Close To Home With Captain Janeway - continue
by Michelle Erica Green
There have been rumors every year of Voyager's imminent return to the Alpha Quadrant, but it seems more likely now, with Deep Space Nine going off the air at the end of this season. "I think if they go that way, they'll probably do it at the very end of this season, so that we can have at least a full year to explore those possibilities," noted the actress. "There's still a lot to explore out here. I'd like to have a really scary enemy who dupes me in the most clever way - I thought that might be Species 8472, but I don't think it's going to be. They might even take Janeway down a little bit, really down, down to loss of self-esteem." It seems that Janeway has already lost some self-esteem in her ongoing struggle with the mule-headed but often heroic Seven of Nine, whose presence last season was much-promoted by the network at the expense of Janeway and the other characters. The addition of the buxom Borg gave the show a great deal of publicity and allowed some new storylines, but many of the actors have been vocal about their displeasure with the obsessive attention to her, particularly since the ratings did not increase as the media hype suggested (see Mania's recent interviews with Robert Duncan McNeill and Robert Picardo for more on this issue). Mulgrew is diplomatic but echoes the sentiment that there has been too much Seven of Nine, with entirely too much attention paid to Jeri Ryan's physical attributes rather than her skills as an actress. "I understand that UPN was very anxious to establish this character, to get the ratings up and so on and so forth. Mission accomplished, and now we have to go back to what makes Voyager really compelling, which are the nine characters telling the story," she said flatly. "We've shot six episodes this season, and it's everybody but Seven - and but me, too, everybody's going to get their due. I cautioned them, and I think they know that balance must be restored - it's just very important that we tell the story of this group of people, and it in no ways becomes exclusive to one or two, because then it really loses its heart." Chemistry is important, the actress admits, but everybody on the cast needs to be given opportunities to shine - "actors will very often rise to the occasion when they're given big chances." There hasn't been a big Janeway episode filmed yet this season, yet Mulgrew says she's important in all of them. "I don't think she needs to have big episodes. She's big. I'm in everybody's life. I run the ship, more so now than ever before." Though Seven gave the Captain a lot of backtalk last season, countermanding orders and taking action without permission, the dynamic is changing: "She's arrogant, but less so - I certainly think Seven will calm down, to put it bluntly," Mulgrew declared. "I think I've come to trust her more, but Janeway takes her down a lot this season. It can spin in any direction, given her mood or mine ... so she can rub me the wrong way, I can rub her the wrong way. But I'm not going to abandon her or she'll die. I brought her on board, so I have to do all this." Mulgrew expressed the importance of bringing B'Elanna Torres back to the forefront after her absence due to actress Roxann Dawson's pregnancy last year. "Roxann has just finished the most wonderful episode - Brannon wrote an episode for that character which is about clinical depression, which was so gorgeous, I cried. In no way did the story suffer, there was a wonderful B plot and a horrible alien and all that, but we really got to see B'Elanna, and Roxann really was gorgeous in it." The balance of character story and science makes Mulgrew very happy. "Brannon knows that great writing is both things, the inside and the outside. What motivates the character and then what in fact the character does. That's good storytelling - he has that hook." The actress describes the dialogue as "dry and quick - the unexpected and therefore delightful, especially in long briefing room scenes." She went on to say that Braga understands subtext and "accepts that when people are agitated for a long period of time, they might not act like everybody else. He's going to take advantage of that. He is allowing the characters to make cracks, which believe me after four years in outer space they'd be making all over the place." So Janeway may come out of her ready room looking disheveled. "She's had too much coffee. She's pissed. She's human." UPN has been employing Mulgrew as an ambassador of sorts, sending her to various cities to do promotional work and encouraging her appearances with scientific and artistic organizations that look to Janeway and to herself as a role model, particularly for women. She is also involved in a great deal of charity work - along with Rosie O'Donnell and Geraldo Rivera, she helped raise nearly $2 million for Incarnation Children's Center in New York, and was the keynote speaker at a fundraiser for Sojourn, a women's shelter in Southern California. Mulgrew will be appearing this fall at a fundraiser in Seattle to help provide computers and internet access to underprivileged children. She also starred in Fiddler's Moon, a movie of the week for UPN's new feature on Thursday nights debuting this fall. Though there is a science fiction twist at the end of the film, Mulgrew described it as "really a relationship movie - a story about a woman and her son who's suffering from spina bifida, and her resurgence of faith through him." Her character has a romance with a man played by Corbin Bernson, "which was terrific, I really enjoyed him. And a month filming in Luxembourg, in the south of France, was great." The movie was her major project over hiatus from Voyager. Mulgrew spent the rest of the time catching up with her family: cooking for her two sons, sailing with her mother up the Aegean Sea, and visiting her sister in London while she was in Europe. "I took the boys to New York, where I hosted this evening for Sumner Redstone [the CEO of Viacom]. Then I came back and got to work, the minute I got home. I've just been flying around, doing my job. It's a good life." Doesn't sound all that different from Kathryn Janeway's, except the latter's "children" are her crewmembers. No wonder the actress and character seem to be merging.Mania Magazine, 8/14/98