Frank J. Marshall (2350) - Emanuel
Lasker (2787)
[D50]
Super-Master (Round-Robin) Tournament
Paris, France (Round # 6), 28,05,1900.
[A.J. Goldsby I]
Marshall himself considered this one
of his very best games. It IS
notable,
if for no other reason, than for the fact
that this was the ONLY chess game
that Lasker lost during the whole of
this extremely strong event.
A slightly unusual opening is quickly
followed by a position where White
basically traps a Black Knight behind
the lines. The next segment of the
game features White trying to encircle
and win the poor beast ... and Lasker,
of course!, struggling mightily to
prevent this from happening.
In the end, Marshall wins the Knight ...
but Lasker was NEVER one to go
quietly! Marshall indeed wins the game,
but not before overcoming all the tricks
and resistance that his opponent can
muster. An very entertaining game.
This win was also part of a 6-1 spurt
in the early part of the tournament for
young Marshall. Unfortunately (later) he
dropped a couple of key games and
did not get first or second prize.
******************************************************
{The rating for Lasker comes from
the web site, "Chess-Metrics," by the
statistician, Jeff Sonas. The rating
for Marshall is merely a pre-tournament
estimate. Marshall had little or no
International experience prior to this
event.}
******************************************************************************
1.d4 d5;
2.c4 e6; 3.Nc3 Nf6; 4.Bg5, {Diagram?}
The main line of the Queen's Gambit,
and the method first extensively used
by another
great American player ...
Harry Nelson Pillsbury. (4.Bg5 = "The
Pillsbury Attack.")
[ After
4.Nf3,
Lasker used to
(nearly) always play the move:
(4.) ...c5!?;
{Diagram?} claiming that Black gained complete
equality with this 'hit'
on the center. ]
4...c6;
('!?')
{Diagram?}
"Somewhat unusual for Lasker," says
the Hilbert book on Marshall.
{See the Bibliography at the end of
this game.} Normally Lasker played
the move ...c5;
at this point.
(For one
example, see Lasker's win over the
great H.N. Pillsbury from the great
St. Petersburg
[Quadrangular] Match Tournament of
1895-'96. Lasker
considered this game to be the greatest
game of the whole of his chess career.)
Of course there is nothing wrong with
the move ...c6 at this point, it greatly
fortifies the center
and also keeps
the second player's options open.
[ Of course the move:
4...Be7; {Diagram?}
(immediately breaking the pin),
is still the one that is most often
played at this point - and almost
always leads to the main lines.
***************************************************
With the moves of: 4...dxc4!?; 5.e3,
{Diagram?}
we could transpose to a
"Queen's Gambit Accepted."
]
5.e4!?,
(premature?)
{Diagram?}
[ Please note: '?!' - GM Andrew Soltis.]
An in-depth study of Marshall's games
will reveal that he had a predilection for
an early P-K4,
and played it at almost
every available opportunity. (He even
invented a Gambit in the Slav - that
is
still named after him - that features an
early e2-e4 advance.)
Depending on which opening book that
you read, this move is either good or
bad! Some call it:
"an inferior simplifying
advance, greatly increasing the odds of
the game ending in a draw."
Another opening manual praises this moves as:
"the most vigorous response." (But does
note that
it presents the second player
with increased opportunities for some
early simplification.)
My take on this move is that is fully
playable, and it may also boil down
purely to a question of style.
Do you
like active piece play ... or do you prefer a slower build-up in
the opening phase of a chess game?
*******
"For a number of years I was fond of
this move in similar positions. Eventually
I discarded it,
as it cannot lead to a
permanent initiative." - GM Frank J. Marshall. (M.F.Y.O.C.)
[ After the moves of:
(>/=) 5.Nf3 Nbd7; 6.e3 Be7;
7.Rc1 0-0; 8.Bd3,
{Diag?}
we have transposed to the main lines
of the
"Queen's Gambit Declined."
( See any good opening book, like
"Modern Chess Openings." {MCO} )
As this heroic contest was played
over 100 years ago, I strongly feel
any thorough
opening survey would
be both pointless and completely
misplaced! ]
The next few moves look reasonable.
5...dxe4;
6.Nxe4 Bb4+; 7.Nc3, {Box?}
{Diagram?}
This move appears to be virtually
forced for White.
