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Lekhamoda

What is the current name of these rock shelters abundant in paintings and carvings? The locals call them Lekhamoda, justifying rock shelters with paintings or engravings. Four Kms North of Kanika is a Lekhamoda brimming with 216 specimens of paintings just within an area of 38 Mets. The back wall on which these paintings have been enshrined is exposed to vagaries of nature. Paintings range from the decorative patterns and frog figures to unidentified symbols. The broom patterns of Ushakothi type are repeated here, yellow has been a master colour and dominates the polychrome. The duel saw patterns in white superimposed on red are the pride of the artists of bygone era. Red and yellow blend to perpetuate the polychrome that has bright traces of purple red with white borders. Deer and Pangolin are recurring motifs in these rock paintings. Man and animal, man with matrix, man in his environ and cosmic patterns  interpreted variously still defy a meaning because it is time past.

 Another Lekhamoda at Tentlikhol is a rock shelter with East‑West orientation facing South. Randomly executed forms present enigmat­ic sampling of engravings. There are human figures in white with masks or headgear having upraised hands. The superimpositions of darkened wash in white suggest a later period. Human figures carry various implements and instruments like sword, sticks and double drums. They are also seen moving in series holding hands of each other. The carving mostly depicts female genitals of varied size and shape with natural or carved holes and slits.