Palma - May 1 2004 ZSIGMOND, FERRETTI HAVE DESIGNS ON DAHLIA FILM TO BE SHOT IN LA, AND AT CINECITTA & ROMA THIS SUMMER ![]()
At Cinecitta Studios, Ferretti virtually recreated 19th century Manhattan for Scorsese's Gangs Of New York to much acclaim in 2002 (go to CHUD to read a fun interview with Ferretti). More and more, Ferretti's name is associated with high quality pictures that get Academy heads turning at Oscar time. His presence on the project, along with that of the highly respected Zsigmond, is another indication that De Palma is going for something grand with The Black Dahlia. Perhaps the first indication of this, other than the presence of Art Linson as producer, was when author James Ellroy mentioned a few weeks ago that they were hoping to bring the film to Cannes in 2005. The Screen Daily article also mentions Eva Green as part of the cast of the film. As posted a couple of weeks ago, a Web site owned by Jan Fantl, who claims to be a co-producer of The Black Dahlia, lists Eva Green and Fiona Shaw as members of the cast, along with Josh Hartnett, Mark Wahlberg, and Scarlett Johansson. However, Green has not joined the cast-- De Palma said that he has yet to meet with the actress, as she remains busy shooting Ridley Scott's Kingdom Of Heaven. |
Posted April 29 2004 HERE IT IS... |
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FILM CRITICISM UNDER THE DE PALMA UMBRELLA![]() Moran is the editor-in-chief of the site, which was founded by Peter Gelderblom. Gelderblom, who has written an article for the site's debut titled "The Plausibles: The Problems of Make-Believe in the Age of Reason," came up with the idea for the site after getting involved with the likes of Moran and other De Palma fans on the discussion forum at Bill Fentum's Directed by Brian De Palma. The Web site's mission statement paints a portrait of film criticism that takes "traditional, canonical and so-called 'objective' criticism" with a grain of salt, and that wears its subjectivity on its sleeve. The irregularly updated pages also kick off today with two essays by another of those forum members, Michael K. Crowley, who has written a two-volume book study of De Palma's work that has remained unpublished-- until now. Chapter one of "Objects of Appalling Beauty" (the book's title), which comprises "An Introduction to Brian De Palma," is now posted for all to read, as is Crowley's essay about David Fincher's Se7en. Gelderblom plans to add links to threads on the De Palma forum to continue discussion of the articles into the community. Well, I know what I'll be doing this weekend... |
Posted April 21 2004 PHANTOMS @ IMDB & CANNES "UNKNOWN" AUDITIONS FOR PART IN DAHLIA IMDB'S TOYER: SWINTON REMAINS, THEN VANISHES SWINTON & BEART AMONG CANNES JURY After several forum users at the Internet Movie Database suggested that Brian De Palma should fill out the cast of The Black Dahlia with unknowns, someone claiming to be an "unknown" female posted last weekend under the name "toocoolforgod." Under the heading, "from an unknown who auditioned..." this person wrote, "all you guys were talking about how it would be better if the film was cast with unknowns... and maybe im biased but i agree. i auditioned and got recalled, met mr de palma and the whole shebang.. cool stuff i tell you.." This person claims to have auditioned for the role of Linda Martin, "the 15 year old hooker who knew Beth Short." Several attempts to communicate with this individual in the past week have not been successful, but if I hear anything more, I'll be sure to post it. IMDB'S TOYER LIST DWINDLES DOWN TO BINOCHE |