[ Another move had been played
by White in this position:
</= 7.Bd2?! Bxd2+!;
{Diagram?}
This is definitely the most accurate
move for Black in this position.
( Less accurate is:
</= 7...Qa5!?; ('?!') 8.Nd6+ Ke7;
9.c5!, "+/=" {Diagram?} and White went on to win ...
as
actually occurred in one of
Pillsbury's games. )
8.Nxd2 [],
{Diagram?}
This is completely forced.
( </= 8.Qxd2?? Nxe4; "-/+" )
8...Qxd4;
"/+" {Diagram?}
is - in all probability - an unsound
pawn sacrifice. ]
7...c5!?;
(counter-attack)
{Diagram?}
Almost dogmatically - as he advised
in his "Manual of Chess," - Lasker pursues the
c7-c5 advance here.
{But it may not even be the best
move here, despite the fact that
many
authors have given it an exclam.}
*************************
*************************
"It begins to appear as if White will
have trouble with his Queen-side
Pawns." - F.J. Marshall.
[
>/= 7...h6!;
8.Bf4!? 0-0;
9.a3! Be7; 10.Nf3,
"=" ]
8.a3 Bxc3+;
9.bxc3 Qa5!; 10.Bd2[] Ne4; ('!?')
{Diagram?}
I am sure that this move is very sharp,
and also fully playable. And contrary
to what he advised all students to do,
(in his book, "Lasker's
Manual of
Chess"); Lasker often sought out complications in the opening phase of
the game ...
often (even) deferring his
development to do so!
[ Maybe Black should play:
(>/=) 10...0-0; 11.Nf3 Ne4;
12.Bd3 Nxd2;
13.Qxd2,
"=" {Diagram?}
with a good game for both sides. ]
11.Nf3!?,
(Maybe - '!')
{Diagram?}
"Very subtle, and - in view of the
(end) result - quite sound."
William Ewart Napier.
(Napier was a strong player, and the
subject of a book I recently purchased.
"Napier - The Forgotten Chess
Master," {© 1997} by John S. Hilbert.)
*************************
In actuality, this move sets a trap ...
albeit a very deep one. Marshall offers
the c-pawn as bait ...
and hopes
Lasker will accept.
[ After the moves:
11.Bd3 Nxd2;
{Diagram?}
we transpose into the last note.
]
11...Nxc3!?;
(dubious?)
{See the diagram ... just below.}
Lasker accepts the challenge ... grabs
the proffered pawn ... "and is - from
this point on - clearly outwitted."
- W.E. Napier. (- Brooklyn Eagle,1900.)
*************************
*************************
"Although careful analysis proves this
move to be playable, the results it achieves are
hardly worth the risk
involved." - F.J. Marshall. ( '?!' - Frank J. Marshall )
[ Probably better is:
>/=
11...Nc6!; 12.Qc2!? Nxd2;
13.Qxd2 0-0; "=" {Diagram?}
when Black has at least full
equality from this position.
(Possibly - "=/+") ]
12.dxc5!,
'±' (pin, on the e1 to a5 diagonal)
{Diagram?}
Based on the newspaper accounts
in Paris about this game, it is highly
probable that Lasker
underestimated,
or simply missed this move. (One
account said he gave a small snort
and
shifted in his chair about the time
that this move was played.) '!' - Frank J.
Marshall.
"White has been outplayed in the
opening, but makes a fine decision at move(s)
11 and 12." - GM Andy Soltis. ('!' - GM Andrew Soltis.)
[ Much less accurate would be:
</= 12.Qc2!?,
('?!')
12...cxd4; 13.Nxd4,
13...Qe5+; 14.Be3 Ne4;
"~" {Diagram?}
when Black is probably
already just a little better. ]
Now White threatens the very plain
Qc2, and the Knight on c3 is simply
lost for little or no
compensation.
This forces Lasker to capture on d1,
and hope that he can ride out storm.
(The next few moves appear forced.)
12...Nxd1;
13.Bxa5 Nb2; {Diagram?}
The Knight tries to escape on a4,
but this is easily ruled out by Marshall.
Soltis ... MOST incorrectly - gives this
move a dubious mark. ('?!') He goes
on to note
that Black could have played
...b6; as recommended by the great
Karl Schlechter.
