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Ain't Misbehavin'
Here are the fingerings that I use to play a chord-melody arrangement of Thomas "Fats" Waller, Andy Razaf, and Harry Brooks' 1929 standard Ain't Misbehavin'. Common usage now adds an additional measure to create more typical eight bar sections and the opening progression substitutes an ascending chromatic bass line for the original cyclical Standard (I-vi-ii-V) chord progression. K. J. McElrath, Musicologist for JazzStandards.com, explains it this way: "The harmonic movement of A as originally written is fairly simple, based on I ii7 V7 and I V7/IV IV iv progressions and variations. More recently, jazz players use an ascending progression of I - vii˚7/ii ii ii˚7, etc., almost identical to Doin the New Lowdown and similar to the opening measures of Memories Of You. I play it in the key of C not the usual key of Eb. The song is played in a moderate 4/4 time. I used the chord progression from "[HL] The Real Book - Volume III"
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A
C C#o7 Dm7 D#o7 C/E E7#5 F6 Bb9
E-------3-3-|---0----5-|-3-5-3--8-8-7-|-10-8-5-0-----|
B-1-3-1-2---|-3---3--4-|-1------5-----|-10-----1-4-3-|
G-0-----3---|-2------5-|-0------7-----|-10-----1-----|
D-2-----2---|-3------4-|-2------6-----|-10-----0-----|
A-3---------|----------|--------------|--------1-----|
E-----------|----------|--------------|--------------|
1. 2. 3. 4.
C A7b9 Dm7 G7 E7 A7 D7 G7
E--------3-3--|----0-1-3-4-3--|--0----0--|----------||
B--1-3-1-2----|--3-------3-3--|--0----2--|--5----5--||
G--0-----3----|--2-------4-4--|--1----0--|--5----4--||
D--2-----2----|--3-------3-3--|--0----2--|--4----3--||
A--3-----0----|------------5--|--2----0--|--5-------||
E-------------|------------3--|--0-------|-------3--||
5. 6. 7. 8.
A
C C#o7 Dm7 D#o7 C/E E7#5 F6 Bb9
E-------3-3-|---0----5-|-3-5-3--8-8-7-|-10-8-5-0-----|
B-1-3-1-2---|-3---3--4-|-1------5-----|-10-----1-4-3-|
G-0-----3---|-2------5-|-0------7-----|-10-----1-----|
D-2-----2---|-3------4-|-2------6-----|-10-----0-----|
A-3---------|----------|--------------|--------1-----|
E-----------|----------|--------------|--------------|
9. 10. 11. 12.
C A7b9 Dm7 G7 C6 Bb9 C6 E7#5
E--------3-3--|----0-1-3-4-3--|---------|-----------||
B--1-3-1-2----|--3-------3-3--|--1---1--|---1---1---||
G--0-----3----|--2-------4-4--|--2---1--|---2---1---||
D--2-----2----|--3-------3-3--|--2---0--|---2---0---||
A--3-----0----|------------5--|--3---1--|---3---2---||
E-------------|------------3--|---------|-------0---||
13. 14. 15. 16.
B
Am7 F7 D7 A7
E------------|------------|-----------|--------------|
B--1----1----|--1----1----|--1----1---|---2----2-----|
G--0-2--0-2--|--2-2--2-2--|--2-2--2---|---0-2--0-2---|
D--2----2----|--1----1----|--0----0---|---2----2-----|
A--0----0----|--0----0----|--0----0---|---0----0-----|
E------------|------------|-----------|--------------|
17. 18. 19. 20.
G G#o7 Am7 D7 G7 A7 D7 G7
E------------|--------------|-----------|-----------||
B---3--3-3---|---3----0-----|-----------|---5---3---||
G---4--4-----|---5-5--5-2---|---0---2---|---5---4---||
D---5--3-----|---5----4-----|---3---2---|---4---3---||
A---5--------|--------5-----|---2---0---|---5---5---||
E---3--4-----|---5----------|---3-------|-------3---||
21. 22. 23. 24.