Posted April 20 2004 JOHANSSON & HARTNETT KEEP BUSY CRUISE NABS MOSS, STILL WANTS SCARLETT FOR MI3 Some brief casting news about two of the Black Dahlia actors, as well as the third Mission: Impossible film: As Dark Horizons reported yesterday, Carrie-Anne Moss is taking on the female lead role in MI3, while Scarlett Johansson is trying to work out her schedule in order to do the film. According to the Hollywood Reporter, the filmmakers hope to go into production this August, which would put it, at the very latest, immediately after the shooting schedule of Brian De Palma's The Black Dahlia, which is now set to film partly in Rome this August, according to a report from Italy (see story immediately below). Since the Dark Horizons report mentions that scheduling is the issue for Johansson, it seems most likely that the Black Dahlia schedule would be the concern. Tom Cruise has been scouting locations in Ghana and Berlin for MI3. According to the Dark Horizons report, Philip Seymour Hoffman, who Cruise worked with memorably in Magnolia, is in limbo regarding talks to play the villain in the film, although producers are going back to talk with him. HARTNETT MAY WORK MORE WITH RODRIGUEZ |
Posted April 16 2004 DAHLIA TO FILM IN ROME AT TARAK BEN AMMAR'S ROMA STUDIOS IN AUGUST ![]() |
Posted April 13 2004 TARANTINO TALKS KILL BILL EXPLAINS HIS "LITTLE BRIAN DE PALMA SCENE" ![]() There's this one trailer for Black Sunday by John Frankenheimer that has a scene in it that's done differently than it is in the movie. It's amazing. There's a scene in the movie-- it's like, you know, killer terrorist shit-- where Marthe Keller is going to kill Robert Shaw, who works for the Israeli Army. He's in the hospital, so she dresses up like a nurse with a syringe full of lethal injection, and she's going to go into his hospital room and inject him. Well, in the movie it's an okay sequence, but not really that special. They don't really milk it that much. It's routine. But in the trailer for the movie, when it gets to showing us that sequence, they do the whole thing in split screen. And where they just had natural sounds playing in the movie, they have John Williams's Black Sunday theme [humming the tune] pulsing through the whole trailer, so it's just ticking beats to the images. This is not in the movie anywhere. This is one of the best split-screen sequences I've ever seen. So for Kill Bill, I say, "We're doing this when Elle Driver shows up at the hospital." And then I have another, like, weird movie reference in there because I have Daryl Hannah whistling-- she learned how to whistle Bernard Herrmann's theme to this movie called Twisted Nerve. And the thing is, when she leaves the frame, the Bernard Herrmann score kicks in, you hear the same theme done in this lush Bernard Herrmann melody, and then it goes into split screen and it looks like I'm doing an homage to Dressed To Kill-era De Palma. Bernard Herrmann scored two De Palma films: Sisters (1973) and Obsession (1976). Daryl Hannah made her film debut in De Palma's The Fury (1978), which was scored by John Williams. One character, Bobbi, steals a nurse's uniform to wear in De Palma's Dressed To Kill (1980). Sisters and Dressed To Kill each feature memorable split-screen sequences. Want to check out the trailer for Black Sunday? You won't find it on Paramount's widescreen DVD version, which features no extras-- not even the film's trailer. Maybe Tarantino will show it to you in his home theater. |
Updated April 13 2004 ELLROY TALKS BLACK DAHLIA SAYS THEY HOPE TO BRING IT TO CANNES, 2005 James Ellroy, author of The Black Dahlia, has been popping up on French television this past week, promoting his novel Destination Morgue. As reported last week, the author appeared on ARTE, mentioning that Brian De Palma's adaptation of The Black Dahlia should begin shooting in June. On April 11, Ellroy appeared on French TV's France 5 channel, and said, "We hope to bring the film to Cannes in 2005." Some have been criticizing the casting of the project so far, fearing that Ellroy's novel is being too Hollywoodized, and getting away from its substance. But it sounds more and more like Ellroy is keeping himself involved in the project, which must be a good sign for such naysayers. (Thanks to Leonard at the briandepalma.net forum!) |
Posted April 11 2004 REBECCA'S EYES They stare at you from behind a stack of magazines... ![]() ![]() |
Posted April 5 2004 EVA GREEN IN DAHLIA? ALONG WITH FIONA SHAW... ![]() ELLROY ON FRENCH TELEVISION |