(But the idea simply
does not stand up to close scrutiny.)
[ After the moves:
</=
13...b6?!;
('?')
14.cxb6 axb6; 15.Bxb6 Nb2;
16.Bd4 Na4; 17.Bxg7,
'±' (Maybe "+/-") {Diagram?}
Black is two Pawns down ... and
his position is a wreck.
(I think -
and all the computer programs
agree with me - that this is even
WORSE than what happened in
the game!!) ]
14.a4!!,
(encirclement)
{See the
diagram just below.}
This is easily the most ambitious
move, and it is far from being simple.
But, of course, Marshall was never
one to shy away from complications!
(Not even all the computers play this
move, even after several minutes ...
of "thinking" time.)
*************************
*************************
This is the move - Soltis says - that Lasker must have missed in his
calculations
earlier in the game.
[ White can also play:
(</=) 14.Bc3! Na4;
15.Bxg7 Rg8;
16.Bd4 Nc6;
17.Be3 e5;
18.Rb1, "+/="
{Diagram?}
Several different programs confirm
that White has a fairly solid edge in
this position. (But this is far from the
winning advantage that Marshall
actually got in the game.) ]
14...Bd7;
(piece-play)
{Diagram?}
Now a4 is attacked twice, and Black
threatens ...Nxa4; and then ...Nxc5;
with a considerable advantage.
"The only reply to the threatened
R-R2." - Frank J. Marshall
15.c6!,
(interference, delaying)
{See
the diagram ... just below.}
The Hilbert book calls this a very
pretty move, and it is. The main point
is that White will try
to exchange off
the Black QB, and thus continue to
try and win the Black Knight.
*************************
*************************
In his early days, at the Hope Coffee
House in Montreal, Frank J. Marshall
(supposedly)
spent a lot of time
studying chess problems. Here it is
shown in a fine move ... that clearly
has its roots in that field.
*******
"A surprise reply," says F.J. Marshall.
('!' - Frank J. Marshall.)
*******
"A splendid move ... that forces Black
to occupy c6 in an awkward way."
- GM Andy Soltis
('!!' - GM Andrew Soltis.)
*******
[ One old book points out the line:
</= 15.Bb4?! Na6;
16.Ba3?! Nxa4; 17.Ne5 N4xc5;
"/+" {Diagram?}
and Black has no problems here.
]
15...Bxc6; 16.Ne5!, ('!!')
{Diagram?}
A nice tactic, the Bishop is attacked,
even the retreat to d7 is cut off.
[ Also very good was:
16.Nd4!,
"+/=" {Diagram?}
when White does not have to
worry about a later ...f6; by Black. ]
16...Be4?; (error /
'??')
{See
the diagram ... just below.}
It is not unlike Lasker - as in his game
versus Napier from CS 1904 - to go
seeking more complications
at every
possible turn. But here the great player
outwits himself and greatly worsens his
position, with ...Nd7;
his game would
have been only slightly worse.
*************************
*************************
(I think both Soltis and Marshall award
this move a question mark as well.)
[ After the moves:
>/= 16...Nd7!; 17.Nxc6 bxc6; 18.Bc3 Rb8;
19.Bxg7 Rg8; 20.Bd4! c5!?; (Maybe - '!')
{Diagram?}
This is probably best here.
( Napier gives the continuation:
</= 20...e5?; 21.Bxa7 Rb4?!;
when (22.) a5, yields a fairly large
and substantial edge to White. )
21.Bc3 h6; 22.a5!? Ke7; 23.Kd2!,
"+/=" (To ---> c2) {Diagram?}
and White may only be a tiny bit
better in this position. ]
*** ***
*** ***
*** ***
*** ***
*** ***
*** ***
*** ***
Several different databases ...
and at least two books! ... give White
as playing Bc3 in this position.
(But
this appears to be clearly incorrect.
See Ken Whyld's book on Lasker.)
I was both amazed - and thoroughly
disgusted - to find that the Soltis book
on Marshall also
gives the moves: 17.Bc3, f6; 18.f3, Bc2! Ugh! Yuk!!
And ... Wrong, wrong, wrong!!!
