PREVIOUSLY ON
PREY
SMASH CUT TO:
INTERIOR HOTEL ROOM - NIGHT
MARIANA
Mark, you need a doctor!
MARK
It isn't an option, Mariana.
MARANA
(pointedly)
Perhaps a human one will have to do.
CUT TO:
INTERIOR WHITNEY LABS - NIGHT
ALEXANDRA on phone.
ALEXANDRA
Have you checked Attwood's apartment?
(beat)
These two have to be found - and silenced - TONIGHT.
SMASH CUT TO:
EXT. CENTENNIAL PARK - DAY
SLOAN
He trusted us, Ed. He TRUSTED me ... Oh, God ... We shouldn't have tried that serum on him.
ED
(guiltily)
He was willing. Besides, did we have a choice?
SLOAN
(flatly)
Anne doesn't think so.
ED
She's still alive to you, isn't she, Sloan?
SMASH CUT TO:
INTERIOR EMPTY DARKENED ROOM - TIME OF DAY AMBIGUOUS
TOM LUNGES at ALEXANDRA and at us, lightening speed. His arms break through the cage and his hands reach around her neck. The thin sheet of calm SHATTERS into thousands of little pieces, and ALEXANDRA's face and eyes are the cold wet mold of rage and terror. Just one little twist ...
SLOAN (Voice Over)
Tom, stop. Please!
TOM blinks and sees
SLOAN in front of him, his hands around her neck.
SMASH CUT TO:
INTERIOR ED'S KITCHEN
SLOAN
JERKS up a picture of Lewis and holds it in front of Walter.
SLOAN
(angrily)
Talking? We don't have much time! We have to find him NOW -
WALTER
(emotionally)
We will FIND him!
(beat)
I know how much you care for Tom...
SMASH CUT TO:
NEWS REPORT
A STILL of
REPORTER
In a shocking development, ALEXANDRA LUTHOR is being sought in connection with illegal experimentation on human subjects . . .
CUT TO:
INTERIOR WHITNEY LABS - NIGHT
WALTER
(speaking into phone)
By the way, you can go back to work anytime you like.
CUT TO:
INTERIOR SLOAN's APARTMENT - NIGHT
SLOAN
(into phone, incredulously)
We already have the lab back?
SMASH CUT TO:
INTERIOR UNIDENTIFIED LAB - NIGHT
CHARLES DANCER walks in.
CHARLES
(angry)
Dr. Mitchell, Dr. Santiago. Tom Daniels has disappeared from his cage.
OFF JONATHAN and BOB's shocked faces we
CUT TO:
INTERIOR ED'S OFFICE IN WHITNEY LABS - NIGHT
ED
We're going back to Oaxaca - aren't we?
SLOAN
Maybe Walter can get us back there. Or get us close.
INT. RAY'S HOUSE - DAY
GRACE
(panicked)
Ray, where's Matt?
RAY
Isn't he here?
SMASH CUT TO:
UNIDENTIFIED LOCATION - DAY
ALEXANDRA
(into phone)
See how easily I can still get to your family?
SMASH CUT TO:
INT. SLOAN'S CAR - NIGHT
SLOAN
starts to turn the key, then sees something on the floor. As she reaches down we hear what sounds like a GUN CLICK. From behind her, a familiar voice says,
UNIDENTIFIED MAN (Voice Over)
Drive, Dr. Parker.