A
C C#o7 Dm7 D#o7 C/E E7#5 F6 Bb9
E-------3-3-|---0----5-|-3-5-3--8-8-7-|-10-8-5-0-----|
B-1-3-1-2---|-3---3--4-|-1------5-----|-10-----1-4-3-|
G-0-----3---|-2------5-|-0------7-----|-10-----1-----|
D-2-----2---|-3------4-|-2------6-----|-10-----0-----|
A-3---------|----------|--------------|--------1-----|
E-----------|----------|--------------|--------------|
25. 26. 27. 28.
C A7b9 Dm7 G7 C6 (Dm7 G7)
E--------3-3--|----0-1-3-4-3--|---------|-----------||
B--1-3-1-2----|--3-------3-3--|----1----|----(1)----||
G--0-----3----|--2-------4-4--|----2----|----(2)----||
D--2-----2----|--3-------3-3--|----2----|----(2)----||
A--3-----0----|------------5--|----3----|----(3)----||
E-------------|------------3--|---------|-----------||
29. 30. 31. 32.
Alternate Fingerings
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(1) Bars 1 through 4: (Try |Em7 / Gm7 C7| for Bar 3)
C6 A7 Dm7 G7 C6 C7 F6 Fm6
E-------3-3-|--------5-|-3-5-3-8-8-7--|-10-8-5-0-----|
B-1-3-1-2---|-3-5-3--5-|-1-----8------|-10-----1-4-3-|
G-2-----0---|-5------4-|-2-----9------|-10-----1-----|
D-2-----2---|-3------3-|-2-----8------|-10-----0-----|
A-3-----0---|-5--------|--------------|--------------|
E-----------|--------3-|--------------|--------1-----|
1. 2. 3. 4.
(2) Bars 5 through 8: (Try |C/C#o7/|Dm7/G13/| for Bars 1 & 2)
C6/E A7 Dm7 G7 E7 A7 D9 G7
E--------3-3--|----0-1-3-4-3--|--0----0--|--0----0--||
B--1-3-1-2----|--3-------3-3--|--0----2--|--1----0--||
G--2-----0----|--2-------4-4--|--1----0--|--2----0--||
D--2-----2----|--3-------3-3--|--0----2--|--0----3--||
A--3-----0----|------------5--|--2----0--|-------2--||
E--0----------|------------3--|--0-------|-------3--||
5. 6. 7. 8.
(3) Bars 17 through 20: (No Pedal Point; Try Am6 for D7)
Am7 F7 D7 A7
E------------|------------|-----------|--------------|
B--1----1----|--1----1----|--1----1---|---2----2-----|
G--0-2--0-2--|--2-2--2-2--|--2-2--2---|---0-2--0-2---|
D--2----2----|--1----1----|--0----0---|---2----2-----|
A--0----0----|--3----3----|-----------|---0----0-----|
E------------|--1----1----|-----------|--------------|
17. 18. 19. 20.
(4) Bars 21 through 24:
G6 E7 Am7 D7 G7 A7 D7 G7
E------------|--------------|-----------|---0-------||
B---3--3-3---|---3-1--0-----|-----------|---1---3---||
G---4--1-----|---0----2-2---|---0---2---|---2---4---||
D---2--0-----|---2----0-----|---3---2---|---0---3---||
A------2-----|---0----------|---2---0---|-------5---||
E---3--0-----|--------2-----|---3-------|-------3---||
21. 22. 23. 24.
Alternate Turnarounds:
Bars 15 & 16
|C / Fm / |C / E7 / ||
|C6 / F6 Fm6 |C6 / E7 / ||
|C / F9 F#o7|C/G / E7#5 E7 ||
Bars 31 & 32
|C6 / Am7 / |Dm7 / G7 / ||
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