Posted April 4 2004 NEWS ON DAHLIA, TOYER A NEW TOYER FOR BINOCHE; ZSIGMOND MAY SHOOT DAHLIA ![]() ![]() DE PALMA TALKS DAHLIA: ZSIGMOND, STEFANI, ETC. I asked De Palma about Gwen Stefani auditioning for The Black Dahlia (see story immediately below). "Gwen is a unique performer and I was delighted to work with her," he said. "But she's not right for Madeleine." De Palma also mentioned that he will be going to London this week to do some casting for the film, and then to Berlin to work with Alexander Manasse, the German production designer who worked on Run Lola Run. |
Posted March 30 2004 STEFANI AUDITIONED FOR DAHLIA WITH "SOME YOUNG GUY NAMED JOSH" ![]() |
Posted March 29 2004 EXTENDED FAMILY AFFAIRS (OR SIX DEGREES OF SCARLETT JOHANSSON) There appears to be a tug of war going on right now between two Napolean films that happens to involve the leading ladies of two upcoming Brian De Palma pictures scheduled to film this year. At the center of the storm is Scarlett Johansson, who is set to star in De Palma's The Black Dahlia this spring. A couple of weeks ago Variety announced that Lions Gate had acquired a pitch by Johansson and screenwriter Rebecca B. Kennedy called Napolean And Betsy. The pitch was about the relationship between Napolean and a young British girl, as seen through the girl's (Johansson's) eyes. An article in today's Variety states that Kennedy has already worked on an initial draft of another Napolean film which is based on the exact same true life relationship. The other project is an adaptation of a novel called The Monster Of Longwood, in which Al Pacino is set to star as Napolean. Not only did Kennedy work on the screenplay for Monster Of Longwood (which has since been revised by Michael Tolkin, among others), but Johansson had auditioned for the part of Betsy. Producer Howard Rosenman told Variety that until they read about the other project in Variety, Pacino and director Patrice Chereau had thought Johansson was going to be starring in their film. Rosenman saves face for Johansson, laying the blame for the controversy on her mother, Melanie Johansson, who is one of the producers of Napolean And Betsy. Rosenman said, "Their project is completely tainted by copyright infringement. Melanie has been exposed to every one of our drafts, as has the writer who wrote our first draft. Scarlett has also been exposed to every one of our drafts, and our lawyers think they are doing something outrageously and grossly malicious. Lions Gate was also exposed to our material, because at one point they were attached as our financiers." Melanie Johansson denied such charges, saying that their script is "based on a true story that is public domain," not any novel. Meanwhile, according to juliettebinoche.fr.st, Juliette Binoche, who is attached to star in De Palma's Toyer this fall, has long been rumored to be taking on the part of Betsy opposite Pacino in Monster Of Longwood. Indeed, Pacino and Binoche are listed as the stars of the film at the Internet Movie Database. However, there is a marked contrast between the 19-year-old Johansson and the 40-year-old Binoche, suggesting that if Binoche were to take on the role, the dynamic would be somewhat changed. JOHANSSON MENTIONED FOR MI3 Got all that? Now what about that other "Black Dahlia" project...? |
Posted March 16 2004 DE PALMA'S SECRET WINDOW SUGGESTION WHY KOEPP'S ENDING IS DIFFERENT FROM KING'S ![]() Koepp explained why he changed King's more traditional shoot-the-bad-guy, save-the-day ending: "I felt that there was a smashing ending in the book, but it was in the story-within-the-story. Brian De Palma said, 'Why don't you make Shooter just really pissed off that Mort fucked up Shooter's ending?' Because nothing enrages a writer more than, 'You fucked up my story. You rewrote me.' That I could immediately identify with." |