17.f3!?, (hmmm)
{Diagram?}
While seemingly a very strong move ...
a deep analysis of this position with a
computer demonstrates that it may not
be the best move that White has here.
(If I were from the modern school of
annotating - which I am proud to say
that
I am
not! - I would attach marks to
Marshall's move for missing the win
here,
at this particular juncture. Even
Bc3 was {probably}
better than this move.)
Every book that I consulted gave this
move without any comment at all!
[ The best move was Ra2 here
for Marshall, which should win in
a rather
elementary fashion. Viz:
>/= 17.Ra2!
f6[]; 18.f3!, {Diagram?}
The sharpest rejoinder.
( </= 18.Rxb2!? fxe5; 19.Re2, "~" )
18...Bf5; 19.g4! fxe5;
{Box?}
{Diagram?}
This - now - appears close to
being forced in this position.
( </= 19...Bg6?; 20.Nxg6 hxg6; 21.Rxb2, "+/-"
)
20.gxf5 Nc6; 21.Bc3 Nxa4;
22.Rxa4 exf5; 23.c5!,
'±' {Diag?}
when I think that a Master would
consider White's game to be a
win
("+/-") from this position.
As far as I know, I am the first to
notice anything wrong with 17.f3,
the move that Marshall actually
made here. ]
17...f6?;
(A terrible mistake.)
{Diagram?}
This is a move that had a fairly
simple refutation.
(The only question
is why didn't Marshall find it?)
*****************************************************************************
[ Black simply had to play:
>/=
17...Nc6[]; 18.Bc3!,
18...Nxe5[];
{Diagram?}
This definitely looks forced here.
( </= 18...Nxa4??; 19.Rxa4, "+/-"
)
19.Bxb2! Nd3+; 20.Kd2! Rd8;
{Diagram?}
Once again - this looks to be the
only real try for Black here.
( Worse was:
</= 20...Nxb2?; 21.fxe4 Rd8+;
22.Kc2 [], {Diag?}
The King must guard d1 and d3.
( </= 22.Kc3?? Nd1+, etc. )
22...Nxc4; 23.Bxc4,
'±' {Diagram?}
White is just a piece ahead, and
should win with best play. )
21.fxe4! Nf2+; 22.Ke3 Nxh1;
23.Bxg7 Rg8; 24.Bf6 Rd7;
25.Be2 Rxg2; 26.Rxh1,
'±' {Diagram?}
With two Bishops for a R+P, the
position should be one which
Marshall
would be quite happy
to play. (Maybe "+/-")
(But it still
was an improvement over the
course of the actual game.)
*********************************************************
Also no good for Black would
have been the continuation:
</= 17...Bf5?;
18.g4 Bc2;
19.Ra2! Bxa4;
20.Rxb2,
'±' (Probably "+/-") {Diagram?}
and White should win.
]
*****************************************************************************
18.Bc3!?,
(tricky)
{Diagram?}
While very complicated and possibly
winning ... why not the simple f3xe4
here; with a piece ahead and a fairly
elementary win for White?
Marshall (harshly) gives this move a
full question mark, ('?') and says:
"Not the best." (He goes on to note
that PxB was much more exact.)
[ Obviously better was:
>/= 18.fxe4! fxe5; 19.Bc3 Nxa4
[];
20.Rxa4,
"+/-" (+ 2.27) {Diagram?}
when most programs consider
White's advantage to be winning.
(F.J. Marshall also gives this line
as well.) ]
18...Bc2?!,
(Maybe - '?')
{Diagram?}
This is obviously an inferior move
here, the only question here has to
be:
"Why did Lasker essentially make
three bad moves in a row?"
I think the answer has to be something
to do with time. Older tournaments often
used time
controls like 20 moves per
hour. If this were true, then it could have
been very possible that
both Lasker and
Marshall were running short of time and
had to hurry their moves from this
position. Otherwise, I am at a complete
loss to explain how two such very strong
players
could miss such fundamental
and fairly easy continuations - as they
did in this particular game.
It is almost comical to note that this
causes a severe dip in most boxes'
'evals' of this position.
It is even funnier
when you realize that Marshall gave
this move an exclam! (As did Soltis.)
[ Black had to play something like:
>/= 18...Bf5 []; 19.g4 Bc2;
20.Kd2 Nd1;
21.Kxc2 Ne3+;
{Diagram?}
This is probably best here.
