History: A heavy laborer machine, Azrael was a hopelessly stupid creature used to lift heavy materials. When a skirmish from a hover-ship destroyed the work compound, the large machine was abducted into the Muhammed. There he was taken apart, leaving only his skeletal frame, which was implanted with a datajack. Waking up in the construct, the virtual creature was persuaded easily to join the resistance. The Muhammed was on it's way back to Zion when the machines counter-attacked. Squiddies managed to cripple the ship and kill all but Azrael and the Captain. The Captain however, died of grievous wounds as he was moved into Zion. Azrael was the only survivor aboard, and now he was in the last human city.
He was welcomed by the counselors, and other converted machines. He spent his time modifying his frame and programming, as well as his residual self-image.
Personality: Caring, nurturing to humans. Severe resentment towards machines/programs. He is mute, and is incapable of verbal communication in or out of the Matrix.
Statistics: Azrael is a heavy labor machine. While not as large as he originally was, he still posesses vast strength. He contains 4 Appendages and 1 "tail". The 2 large appendages contain his only weapons, 2 EMP cannons, as well as grasping fingers for heavy-duty mechanics work. The two small appendages work in the same manner as human hands. The Tail contains his hover device, allowing him to move around freely if need be. The two larger appendages can be used as legs also.
Inside the Matrix, Azrael has a form of a standard caucasian male. Like in the real world, he is mute. Appearing as a relatively young man, Azrael is very handy with weapons.
Skills: Azrael has downloaded hundreds of combat programs, but lacks field experience. He is a Grade A Computer tech. Able to type signifigantly faster than a normal human, binary and text is a breeze to him. He posesses the innate ability to make cell-phones (with text displays) to show up what he may be thinking or wanting to say. Cell-phones may also ring according to his emotional state, low tones for disagreement/negative... high tones for affirmative/agreement.