Posted March 16 2004 TRU BLU MAY BE MOVIN' ON WITHOUT DE PALMA, BUSY WITH 2 OTHER FILMS According to an article today in Variety, Denzel Washington may team up with his Training Day director Antoine Fuqua for what is currently being called The Return Of Superfly. This is the Brian Grazer-produced biopic based on the life of Frank Lucas. Last November, a story by Variety's Michael Fleming referred to the Steven Zaillion-scripted project as Tru Blu, and mentioned that Brian De Palma was on the verge of being hired to direct the film. A couple of weeks later, De Palma said that the actors for Tru Blu would not be ready for another year. De Palma was juggling the fates of three projects at the time: The Black Dahlia, Toyer, and Tru Blu. By January, he had committed to The Black Dahlia, with Toyer being readied for an October start. Now it looks like Grazer has found a new director for Tru Blu (or The Return Of Superfly), and they hope to begin production in late summer of 2004. |
Posted March 12 2004 AMENDOLA CAST IN TOYER ACCORDING TO IMDB ![]() |
Posted March 11 2004 REBECCA'S A CHARACTER TELLING STORIES ABOUT BRIAN DE PALMA IN PREMIERE ![]() One section talks about how Rebecca had to leave the set of Godsend for a weekend to go work with Bryan Singer on some X2 reshoots. "She [was] amazing," Singer told Premiere. "She had eleven hours of travel, went out into zero degree weather in her make-up-- which is like being naked in the snow-- in the Canadian Rockies with no sleep, did her scenes, and then traveled back to work on the DeNiro film the next day. And she was giggling and telling Brian De Palma stories the entire time." Rebecca talks about her first meeting with De Palma, which didn't seem to go very well. "I guess he was just irritated that I didn't understand the story completely. I think the producers had flown me in to meet him, I don't think he had personally requested to meet with me. So... who is this model who doesn't understand my script entirely?" Rebecca continues, "I was so green, I turned to him and only him. That movie was his vision... I needed his feedback one hundred percent, so I begged for it, and he was really open with me, very supportive. We had a lot of rehearsal time, so when it came to shooting, he could focus on all those crazy camera shots that he's so famous for." The author then quotes from Manohla Dargis' positive review of the film, citing the passage with the descriptive praise of Rebecca's presence in the film. Near the end of the article, the author writes, "Romijn-Stamos is polishing off her fish soup, talking about Femme Fatale's mixed reception, when Tony hollers excitedly, using a remote to snap on the overhead TV, where one of John Stamos's commercials for a certain long-distance calling plan is airing. 'I'm told,' she says, 'it's got quite a following among gay folks in New York.' Um, yeah, well, he is a looker. Romijn-Stamos gives an enjoyably abandoned guffaw. 'No,' she says, shaking her head. 'I mean Femme Fatale.'" Incidentally, two characters from De Palma films made the Premiere list: Tony Montana (#74) and Carrie (#63). |
Posted March 9 2004 UK FILM TAX CLAMPDOWN AFFECTS BLACK DAHLIA & TOYER FINANCING The UK film industry has been in an uproar over the last few weeks after the Inland Revenue made a sudden decision February 10th to change the tax law. The decision was made after it came to light that a loophole in the system allowed certain investors to pull out of a film before it had made any money. These investors effectively avoided paying tax on their sum. However, the government's decision to change the law without warning has put anywhere from 20 to 40 film productions in jeopardy. The first casualty, John Madden's Tulip Fever, which was to star Jude Law, was forced to quit in February, mere days before production was to begin. The film's producer, Alison Owen, wrote an article for The Guardian called The Taxman Killed My Movie which explains in detail how the tax change affected the film's financing. One of the studios involved with Tulip Fever was Dreamworks, and Owen mentions that she thinks Steven Spielberg placed a call to Tony Blair to plead for a certain transition time for the new tax law to be instated that would allow for productions that were not abusing the system to move ahead. It did not work, and now the project is $6 million in debt, making it extremely unlikely that it will ever be made. BLACK DAHLIA & TOYER LIKELY TO OVERCOME |