( It was even worse for Black
to play instead:
</= 21...Nxc3?; 22.Nd3!, "+/-"
{Diagram?}
and the White Knight on c3 is
trapped ...
seemingly a recurring
theme in this game! )
22.Kd2 Nxf1+; 23.Rhxf1 fxe5;
24.Bxe5, "+/=" (Maybe - '±')
{Diag?}
and White is at least a little
better in this position. ]
19.Kd2!,
(cool) {Diagram?}
The most accurate.
[
</= 19.Bxb2!? fxe5;
20.Bxe5, "+/="
]
The next few blows are forced.
19...Nxa4;
20.Kxc2 Nxc3; 21.Nd3!, ("+/-") (nice)
{See the Diagram below.}
The final insult, the Black Knight on
c3 is trapped and Marshall will remain a piece ahead.
*************************
*************************
Lasker does get three Pawns for his
lost cavalryman, but his position is
simply too bad
for this fact to be of
any real significance.
'!' - GM Frank J. Marshall.
[
</=
21.Kxc3?! fxe5;
"=/+" (or)
21.Ng4!? f5;
22.Ne5, '±' ]
21...Nd5; ('!?') {Diagram?}
Black tries to get as much material
for the lost horseman as he can, and
this is certainly
easy to understand.
[ Or
21...Ke7; 22.Kxc3,
'±' ("+/-") ]
22.cxd5 exd5; (3BP's vs. a
WN)
{Diagram?}
Marshall notes that Lasker has three
buttons for the Knight, and says that:
... "White still has his work cut out for
him." - F.J. Marshall
23.Nc5 b6; 24.Bb5+!?, {Diagram?}
This is - absolutely! - good enough
to win the game.
(But did White perhaps
have a small improvement here?)
****************************************************************************
[ White can get into trouble with:
</=
24.Ne6!? Kf7!; 25.Nc7??,
25...Rc8;
"-/+" {Diagram?}
and White loses a piece ... thanks
to the pin on the c-file.
********************************************************
Maybe a slight improvement would
have been the continuation of:
(>/=)
= 24.Na4! Nd7; 25.Nc3! d4!?;
{Diagram?}
Not a great move, but Black's
position is probably not salvageable
from this point, anyway.
26.Bb5! dxc3!?; 27.Rhe1+! Kf7;
{Diagram?}
This is forced.
( </= 27...Kd8?; 28.Red1 Kc8; 29.Rxd7 g6;
30.Raxa7 Rxa7; 31.Rxa7, "+/-" )
28.Bxd7 a5; 29.Kxc3,
"+/-" {Diagram?}
From here the win is only a
matter of some technique. ]
*****************************************************************************
24...Kf7;
25.Na4 Nc6!; {Diagram?}
"A neat play," says the Hilbert book. ('!' - Frank J. Marshall)
*******
"Clever tactics." - GM A. Soltis. ('!' - GM Andrew Soltis.)
*******
[
</=
25...Rc8+?; 26.Kb2 Nc6;
27.Nxb6! axb6; 28.Bxc6! Rxa1;
29.Bxd5+ Ke7;
30.Rxa1, "+/-"
]
26.Nc3, ('!?')
{Diagram?}
Marshall passes on any tricks ...
or a pin in the c-file.
(But maybe
he should have just taken on c6,
the simplification seems to favor
White from this position.)
[ Maybe the best line for White
is the straight-forward:
(>/=) 26.Bxc6!? Rhc8;
27.Rhd1, '±' {Diagram?}
when White is substantially better.
]
26...Rhc8!?;
27.Rhd1 Ne7; 28.Kb2!? Rc5; 29.Bd3!? a5; {Diagram?}
This seems to be pretty much forced.
[
</= 29...b5?!;
30.Nxb5 Rb8; 31.Rxa7 Rcxb5+; 32.Bxb5 Rxb5+;
33.Kc3
Rc5+; 34.Kd3, '±' ("+/-")
{Diagram?} ]
Marshall gives his 31st play an exclam. (As does GM Andrew Soltis.)
30.Na4 Rc6;
31.Rac1! Rb8; {Diagram?}
Understandably, Black is hesitant to
exchange anything, as he is a piece
down here.
