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1974 Best Picture:
The Godfather Part II

The Competition:

Chinatown, The Conversation, Lenny, The Towering Inferno

Other Winners:

Best Actor:  Art Carney, Harry and Tonto
Best Actress: Ellen Burstyn, Alice Doesn't Live Here Anymore
Best Supporting Acting:  Robert De Niro, The Godfather, Part II
Best Supporting Actress: Ingrid Bergman, Murder on the Orient Express
Best Director:  Francis Ford Coppola, The Godfather, Part II


Cast: 
Al Pacino, Robert Duvall, Diane Keaton, Robert De Niro, Talia Shire, Morgana King, John Cazale, Mariana Hill, Lee Strasberg


Young Vito Corleone and his mother beg for help from a Sicilian Don. Al Pacino is Michael Corleone, the new head of the family business. Diane Keaton is Kay, hanging in despite broken promises that the family would be out of the business by now.

Storyline:  The Godfather, Part II is sort of like a prologue and an epilogue to the first film.  It tells the story of Vito Corleone, and his rise to power as a Mafioso Don, as well as the fall of the family fortune, under the helm of his son, Michael.  

Did It Deserve to Win?  You wanna believe it did!  The Godfather, Part II is a rarity in cinema history, not only in the fact that it is a successful sequel, but it is actually a better film than its predecessor.  

Chinatown was the closest competition, as a film noir-esque drama starring Jack Nicholson and Faye Dunaway, both in their peak years.  Coppola also had a smaller picture, The Conversation, up for the win, proof that he too was enjoying his glory days as a director.

The Towering Inferno was proof that the disaster genre was in its heyday, and the biopic, Lenny, was about the glory days of controversial comic, Lenny Bruce.  


Pacino and Keaton are shot at from their bedroom window. When a Senator doesn't co-operate, he is found with his pants down, and a hooker butchered. Pacino as Corleone gets his hands dirty in Cuba.

Critique:  The Godfather, Part II is a complicated film, and Coppola is careful to take care of tiny little details, while still presenting the big picture, on a grand scale.  Once again, real life events are intertwined with fiction, this time the Cuban revolution of the 1950's, and American immigration around the turn of the century, being the focal points.  

While in the first film, Michael Corleone is the naive upstart, new to the business, and not yet corrupted by the lure of the business.  In this film he assumes the role as head of the family, and he rules with an iron fist.  He is sharp, and to the point.  Meanwhile, the life of his father, Vito Corleone, is explored through flashbacks throughout the film.  Here we see a complete role reversal, as in the first film, we were introduced to Vito as head of the family, weathered, but dangerous.  This sequel presents his rise to power, from a dreadful beginning in Sicily, when his parents are murdered by a dangerous Don, to his rise, as an immigrant in the United States. 

The performances in this film seem to be a lot better than the first.  Pacino is excellent as the favored son, assuming the position of power.   De Niro takes over from Brando, playing the the young Vito in a manner that is a compliment to the performance that Brando gave in the first film.  It's no surprise that he won the Best Supporting Actor Oscar.  Talia Shire is back as sister Connie, newly divorced, and trying to get her life back.  Her character truly takes shape in this film.  Diane Keaton as Kay, continues to play the role of the neglected wife, to perfection.  And of course, supporting performances from Lee Strasberg as Hyman Roth, John Cazale as brother Fredo, and Michael Gazzi as Frankie, are all part of what makes this a great film.

Famous acting coach, Lee Strasberg, plays Hyman Roth, a friendly enemy to Michael. Robert DeNiro as young Vito Corleone, moves to New York, and gets involved in the racqet there. The local Don stands in Vito's way for only so long.

Michael V. Gazzo is Frankie, who in the end is a traitor to the Corleone family, when he testifies against them.

Diane Keaton confesses that she had an abortion, as she wasn't ready to have a child with Michael. Young Vito returns to Sicily to exact his revenge on the aging Don who killed his parents.

Behind the Scenes: The Godfather, Part II was nominated for eleven Academy Awards, and won six of them, including Best Supporting Actor for DeNiro and Best Director for Francis Ford Coppola.  DeNiro was originally supposed to play a part in the first movie.  He actually read for the part of Michael Corleone.  Pacino was originally slated to play in Bang the Drum Slowly, and Coppola pulled some strings to have him taken out.  DeNiro went on to take that role, and was later cast in the second film as Vito Corleone. 

Sophia Coppola played three different roles in the three films.  She was a baby at the christening scene at the end of the first film.  She was a small child on the boat to New York at the beginning of the second.  And she played a prominent role, that of Mary Corleone, Michael's daughter, in the third film. 

1974 was definitely Coppola's year.  He was nominated for The Conversation, and he also had writing credit for another big film that year, The Great Gatsby.  He won the Best Director Oscar against formidable competition, including Bob Fosse, who took the award in 1972 for Cabaret.  Meanwhile, his father, Carmine Coppola, was also a winner that year, taking home the Oscar for Best Original Score for The Godfather, Part II.

Ellen Burstyn won her Best Actress Oscar for a film that she co-produced.  She hired Martin Scorcese to direct, stating that she wanted a director that was 'hungry' to direct.  She also wanted someone that could tell the story from a woman's point of view.  Burstyn didn't attend the ceremony.  Instead she chose to work that night, on Broadway, in the play, Same Time Next Year.  She felt that there was no point.  "I won't win," she said.  "I never do."

Ingrid Bergman won the Best Supporting Actress Oscar for Murder on the Orient Express.  She became the third actor to win three.  She was led by Walter Brennan and Katherine Hepburn.

The Godfather, Part II is the only sequel to ever win a Best Picture Oscar.  The role of Vito Corleone is the only character ever to win Oscar's for two different actors.  And Robert DeNiro is one of three actors (Sophia Loren and Roberto Benigni are the others) to win Oscar's for performances played in a foreign language.