Posted March 8 2004 EW CITES OSCAR'S BLOW OUT 'PUNCHLINE' GUIDE TO OBSCURE FILM REFERENCES ![]() BLOW OUT The punchline-- if you can call it that-- of Sandra Bullock and John Travolta's inexplicable award-presentation banter was this 1981 Brian De Palma movie, in which Travolta plays a sound guy who unwittingly uncovers a murder. It was an homage to 1966's Blow-Up, which also happened to pop up at the Oscars, during the clip remembering late actor David Hemmings. What's more, Blow-Up was directed by Michelangelo Antonioni, whom Sofia Coppola thanked. Phew! |
Posted March 4 2004 PICS OF DE PALMA AT IFC/TARGET INDEPENDENT SPIRIT AWARDS AFTER PARTY ![]() ![]() |
Posted March 1 2004 OSCAR ROUNDUP SCARLETT MENTIONS "DE PALMA FILM" ![]() Joan: I am talking with Scarlett Johansson, who has had an amazing career this year-- Girl With A Pearl Earring and Lost In Translation. What a wonderful year for you. OSCAR WRITES BLOW OUT INTO TRAVOLTA/BULLOCK PATTER Sandra: Well, thank you for that. Um, John, what was the first movie to ever have sound? [After presenting that award...] Sandra: So, um, any fun ideas about sound editing you wanna impart, Mr. Know-It-All, to your students? SEAN PENN WINS BEST ACTOR AWARD ROBBINS TAKES BEST SUPPORTING ACTOR |
Posted February 26 2004 TALLY TOYS WITH TOYER MORE DETAILS ON DE PALMA'S ADAPTATION Ted Tally has been drafted to revise Brian De Palma's screenplay for Toyer, which De Palma has adapted from Gardner McKay's original one-act, two-character play. Tally, who won an Academy Award for his Silence of the Lambs screenplay adaptation, and who went on to write the remake of Red Dragon, has worked with De Palma before. Tally did rewrites on the screenplay for De Palma's Mission To Mars in 1999 (the film was released in 2000), but instead of a writer's credit on that film, he was listed as an associate producer. PLOT DETAILS - CORRECTIONS OF PREVIOUS SPECULATIONS The film opens as Maude Garrance (Juliette Binoche) and Toyer (Jeremy Northam) come face-to-face in an abandoned building. Following this set up, the film flows according to the play, but with each character providing flashbacks (De Palma's expansion of the play) that provide separate views of the same events, much like in De Palma's Raising Cain, and Snake Eyes. "jasongrimshaw" writes that these flashbacks "will include Toyer's initial crimes in London and Paris (star cameos), a fantasy sequence set in Paris, and Garrance's thinly veiled sexual allure for Toyer. Finally the film will open out onto the canals of Venice where Garrance will have to make a desperate choice and De Palma has written a major plot twist." OTHER CHARACTERS, MORE DETAILS |
Posted February 25 2004 GIANNINI JOINS TOYER CAST AS INSPECTOR SCARLATTI ![]() (Thanks to Toofield!) |
Posted February 24 2004 ARBOGAST WILL LENS TOYER IN LONDON, PARIS, VENICE & ROME ![]() |
Posted February 9 2004 BINOCHE TALKS TOYER CAST INCLUDES SWINTON, KARYO ![]() ![]() "I have only agreed to films that truly interest me" |
Posted February 4 2004 MTV'S NEWLYWEDS WATCH SCARFACE JESSICA: "What's wrong, does his face have scars?" ![]() Jessica: What's Scarface? |
Posted February 2 2004 SONY PICKING UP BLACK DAHLIA AND ELLROY WRITING SCRIPT FOR EVANS, GRAZER, FRIEDKIN According to an article today in Variety, Sony is picking up Brian De Palma's adaptation of James Ellroy's The Black Dahlia. Last week, the industry publication mentioned that the film had been currently seeking a domestic distributor. Meanwhile, Ellroy has just been hired to write a biopic about Hollywood lawyer Sidney Korshak for producers Robert Evans and Brian Grazer. The film, titled The Man Who Kept Secrets, will be directed by William Friedkin for Paramount Pictures. After De Palma finishes The Black Dahlia and Toyer later this year, he will most likely be working on the Frank Lucas biopic Tru Blu with Grazer (see story from last November below). |
Posted January 29 2004 FROM SCARFACE TO SCARLETT JOHANSSON SIGNS FOR DAHLIA; SHOOTING BEGINS MAY 24 IN LA ![]() (Thanks to Greg!) |
