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The strong, visual images, accentuated by percussive stabs of notes strummed hard on the guitar, were to set the tone for subsequent albums (until she started hiring backup musicians). Eventually, this style would form the basis for Ani's folk-punk sturm und drang. On her first album, Ani showed she wasn't afraid of mincing words, of painting landscapes of fear, dread, loathing, disgust, and ambivalence while seeking the truth (especially to one's self) and a nobility in life despite all the odds. Of being "on her own" in a world not of her choosing. This sense of alienation would resurface often on subsequent releases.
Drawn from an immense wellspring of personal experiences, the first album is a classic of modern folk, on par with impressive debuts from Suzanne Vega, The Indigo Girls, and Beth Orton. ~ Raffaele Quirino
(Quirino, Raffaele. Ani DiFranco: Righteous Babe. Ontario, Canada: Quarry Press Inc., 2000.)