These are just a few of the many items that were used to create the
countless different sounds heard in the radio dramas.
Coconut shell halves were banged together to recreate the sound of
horses hooves on cobble stones, and old boots pushed up and down in
a tray of gravel could be used to make the sound of a person waking.
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An
extract from the magazine Popular Science, July 1940 :
"An innovation in sounds effects provides new
realism for radio drama. Heretofore [before now], experts using
standard artifices of the stage have had no difficulty in simulating
such things as a knock on the door, a ringing telephone bell, or a
revolver shot. But now, for the first time, they are going farther
and creating appropriate 'sound backgrounds' for each scene.
A man's voice takes on a
different quality over a bridge table, and across a room. A woman's
voice indoors and outdoors doesn't sound the same. Close your eyes
in a forest and you still hear familiar forest sounds. The same
'background' would startle you in a city apartment where you might
expect to hear, instead, the rumble of a surface car or subway, the
sound of a radio next door, or the hum of a refrigerator."
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"Panels for walls, a board floor, and a pool table
all add up to give realistic sound to a pool-room scene."
7. Listen to some of the following radio
program:
a) Describe the sounds you can hear made by the characters, and the sounds you
can hear in the background.
b) Visit this site
about making sound effects for a modern radio drama. See also
the links to additional pictures at the bottom of the web
page. Describe two of the sound machines or devices, and what sounds
they are designed to make.
c) Describe these sounds: 1.
2. 3.
4. 5.
6. 7.
8. 9.
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