Posted January 28 2004 DE PALMA THE CONTENDER COHEN: De Palma "got what I hoped to get" ![]() The above illustration accompanies Amy Wallace's article about Larry Cohen in the February 2nd issue of The New Yorker. In the article, titled "The Survivor: Hollywood's king of schlock," Wallace interviews Cohen and discusses his entire career, including the critical reception of Cohen's work. She cites Robin Wood as one who compared and contrasted Cohen's films favorably with Brian De Palma's in his 1986 book, Hollywood from Vietnam to Reagan. Wallace quotes Wood's contention that Cohen ("unlike De Palma," she paraphrases) "remained obstinately true to himself... at the cost of virtual obliteration." Wood felt that De Palma's work got more and more showman-like, with bigger budgets as the late '70s progressed, while Cohen was still scrapping pictures together with whatever money he could get ahold of. Wallace suggests that a script about Cohen's life could be called "The Man Whose Prayers Weren't Answered," with the hook being that the man "ends up better off." Cohen says that De Palma "got what I thought I was going to get, or hoped to get." The difference is what led to Cohen directing a Michael Moriarty instead of a Jack Nicholson, to use Cohen's own example ("If you direct big stars, then you're a big director"). But Cohen feels that he really got what he actually wanted. He wanted a career like the old Hollywood directors he admired who worked continually, and he made it happen for himself by writing constantly and selling scripts which he often directed. |
Posted January 22 2004![]() PLANS TO HAVE STARS CAMEO AS TOYER'S VICTIMS? ![]() (Thanks to Donal!) |
Posted January 12 2004![]() HARTNETT TO DO WHALE FIRST According to Michael Fleming in today's Variety, Josh Hartnett will begin work on Mozart and the Whale before he stars with Mark Wahlberg in Brian De Palma's The Black Dahlia. Mozart and the Whale has been a passion project for Hartnett, and was previously being developed as a Steven Spielberg film at Dreamworks. It will begin filming on March 1st with Petter Naess directing, and with Rachel Weisz starring opposite Hartnett. This would mean that The Balck Dahlia will probably start sometime around the middle of 2004. |
Posted January 9 2004![]() BINOCHE & NORTHAM TO STAR; CARNIVAL WILL BE STAGED It seems that the information reported about Toyer a couple of days ago was slightly in error. It is true that Brian De Palma will keep Juliette Binoche and Jeremy Northam in the lead roles, but instead of eyeing a January 2005 start for filming, the production is set up to begin in October of 2004, and will continue through December. Due to security reasons, the production could not get clearance this winter to film during the actual Carnival of Venice, so the decision has now been made to stage a version of the Carnival for the film. This sounds slightly similar to the restaging of the Cannes Film Festival for the opening scenes of Femme Fatale, although that sequence was enacted the day after the festival's closing ceremonies, capturing much of the flavor and hype of the event while it was still fresh. But De Palma has been staging electrifying events for the screen for much of his career, from the terrifying "Be Black, Baby" sequence in Hi, Mom!, to the operatic Grand Guignol climax of Phantom of the Paradise, to the hyped-up boxing ring opening of Snake Eyes. With "Be Black, Baby," De Palma said he wanted to show how you lie with documentary. Twenty-eight years later, he made it appear that a camera was following Nicolas Cage for a non-stop 15-or-so-minute continuous take as he hustled his way to a front row seat of a boxing match in Snake Eyes. But there was a cut or two performed in the editing room, done so smoothly that one really had to look to notice that even this staged documentary was a lie. As the line continues to blur between filmed fiction and filmed documentary, De Palma has become a master of the staged event, creating his own documentaries, developed from his