Ballroom Chancing

Little Daniel Johns of silverchair is all grown up. It seems like only yesterday that girls were swooning at the short, slender, blond-haired, blue-eyed Australian heartthrob as he withered his way around the stage at the age of 15, boldly acting like he was playing the role of the rock star in a high-school play. And now, only four years later, the guy couldn't be more scared.

"I'm very paranoid," Johns says "I'm always told by my friends and stuff just to kind of chill. I'm very anxious about things."

Ever since Johns, drummer Ben Gillies and bassist Chris Joannou released their debut album, Frogstomp, after winning a 1994 radio contest in their homeland, the future looked bright and indeed , "Tomorrow" became a hit single. Not Johns is simply reacting to the ordeal of coming of age in the public's eye.

"It made me paranoid because people would come around to the house and try to get close because they thought they'd be endowed," he admits. The public's eye was also painfully critical; Johns doesn't deny the Seattle influence silverchair were pegged with - in fact, he's embarrassed by it.

"We always knew that there was nothing different or creative about the albums," Johns says. "I can understand why people didn't like the last two albums. They weren't very different."

Conscious that much of the band's earlier arrangements occupied a space between the pillars of Nirvana and Pearl Jam, Johns changed his recording habits. He practically locked himself away in his house, forcing himself not to see or listen to any music for three months. The resultant album, Neon Ballroom, is a 12-song collection that finds silverchair further moving in the orchestrated-rock tradition.

"With this album it was more poetry than it was in the past," says Johns. "I wanted to create a kind of art album with different layers and more abstract lyrics, but without wanking, without being self-indulgent."

Johns plans to shit the focus onto silverchair's music, which he readily admits, now owes more to Led Zeppelin than it does to grunge. Evidence? "Paint Pastel Princess" more obviously apes "Going to California" than Pearl Jam's "Given To Fly"

"Everything I ever do musically will always be in some way influenced by either Black Sabbath or Led Zeppelin." Johns says. "I really admire Zeppelin. They were very creative and ahead of their time, so hopefully this album will still sound fresh and new to some."

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