another Akkad project, LION OF THE DESERT. "I was unemployed at the time, so I was thinking $300,000 is a lot of money," Carpenter said. "We basically shamed Moustapha into it," laughed Yablans. "I told him, '$300,000 would probably be too much for you to invest,' knowing he couldn't back off because of his pride." John Carpenter was payed $10,000 to direct, write, and create music for the film, plus Carpenter would receive ten percent of the film's profits.Akkad was a bit worried, since the film had a tight schedule, low budget, and relatively new filmmakers at the helm. "Two things made me decide," Akkad told Fangoria magazine, "One, Carpenter told me the story verbally and in a suspenseful way, almost frame for frame. Second, he told me he didn't want to take any fees, and that showed he had confidence in the project."In addition to creative control, Carpenter also wanted his girlfriend at the time, Debra Hill, to produce. Hill told Fangoria, "The idea was that you couldn't kill evil, and that was how we came about the story. We went back to the old idea of Samhain, that Halloween was the night where all the souls are let out to wreak havoc on the living, and then came up with the story about the most evil kid who ever lived. And when John came up with this fable of a town with a dark secret of someone who once lived there, and now that evil has come back, that's what made HALLOWEEN work. We didn't want it to be gory. We wanted it to be like a jack-in-the box." The town of "Haddonfield" took it's name from Haddonfield, New Jersey, where Debra Hill was raised. Many of the street names were taken from Carpenter's hometown of Bowling Green, Kentucky. Laurie Strode got her name from an old girlfriend of Carpenter's. Hill wrote most of the "girl" dialogue, while Carpenter came up with Loomis' speeches on the evil of Michael. "We wrote the whole thing in three weeks. Then we just had to find the right actors," said Hill. Yablans wanted the script written like a radio show, with "boos" every 10 minutes. He also instructed that the audience shouldn't see anything.It should be what they thought they saw that frightens them.Casting for the film was next. "Jamie Lee wasn't the first choice for Laurie. I had no idea who she was. She was 19 and in a TV show at the time, but I didn't watch TV," Carpenter explained. His first choice was Annie Lockhart, the daughter of June Lockhart from LASSIE. "I knew casting Jamie Lee would be great publicity for the film because her mother was in PSYCHO," Hill said.During the brief pre-production time frame, Carpenter's old friend Tommy Lee Wallace (also Nancy Loomis' boyfriend) joined the crew. His responsibilities included production designer, art director, location scout, and co-editor. He also was the man responsible for creating the killer's mask. "The idea was to make him almost humorless, faceless - this sort of pale visage that could resemble a human or not," said Hill. "First came a clown mask, which we all thought was eerie and scary," Wallace told Fangoria. "A clown mask really shakes you up a bit, so we knew we were on solid footing." Then came the Kirk mask. Wallace visited Burt Wheeler's Magic Shop on Hollywood Boulevard. He bought a Captain Kirk mask for $1.98, "widened the eye holes and spray-painted the flesh a bluish white. In the script it said Michael Myers' mask had 'the pale features of a human face' and it truly was spooky looking.It didn't look anything like William Shatner after Tommy got through with it," Carpenter recalled. "We bought my entire wardrobe at JC Penney for probably a hundred bucks," says Jamie Lee Curtis. The cheap and conservative look helped convey her character's attitude.HALLOWEEN was shot in 21 days in the spring of 1978, mostly in South Pasadena California. Pumpkins in March were a problem, as were the palm trees of sunny California. Fake leaves were raked up and reused due to the low budget.Production started at an old abandoned house (the Myers house), which was owned by a church. The crew worked out of cinematographer Dean Cundey's Winnebago. The caterer's truck was featured as the "Phelps Auto Service" truck in one shot, while Carpenter's old Cadillac showed up in another. "When we needed kids walking down the street, anyone who had a family rounded up their kids. Everyone helped out - it was just the joy of making movies," Carpenter explainedThe entire crew worked together to redecorate the old Myers' house for the last scene shot - which was the opening scene. Crew members had to move lights as the long opening shot, reminiscent of TOUCH OF EVIL, was filmed. "John had planned these elaborate shots. The setup for it really was a lot of work," Nancy Kyes (who played Annie) recalled. Debra Hill's hands doubled for young Michael's. "We couldn't afford another kid to hold the knife later that night, so that's my hand holding the knife that stabs Michael Myers' sister. I had the littlest hands," Debra Hill proclaimed.Carpenter worked closely with Curtis, creating a "fear meter," since the film was shot out-of-sequence. "Here's about a 7, here's about a 6, and the scene we're going to shoot tonight is about a 9 1/2," said Curtis, remembering John Carpenter's directions.We were like these little kids who they were coming to with $300,000, and we really wanted to put everything on the screen," said Debra Hill. The film went on to become one of the highest grossing independent films of all time. A key success factor was John Carpenter's score, consisting of a haunting piano melody, a 5-4 time rhythm Carpenter learned from his father. Carpenter stated in an interview, "I can play just about any keyboard, but I can't read or write a note." Carpenter used the name "The Bowling Green Orchestra" and created the horrific soundtrack. He and a few pals on the crew got together and created a group called "The Coupe Devilles" - their song can be heard in the background as Laurie gets into Annie's car. Also helping was composer/orchestrator Dan Wyman, in his arrangement and "electronic realization" of the Halloween themes. Wyman is currently a professor at San Jose State University in California, in the electronic music department. He has an extensive background in creating soundtracks for major motion pictures including another one of John Carpenter's greats, THE FOG.HALLOWEEN opened up slowly, with a platform release. But word of mouth grew, and soon it was a hit. "Right after HALLOWEEN, I started ELVIS, and I wasn't paying attention to how HALLOWEEN was doing. Then, around Christmas, people started treating me nice. All my friends were looking at me like I was keeping some secret, and studio people wanted to meet with me," said Carpenter. Slowly the critics came around, too. HALLOWEEN went on to gross $55 million theatrically. Unfortunately, most of the creative players involved didn't have very good deals. Nick Castle, who played the Shape, was payed only $25 dollars a day. Curtis only received $8,000 for her participation, while Pleasence took a flat $20,000 fee. "After it took off, I did see some of it, though. I can't remember exactly how much money I made off the film. I do remember getting one check for over a million dollars - that wasn't bad," Carpenter recalled. "Over the years, we've seen a lot of money from all the HALLOWEEN movies," said Hill. "But if I knew then what I know now, I'd be rolling in it. I really resented it when Irwin Yablans drove up in a yellow Rolls-Royce and bought a yacht.""Everyone had something to prove with HALLOWEEN," said cinematographer Dean Cundey. "We were all struggling because it was a very hard time to break into mainstream Hollywood." HALLOWEEN more or less created the slasher film. Many films since have duplicated the "kill point-of-view" camera perspective. The film stock used on the film conveyed the colors of fall perfectly, and filming the movie in Panavision scope format added to it's horrific feeling. Many critics of the film have brought up the fact that Laurie (the virginal character) was the only female to survive. Lynda, Annie, and Judith, who are up to no good with their boyfriends, all fall prey to The Shape. Debra Hill and John Carpenter both deny any preconceived notion on this theme appearing in the film. Overall, they wanted to convey the idea that evil can appear in even the smallest of towns. Although it has been duplicated by many films, the legacy of HALLOWEEN continues, and it remains a very distinctive classic.
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