Minor blues are constructed primarily around minor chords that give a more dark, mournful sound than major blues.
Below are examples of the three main types of minor blues. The "i-iv-v" type where all three chords are minor. The
second is the "i-iv-V" type where the "V" chord is a dominant with the other two minor. The last is the "i-IV-V"
where only the "i" chord is a minor with the other two dominant. You will find that the minor blues progression
translates well into rock. Although not a strict minor blues, you will want to check out Black Magic Woman
which is a great example of a “Pop Blues” progression

Bar:
1	2	3	4	5	6	7	8	9	10	11	12
All Your Love (I Miss Loving)
C#m	C#m	C#m	C#m	F#m	F#m	C#m	C#m	G#m	F#m	C#m	C#m
Killing Floor
C#m7	C#m7	C#m7	C#m7	F#m7	F#m7	C#m7	C#m7	G#m7	F#m7	C#m7	G#7#9
The Thrill Is Gone
C#m	C#m	C#m	C#m	F#m	F#m	C#m	C#m	AM7	G#7	C#m	C#m
Double Trouble
C#m	C#m	C#m	C#m	F#m	F#m	C#m	C#m	G#7	F#m7	C#m	C#m
Long Train Runnin'
C#m7	C#m7	C#m7	C#m7	F#m7	F#m6	C#m7	C#m7	A7	C#m/G#- G#7	C#m7	C#m7
All Your Love
C#m	C#m	C#m	C#m	F#7	F#7	C#m	C#m	G#9	F#9	C#m	A7-G#7
Chitlins Con Carne
C#m7	C#m7	C#m7	C#m7	F#7	F#7	C#m7	C#m7	G#m7	F#7	C#m7	C#m7
Since I've Been Loving You
C#m	F#m	C#m	C#m	F#m	F#m	C#m	C#m	G#m	A	C#m/E- G#7/D#- C#m- E7	D#7- DM7
Backcycled Substitution
C#m7	C#m7	C#m7	C#m7	F#m7	D#m7b5- G#7	C#m7	C#m7	A7	G#7	C#m7	D#m7b5- G#7
Descending Minor Cliche Substitution
C#m	F#m	C#m- C#m(M7)	C#m7- C#m6	F#m- G#m	F#m- A	C#m- C#m(M7)	C#m7- C#m6	G#m	F#m- A	C#m- F#m	A- G#7