[ Black could also try:
31...Rac8!?;
or even: 31...Rxc1;
{Diagram?}
but White is winning in either case. ]
32.Rxc6 Nxc6; {See the
diagram ... just below.}
Black seems to be OK here ...
*************************
*************************
But there is a hidden tactic in this position that everyone
seems to have
missed
at this point in the game.
33.Rc1!?, {Diagram?}
This is good, but perhaps better
was Nc3!, which seems to be winning
nearly instantly
for Marshall.
*********************
[ A much superior line was the
following continuation:
>/= 33.Nc3! Ne7;
{Diagram?}
This is nearly forced.
**************
(
Much inferior was: (a.)
</= 33...Ke6?!; 34.Re1+!,
{Diagram?}
This is probably best.
*******
( Not quite as effective would be: </=
34.Nxd5!?, Kxd5; {Diagram?}
Otherwise - Black loses a button for no compensation.
35.Be4+, Kc5; 36.Rc1+, Kb4; 37.Rxc6, '±' (Maybe
"+/-") {D?}
and White should win. (The main difference between this continuation ...
and the main line, is that Black's King is MUCH more active here.)
*******
34...Kd6;
35.Nb5+ Kd7;
{Diagram?}
This is forced, the only other
move loses much more material.
( </= 35...Kc5??; 36.Rc1+! )
36.Bf5+ Kd8; 37.Rd1 Nb4; 38.Bxh7,
"+/-" {Diagram?}
winning easily.
*** *** ***
*** ***
Also less than best was:
(b.)
(</=) 33...d4!?;
('?!')
34.Nb5, Rd8; 35.Be4,
35...Ne5; 36.Rxd4,
'±' ("+/")
{Diagram?}
when Fritz 8.0 says that White is winning easily. ("+/-") )
**************
34.Nxd5! Nxd5; 35.Bc4, "+/-"
{Diagram?}
and White should without any
real difficulty.
(Again - I may be
the first one to find this tactic
for Marshall on move 33.)
************************************************************
Also interesting was:
33.Bxh7!? g6; 34.Rxd5 Rb7;
35.Rd6, '±'
{Diagram?} and White is clearly better.
]
*********************
33...Ne5; 34.Rc7+ Ke6; {Box?}
{Diagram?}
Other moves lost even more rapidly,
at least according to Marshall.
35.Bb5 g5!?;
36.Ra7!?, {Diagram?}
I believe it was Marshall himself
who said that taking the h-pawn
would
have allowed Black's Q-side
Pawns to become too dangerous.
(But none-the-less, this may have
been the indicated course for White.)
[ Perhaps White can consider:
(>/=) 36.Rxh7!? d4;
37.Kc1 Kd5;
38.Rh6,
'±' (Maybe "+/-")
{Diagram?}
when White is clearly (much) better.
]
36...d4!?;
(Maybe - '?!')
{Diagram?}
This is OK, but maybe ...h5; or
even ...Nc4+; was a little better.
Surprisingly - GM Andy Soltis awards
this move an exclam here!
[
>/=
36...h5;
37.Ra6,
"+/=" ]
37.Ra6!? Kd5!?;
{Diagram?}
Black is trying to activate the King ...
but this may not be the very best
move that Black had in this position.
[
>/=
37...Kd6!;
38.Kc1, "+/="
]
Soltis awards White's next move an
exclam ('!'), and it probably deserves
one.
(White re-centralizes the King,
and avoids an unpleasantries ...
like a Knight fork.)
38.Kc2! Rb7!?;
(defense)
{Diagram?}
This could be the best that Black
has in this position. Note that because
of the threats
to the b-Pawn, Black's
Rook is more or less frozen here.
[ A less accurate defense would be:
</=
38...Nc6!?;
('?!')
39.Kd2,
39...Nb4?!;
{Diagram?}
This is bad, ...Kd6; was indicated.
40.Ra7 Ke6; 41.Rxh7,
'±' {Diagram?}
and White is clearly better. ]
39.Ra8 Nc6!?;
(Maybe - '?!')
{Diagram?}
Black continues to play a somewhat
less-than-best defense.
(Probably
the best move was ...Nc4; but maybe
Lasker was trying to avoid exchanges.)
