1993 certainly goes down in history as one of the biggest years for double nominations.  As Whoopi Goldberg joked at that years ceremony, there were very few good roles for actresses that year, and the ones that there were, "Emma Thompson and Holly Hunter took for themselves."  

Considering that a double nomination is such a rarity, it was a huge surprise when both Thompson and Hunter found themselves nominated in the Best Actress and Best Supporting Actress category in the same year.   


'93 was Holly Hunter's year.  In the summer, she played a supporting role in the hit film, The Firm.  The John Grisham story, and the Tom Cruise vehicle earned big box office, and Holly rode the wave as a sassy secretary who helps Cruise fight the mob.  At the end of the year, she appeared in a starring role of her own, in the controversial, and sexually intriguing, The Piano.  Jane Campion's Oscar nominated film looked at a deaf mute in the mid-nineteenth century, who finds passion in her piano, as she is exiled into an arranged marriage in remote New Zealand.

It was more than just Emma Thompson's year - it was her decade.  The British Actress already took home an Oscar a couple of years earlier for Howard's End.  The film made her a household name, and Thompson used her fame wisely, soon becoming a producer and writer for many of her own projects.  

In '93, she chose two roles, including a supporting part in the politically charged Irish film, In the Name of the Father, playing a lawyer who defends a man when he is implicated in an IRA bombing.  Also, she took on another role from the production team, Merchant-Ivory, that brought about Howard's End.  She re-teamed with Anthony Hopkins to play the head servant in an early twentieth century castle, in Remains of the Day.

While both actresses were good in their roles, critics like Roger Ebert were quick to point out the senselessness in the double nominations, suggesting that other actresses could have occupied those supporting actress slots.  "We know that Holly Hunter is going to win for The Piano, you didn't have to be a rocket scientist to figure that out," he said.  "Why not spread the net a little wider?  Show a little more imagination and nominate someone else who deserves a nomination."

Hunter was the odds on favorite to win the Oscar and she didn't disappoint.  In doing so, she became the first double nominee to win the Best Actress category, instead of the Supporting one.  It was a further surprise when her 11 year old co-star, Anna Paquin went home with the Best Supporting Actress Oscar.

Emma Thompson, meanwhile, went home empty handed - but she needn't have worried.  Her chance would come again!

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Holly Hunter gets the nod without even saying a word!
As the deaf-mute, Ada, Holly is sent to New Zealand, and into an arranged marriage.
With her daughter, played by Oscar-winner, Anna Paquin, Holly prepares to meet her new husband. 
Holly is devastated that her new husband insists upon leaving her precious piano behind, as they embark on a journey to her new home. 
She is furious when she learns that Harvey Keitel, as the hired hand to her husband, has taken the piano for himself.
Harvey allows Holly to play the piano in exchange for certain favors.
 
Things get complicated when Holly actually starts to fall in love with Harvey. 
When her husband, Sam Neil, gets wind that something is going on, trouble starts.
 
Sam tries in vain to communicate with his love struck wife.
 
Holly suffers the ultimate punishment for her actions, by losing a finger to the axe!