own subconcious. This fiction that is documented at 24 frames per second features a fascinating tension between controlled and seemingly uncontrollable elements. But how much control is really possible? Stanley Kubrick was known for take after take until his actors were beyond exhaustion, but there are really only so many takes a production can afford. Part of the art of De Palma comes from the effort to capture lightning in a bottle. It is a mixture of last-minute, sometimes on-set decisions and previously well-thought-out plans. It is the search for something fresh that the eye has not seen before, yet that may be somewhat familiar after all. It is something that just might be "real," but also just a little bit off-kilter. It is something of a dream. Bring on the Carnival of Venice. |
Posted January 8 2004![]() AS DE PALMA RETEAMS WITH LINSON ![]() ![]() Fleming's description of the film is as follows: Fleming's article can be read in its entirety at Yahoo! News. |
Posted January 2 2004![]() TOYER ON HOLD, AT LEAST FOR NOW ![]() |
Posted December 9 2003![]() BINOCHE BUSY THIS WINTER; NORTHAM CONDITIONAL The mysterious movement of the stars continues to toy with a filmmaker's best laid plans. Last month, Juliette Binoche signed on to make Bee Season with Richard Gere. That film was originally planned to begin shooting in April of 2004, but has now been moved up to January, making Binoche unavailable to make the at-least-by-February start of Brian De Palma's Toyer (De Palma wants to shoot during the Carnival of Venice, which takes place in February). That is a shame, because Jeremy Northam had signed on to take on the title role, but only under the condition that Binoche stay aboard the project. De Palma must make a decision whether to put the project on hold for now, or to move on without Binoche. As De Palma said last month, "Welcome to the slippery slope of modern movie making. Our fates rest in the mysterious movement of the stars." |
Toyer Update November 24 2003![]() NORTHAM SCREEN TESTS WITH BINOCHE EURO ACTORS IN SUPPORTING ROLES ![]() A correction on the story posted last week about the European actors who have been meeting in Europe for Toyer: There have been meetings with actors in Europe, but not for the title role. Word is that Brian De Palma has expanded the original play by adding characters, including colleagues and a love interest for Juliette Binoche's character. You will remember that when De Palma first began talking about this film in Italy, he mentioned that the cast would be a mix of American and European actors. Thus it would seem that his adaptation of Gardner McKay's play had several characters from the start, but these characters are apparently not from McKay's own novel version of his play (De Palma stressed in an interview with Bill Fentum that his adaptation is based on the play, not the novel).
Also from the rumor mill: Lolita Davidovich, who starred in De Palma's Raising Cain in 1992, may take on a supporting role in Toyer. Meanwhile in Hollywood, Jeremy Northam is said to be very close to signing on for the lead role, having screen tested with Binoche last week. Back in Italy, producer Tarak Ben Ammar is said to be scouting locations, with all the finances in place to give this project a green light, pending the leading man. |
Posted November 20 2003![]() SEVERAL SUITORS HAVE BEEN MENTIONED FOR ROLE ![]() |
Posted November 14 2003![]() 3 FILMS IN THE CARDS, BUT FATES ARE IN THE STARS In an e-mail correspondence with De Palma a la Mod, Brian De Palma said that he is flying to Los Angeles next week to resolve the issue of which film will be produced first: Toyer or Black Dahlia. De Palma said that right now, Josh Hartnett is ready for Black Dahlia, but the actor is working out his deal. Meanwhile, Juliette Binoche had been ready to go on Toyer a while ago, but when the right leading man could not be found, the actress had taken on another job, forcing the film to be pushed back a year (to this upcoming January). As for Tru Blu, De Palma says that the stars for that film will not be available for another year. "That's how things look today but it could all change next week," says De Palma. "Welcome to the slippery slope of modern movie making. Our fates rest in the mysterious movement of the stars." |