[ Black should probably try:
>/=
39...Nc4;
"<=>" {Diagram?}
aiming for ...Ne3; next.
]
40.Kd2 Nb4!?;
(hmmm)
{Diagram?}
I am not sure about this move either.
(It seems Black should play ...f5; or
even ...h5; trying to exchange off a
couple
of the K-side Pawns. Or
maybe even just the simple ...Ne7.)
[ I like:
(>/=)
40...h5!?;
{Diagram?}
which is a move
I wrote in the
margin of one of my books as
a teenager. ]
41.Rd8+ Ke5;
42.Nb2 Rc7; 43.Nc4+!, {Diagram?}
The most active move for White,
four, (out of five that were tested);
students wanted
to play ...Nd3+; in
this rather complex and somewhat
bizarre position.
[
</= 43.Nd3+!? Nxd3;
44.Bxd3,
"+/=" ]
43...Kf5; 44.Rxd4, ('!')
{Diagram?}
"After the win of this Pawn, the rest
is easy." - GM Frank J. Marshall.
[ Not
</= 44.Nxb6? Rc2+;
"<=>" {Diagram?}
when Black has play. ]
44...Rc5!?; {Diagram?}
Black continues to play actively, and
it no longer matters as the game is
more
or less falling apart for the
great Lasker from here.
[ Maybe
(>/=) 44...Kg6;
{Diagram?}
was OK. ]
45.Be8!?, (Maybe - '!')
{Diagram?}
"Well played. He now threatens Re4,
followed by g4 mate or Nc3 mate.
Black's only escape would be ...g4;
which, however, would cause a loss
in material. Black is thus obliged to play ...Rd5; which gives
White a
winning advantage" (from here).
- from the Hilbert book on Marshall.
(Maybe quoting Napier or Adams.)
*************************
[ Or
(>/=)
45.Ba4! h5;
{Diagram?}
Something like this could be forced.
*******
( </= 45...b5?; 46.Bxb5! Rxb5??; 47.Nd6+ Ke5;
48.Nxb5, "+/-" {Diagram?}
***
(or) =
45...Nc6!?; 46.g4+ Kg6; 47.Bc2+ Kg7; 48.Rd7+,
48...Kf8; 49.Nxb6, ("+/-") {Diagram?}
- CM 9000 )
*******
46.Nxb6,
("+/-") {Diagram?}
with a relatively easy win for White
from here. ]
*************************
45...Rd5;
{Box?} {See
the diagram just below.}
I could not believe it, but several
different programs confirm that this
move is pretty much forced for Lasker.
*************************
*************************
All of the alternatives here for Black are worse ... and clearly losing.
*********************
[ Simply losing is:
</= 45...Nc6?;
('??') 46.g4+ Ke6; 47.Rd6+ Ke7;
48.Rxc6 Kxe8; 49.Rxc5 bxc5;
50.Nxa5 Kd7; 51.Kd3 Kd6;
52.Ke4 Ke6; 53.Nc4 h6;
54.h3, "zug" ("+/-")
{Diagram?}
Black is in Zugzwang.
*****************************************************
A line that shows the venom of
Marshall's Be8 idea is:
</=
45...a4?; 46.Re4! g4[]; {Diagram?}
This move ... or something like
it ... is clearly forced here.
( </= 46...b5??; 47.g4# )
47.Nd6+ Kg5; 48.Rxg4+ Kh6; 49.Nf7+ Kh5;
50.Nd8+ Kh6;
51.Ne6 Rd5+; 52.Kc3 Na2+; 53.Kb2,
("+/-")
{Diagram?}
Lasker's Knight is trapped, and
even if Black manages to defend
this threat, White also has the
threat of Rh5#.
*****************************************************
The other Black defense also fails:
</= 45...Ke6?!;
('?')
46.Re4+ Kd5[];
{Diagram?}
Not much of a choice here.
( </= 46...Kf5???; 47.Nd6# )
47.Nxb6+ Kd6; 48.Nc4+, etc.
{Diagram?}
White has a win ("+/-") from this
particular position. ]
*********************
46.Ne3+ Ke5;
47.Nxd5 Kxd4; 48.Nxb4!, (simplify)
{Diagram?}
The best - when you have a win,
why mess around?
