Polly Jean Harvey takes another brilliant leap forward with an album that is at once both her most accessible to date and her most accomplished. Clearly, this is the work of the artist of the decade.
This punk drummer turned rootsy crooner will make you believe that country's not dead. By combining a Patsy Cline inspired twang with a bleak PJ Harvey world view, Neko has crafted a collection of homespun ditties that cuts to the bone.
Emmylou was a pioneer of Americana before they even had a catchy name for this blossoming genre of music. This nearly perfect collection of exquisitely personal songs will convert even the most steadfast detractors of country music.
Lynne was once accused of being Nashville's version of Celine Dion: an over-singer in search of decent material. Teamed here with Bill Bottrell, Sheryl Crow's Tuesday Night Music Club producer, Lynne has finally found an outlet for her formidable pipes. A little bit of Bonnie Raitt mixed with a whole lot of Dusty Springfield, Lynne will have you lapping up her tough-talking, no-nonsense Alabama tales.
Just when you thought you'd never hear again from this supreme popmeister, he returns with his best collection of quirky gems. Much too complex and clever to absorb in one sitting, these twisted tales reward repeated listenings.
The stunning Osborne finally followed-up her acclaimed Relish this year with an infectious album of bluesy ditties. Many fans thirsted for a carbon copy of her earlier success. Instead, Joan chose to show some growth as an artist. From the big blues funk of Running out Of Time to the middle eastern influences of If I Was Your Man Joan challenged and surprised with this long-awaited collection.
Here we have another returning artist who refuses to simply repeat past successes. Sinead continues to entertain and confound the masses. If her fans at times aren't sure what she's thinking, it's probably safe to assume that the woman herself doesn't have a clue either. She seems to simply speak from the heart, and we're all the better for it.
Having never been a huge Bjork fan, I was surprised by this powerful soundtrack to the film, Dancer In The Dark. Her blending of big showtunes with industrial sounds fits in perfectly with the context of the film and creates a unique musical genre.
Faithfull's first collection of original material in years is a surprisingly autobiographical tour of her psyche. Much has been written about Faithfull's gorgeously weathered voice. Never has her unusual instrument been put to better use than with this fine chapter in her Vagabond life.
Much like her previous effort, Amsterburg's latest release mines a territory of surreal and dreamy folk landscapes that are probably too delicate to ever bring her mainstream success. However, for those melancholy moments, nothing compares to her mournful wails and insightful lyrics.
This Icelandic pop princess is one of my favorite all-time artists. Selmasongs starts with an all instumental piece that has a somber overtone, but drives you into an emotional frenzy by the end. The rest of the album is a brilliant combination of songs that superimposes the traditional Bjork sound with showtunes and industrial noise.
Damn this girl can sing. Sade takes her smooth sound to a new level with this album. She keeps her technique the same, but refuses to let it go stagnant by adding new twists and turns.
See Dan's paragraph. I could not have said it better myself.
Great album. Listen to it.
This album is fantastic. Unfortunately, it was released too late in the year. This should have been a huge summer blockbuster, but the studio executives have their heads somewhere deep (if you know what I mean).
If you are a fan of Classical Music, Folk music, or Americana then this album is a must-have for your collection. Yo-Yo Ma takes his perfect cello sound and brings these traditional American songs alive with vigor.
For some reason I was drawn to another album of traditionals this year. This one is done by Jane Siberry, who has one of the most beautiful voices in the business. She brings these Americana classics subtly to you with grace and poise.
See Dan's paragraph.
The Chieftans are an amazing group of musicians whose sound transcends all traditions and nationalities. This great album finds them returning to a less pop-influenced sound and brings them full circle to their celtic roots.
This is one of Delerium's best all time albums. I was introduced to this band by Jonathan, a friend from Boston, and I am forever grateful.
Good freshman album. Her sound reminds me of a crossbreed between Bjork and Mazzy Star.