By Nimish Pachapurkar
Anil Biswas - better known as Anilda among his fans - made his entry on the stage of Bombay film industry in 1934. He made his impact slowly with hits like Aaj himalay ki choti se fir hum ne lalkara hai and Dheere dheere aare badal, mera bulbul so raha hai, shorgul na macha (Ashok Kumar in Kismet - 1943). This man has an enormous number of feathers in his cap. If I were a composer and if I had composed something similar to Man mein kisi ki preet basa le (Aaram) even once in my life by sheer accident, I would have quit composing and lived on the memories of my own creation like a confirmed Narcisist. Piano has never sounded any sweeter than that. But Anilda never minded such compositions. He went on to compose Aa mohobbat ki basti basayenge hum (Fareb) (can you really believe that it is actually Kishor Kumar with Lata in that song!) and then Tumhaare bulane ko ji chahata hai (Laadali). Anilda gave break to many a singers in his long career. Two of the superb voices ever known - Talat Mahmood and Mukesh were introduced by Anil Biswas to us. The Talat-ace Ae dil mujhe aisi jagah le chal jahan koi na ho (Arzoo) was the first effort of the pair. And what a gem it was! Anilda got the best out of Talat in Tarana (1951). Talat simply sang his way to hearts of millions through Seene mein sulagate hai aramaan with Lata. Then there was one more master piece from the duo Nain mile nain hue baware. The Talat solo Ek main hoon ek meri bekasi ki shaam hai also had its share in the gargantuan success of the film. ![]() Mukesh was introduced to the audience by Anilda in his debut song Dil jalata hai to jalane de (Pahli Nazar). This nephew of Motilal first hit the fans of Saigal with his Saigal-inspired style. But later went on to cultivate a style of his own. There exists a story regarding this song also. Mukesh did not appear for the recording at the pre-decided time. Angry Anilda found him sleeping in his house totally unaware of the blunder he had made. Anilda gave a fine slap to Mukesh and asked him to come to senses. Mukesh immediately got up and recorded the song which changed his destiny. Mukesh sang the unforgettable melody for Anilda picturized on Premnath for Aaram - Ae jaane jigar, dil mein samane aa ja and the famous Jeevan sapana toot gaya (Anokha Pyar). ![]() Anil Biswas did not confine himself to the top playback singers once he made them. He got the all time great Door papiha bola, raat aadhi rah gayi (Gajre) from Suraiyya. Suraiyya also sang Raahi matwale (Waaris) for him. The first one is certainly one of her bests with Anilda's out-worldly touch of mystic added to it. Artists like Anil Biswas are seldom born. And when they create such ethereal musical beauties as he has, they leave behind a great treasure of first class music to fill lives of millions. Today's music directors would make a living for next thousand years plagiarizing the wealth of music that he has created so humbly in the last fourty years, and yet, they will not be able to explore even one tenth of what Anil Biswas did. Hats off to the genius!!! |
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