"Better perhaps than 48.Nxb6, for
Black answers ...Nd3, and eventually
...Nf4;
with some fighting chances."
- The Hilbert book on Marshall.
[
If White plays:
48.Nxf6!? h6; 49.Ng4 h5;
50.Bxh5 a4; <=>" {Diag?}
Black might be given a little hope;
and thus encouraged to
struggle
on from here. ]
The rest really requires no comment.
(Other than to note that Soltis gives
White's 54th and 58th move a full
exclamation point.)
48...axb4;
49.Bf7 f5; 50.Bg8 h5; 51.Bf7 h4; 52.h3 b5; 53.Be8 Kc4;
54.Bd7! b3;
55.Bxf5 Kb4;
56.Bd3 b2; 57.Kc2 Ka3; 58.Kb1, ('!') ("+/-")
{Diagram?}
---> Black
- finally! - Resigns.
It is hopeless to struggle on from
this particular position.
"This stops the Black King from getting
to the a2-square. White will now win
both Pawns
on the Queen-side ... and
by (then) playing the King to the other
side of the board, the win
is easily
enforced." - Jimmy Adams.
Personally I find this to be a rather
flawed game, the computer reveals that
both sides may
have missed the best
move at numerous junctions in this
struggle. But when taken in the context
of the time in which it was played, and
also given the fact that Lasker lost so
few games, it is
historically an important
struggle. It was also obvious that Lasker
played this defense, while
perhaps not
perfectly; with all the resistance of his
great intellect, and all the legendary
will-power that he could muster.
"The defeat of Lasker was a sensation,
and quick wins in the next two rounds
left Marshall
with a surprising score of
6-1, {which left him} tied with Pillsbury."
(Lasker and Mieses had 6.5!!!)
- GM Andrew Soltis. (In his
book - see just below.)
****************************************************
****************************************************
BIBLIOGRAPHY:
Below are the books that I consulted,
given in the order that they were used.
# 1.) "The
Collected Games of
EMANUEL LASKER," by Ken Whyld.
Copyright (c) 1998, by the author.
Published by The Chess Player.
(Printed in the Czech Republic.) ISBN: # 1-901034-02-X
# 2.) "Young
Marshall," (The early chess career of F.J.
Marshall, with collected
games
from 1893 through 1900.)
By John S. Hilbert, Copyright (c) 2002.
(The series Editor: Vlastimil Fiala) Copyright CAISSA-90.
Printed by the
Publishing House of Moravian Chess. ISBN: # 80-7189-438-9
{This excellent book lists several
sources for this game that are not
readily obtainable today.}
# 3.) A photo-copy ... of the
book; "Paris, 1900."
# 4.) "My
Fifty Years of Chess,"
('The Triumphs of an American Chess
Champion');
by GM Frank J. Marshall.
Copyright (c) F.J. Marshall, 1942.
Copyright (c) 2002, by the Publisher.
[ A Hardinge Simpole, UK; re-print. ] ISBN: # 1-84382-053-6
# 5.) "Frank
Marshall, United States
Chess Champion,"
('A Biography
with 220 Games'); by GM Andy Soltis.
Copyright (c) 1994, by the author.
Published by McFarland & Company.
(Box 611; Jefferson, NC; U.S.A.)
ISBN: # 0-89950-887-1 (library binding)
# 6.) I used to have a copy of the
book: "Marshall's
Chess Swindles," floating around the
house. But I
could not find it when I went looking
for it. (I have been over the games
in there
many times.)
**************
I consulted at least a dozen opening
books, plus many general reference
works like MCO, NCO, ECO, etc. I
also looked at a handful of other
books, like "Great Chess Upsets."
(But the above books were up and
away the most help in my attempts
to annotate this game.) I also have a book
in German on Marshall, and also one in Russian. But these were mainly used
just to verify just the moves.
******************************************************************
Copyright (c) A.J. Goldsby I.
Copyright (©) A.J. Goldsby, 2001-2004.
(Apparently I started analyzing this
game several years ago,
but never got around to finishing it.)
Copyright (©) A.J. Goldsby, 2005. All rights reserved.
******************************************************************
All
games - HTML code - initially generated with the program, ChessBase
8.0.
My
diagrams on this page were generated with the program Chess
Captor 2.25.
**************
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