Posted November 13 2003![]() LAGIER & HOBERMAN ANALYZE DE PALMA'S '60s DREAMS ![]() THE DREAM LIFE |
Posted November 11 2003![]() WITH DE PALMA SIGNED ON TO DIRECT ![]() |
Posted November 10 2003 Correction: there was no projected start date for this film, as reported earlier today. The March 2004 start date was for a completely different Black Dahlia film project, not the one based on Ellroy's novel. ![]() REPLACING FINCHER ON BLACK DAHLIA ![]() (Thanks to Sergio at the briandepalma.net forum!) |
Posted November 6 2003![]() DE PALMA MAKING TRU BLU RETURN TO HOLLYWOOD ![]() PILEGGI: DONNIE BRASCO MEETS SHAFT STEVE ZAILLION & THE RETURN OF SUPERFLY FROM THE DIRECTOR OF SCARFACE... |
Posted October 28 2003![]() SAYS FILMING SHOULD BEGIN BY JANUARY '04 ![]() (Thanks to Max at the Brian De Palma.net forum! |
Posted October 28 2003![]() "There's probably De Palma in everything I do" ![]() |
Posted October 22 2003![]() AND DE PALMA IS THERE FOR SUPPORT ![]() (Thanks to KC!) ![]() ![]() |
Posted October 11 2003![]() 'OK, so we need a chainsaw and we need a prosthetic arm' ![]() |
Posted September 30 2003![]() "A CULTURAL HARBINGER" ![]() (Thanks to John Blaze at the briandepalma.net forum!) |
Posted September 27 2003![]() "CARLITO HELPS US UNDERSTAND PACINO'S MONTANA" Roger Ebert has chosen to write about Scarface for his bi-weekly "Great Movies" column this weekend in the Chicago Sun-Times. In the piece, Ebert focuses on Al Pacino's creation and performance of Tony Montana, which he sees as the crux of the film's success. Ebert contrasts Montana with Pacino's performances in The Godfather and Carlito's Way, suggesting that Pacino's "sadder and wiser Carlito, seen with psychological realism, helps us understand how many deliberate acting choices went into the creation of Tony Montana." Ebert also moves into an inspired discussion of Brian De Palma: "Scarface is an example of Brian De Palma in overdrive mode. Like Tony Montana, he isn't interested in small gestures and subtle emotions. His best films are expansive, passionate, stylized and cheerfully excessive, and yet he has never caved in to the demand for routine action thrillers. Even his failures (Snake Eyes) are at least ambitious. There is a mind at work in a De Palma picture, an idea behind the style, never a feeling of indifferent vulgarity. His most recent film, Femme Fatale (2002), was one of his best, an elegant and deceptive story based on the theft of a dress made of diamonds, which is stolen from the women wearing it during the opening night at the Cannes Film Festival. That the movie was not more successful is an indictment of the impatience of today's audiences, who want to be assaulted, not seduced." |
Posted September 25 2003![]() AND OTHER "UNSEEN & UNTOLD" STORIES FOR SPIKE TV ![]() |
Posted September 23 2003![]() SOUNDS LIKE TOYER ![]() |
Posted September 23 2003![]() "They’re going to hate this film in Hollywood... because it's about them." ![]() |
Posted September 22 2003![]() "It was De Palma and Stone coming together and clashing" ![]() NEW YORK -- During Universal's lavish Metropolitan Club soiree last week for its re-release, star Al Pacino questioned what exactly Scarface is. "It's not a movie," Pacino said. "I know it's a movie -- it's on film. But it's not a movie. What is it? It's?..." "It's an opera," suggested co-star Steven Bauer. "Yeah, but it's not a movie," Pacino said. After more reflection the actor decided: "It was Brian De Palma and Oliver Stone coming together and clashing. It was combustion." With this question finally answered, the last word on Scarface came from U Home Video prexy Craig Kornblau: "Who cares? It stood the test of time." |
Posted September 18 2003![]() "If this is the 'masterpiece' you say, leave it alone" ![]() THIS GENERATION'S ON THE WATERFRONT THE SUITS STILL WANT A NEW SOUNDTRACK ![]() EXCEEDING EXPECTATIONS |