METAL CLARINET REFERENCE

Back the the day before electronics...when small musical instruments were tremendously important, and popular bands tuned to the clarinet...countless cheap metal clarinets were made for kids. Very few metal clarinets had respectable quality that would be appreciated by a modern player today. There were a few very impressive silver clarinets, but 99% of them were just the cheapest student clarinets that could be made at the time...a time when clarinets were extremely popular. Hardly any metal clarinets were made after plastic clarinets were invented in 1948.
KEY: (I)=Intermediate, or better than student, maybe almost pro quality. (P)=Professional (S/I/P)= Quality range from student to pro. If not otherwise specified, all most all are cheap student models (S). (DW)=Double-Walled (Those designated with (DW) may sometimes also have had a single walll model that was not pro grade. *DATES* are approximations of when they were first available, or what period they mauy have been made. [In brackets is the place it may have been made], In italics is the possible maker. Bettoney refers to Cundy-Bettoney. Often records were lost or destroyed, and there was a lot of secrecy so what information that is available can not be easily verified. Serial numbers were out of sequence, or started over several times with some companies.

Some manufactures, like Abbott Mfg. were not manufacturers at all, but importers. Some brand names were retail store or distributor names, and most of the brands are what we would call "stencils". Lyon & Healy Mfg. offered a full line of musical intruments that often had fancy engraving, but they actually only made harps. Most stencils were made by Conn, Martin, Bettoney, or through cooperative efforts by several factories located in Elkhart, Indiana where Conn, Buescher & Martin were based. Perhaps there were as many as 400 brands, but less than a dozen significant makers. For serial numbers, if a reliable list is available: check the specific brands at:

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Abbott Mfg. Co

Academy

Alexander [Paris] (S/I/P)

All American

American

American Artist ............. William Nuernberger

American Beauty

American Perfection

American Standard .............H.N.White *1936*

Americanna

Andre Peron [France]

Artist Model Moennig Bros.(I) [German]

Bandmaster ............. C.G. Conn

Beacon .............Bettoney

Beaumont [Europe]

Belmar

Belvox [Italy]

Baronet

Boston Wonder ............ Bettoney (S/I/P)

Brilliante Pan American

Brilliante Penzel-Muller

Buescher [Elkhart] Professional

Cadet .............. Bettoney

Capital

Cavalier ..............C.G. Conn *1937*

Chandler

Chaucer

Chauvet

Clari-Met (DW) ..............Penzel-Mueller*1910*(Professional)

Cleveland .............. H.N. White (I)

Collegiate .............. Holton

Columbia ..............Bettoney (I)

Commander ..............Gretsch

Commodore

Commonwealth

Conn [Elkhart] Professional

.......Wonder *1895* (DW)

.......1624 *1926* (Armored)

.......424 Armored *1927*

.......524 *1929*

.......514 *1937*

Continental ...............C.G. Conn

Coudet [Paris]

Couesnon (DW) *1898* [Paris] Pro

Custombilt ................Pedler (Martin)

Diplomat [England]

Dixie Leader

Doucet

Dumont, Rene

Durabilt

Easy Play

Elkhart .........Elkhart Band Instruments, C.G. Conn, Buescher (S/I/P)

Empire State Penzel-Muller

Esquire [France]

Euclids .............Cleveland Musical Instruruments

(A) Fontaine [Paris]

Getzen Delux ..................Holton

Greville [Paris]

Guy Humphrey [Paris] (S/I/P)

Harry Pedler & Co .............Harry Pedler (Professional)

Henri Farny [Paris]

Henri Leduc [France]

Henri Dubois [France]

Holton [Wisconsin]

Hoosier .................. Pedler *1946-1956*

H.N. White [Cleveland]

.......Gladiator

.......American Standard

.......Cleveland (S/I)

.......Silver King (P)

.......Micro-Somic (P)

.......SilverSonic (P)

Ideal [Elkhart]

John Grey ...............Boosey & Hawkes

(The) Lark .............. Larkin Music House

La Chapelle ............... Fischer

La Monte

Laube, P.X. ................ Bettoney

Laurent

LeBlanc (Professional)

Legionaire

Leon Aubert

Lester

LeMaire [Paris]

Loveri

Lyon & Healy

MacLede

Madelon ................. Bettoney

Master H.A. Selmer (P) [Paris]

Mastertone

National

Noblet ................G. Leblanc*1923-1962* (I)

Odell Thompson & Odell

Olympia

Orpheum

Orsi [Italy]

Pan American [Div. of C.G.Conn]

.......Moderne

.......Brilliante

.......Special

.......72N (Professional) *1939*

Paragon ................ Holton

Paramont Artist ............... Penzel-Muller

Pathfinder ............... Gretsch

Paul Dupre

Paul Renne [Paris]

Pedler Student ................Martin

Peerless American

Premier ................Pedler

Ray Lammers [Cincinnati]

(The) Regent .................Ohio Band Instrument Co.(Reynolds)

In February 1936, Foster Reynolds began operations of the F.A. Reynolds Company. Reynolds' earliest instruments appear to have much in common with the designs he was familiar with from over 30 years of work at The H.N. White Co. and it is not unthinkable that Reynolds leaned heavily on his former experiences and relationships as he got his new company started (especially H.N. White workers whom he convinced to join him or whose services he "borrowed").

Reynolds' early success in brass instrument manufacturing was recognized by the United States Army and the company was awarded contracts to provide instruments for the Army Air Force (USAAF) service bands during World War II. These instruments have a silverplate finish and a large "U.S." mark engraved on the bell rim, as well as a different engraving style from the standard F.A. Reynolds horns.

The military contracts allowed the new company to continue developing instrument production techniques when many established manufacturers, e.g. Olds and Conn, were forced to shut down production lines and make wartime equipment. Reynolds made instruments for the USAAF until the production contract quotas were met in the late 1940s, even for several years after the conclusion of WWII.

At about the same time that Foster Reynolds founded the F.A. Reynolds Co., he also established the Ohio Band Instrument Company. Producing instruments in the same factory as F.A. Reynolds horns, Ohio Band exclusively sold to dealers in the school band market and directly competed with rival H.N. White's Cleveland Band and American Standard divisions. Ohio Band produced The Regent, Roth and Paramount model lines. Little is known about the latter horns.

The Regent was Ohio Band's primary instrument line. Ohio Band offered dealers a full catalog of Regent brass and woodwind instruments and band accessories, including stands, mutes, mouthpieces, reeds, etc...

The Ohio Band name and the Regent model line appear to have been discontinued sometime (~1950) after Scherl & Roth bought F.A. Reynolds Co. in 1946...
[http://contemporacorner.com/regent.html]
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Rene Duval [Italy]

Renown

Revelle [Italy]

Revere ................U.S. government [Paris]

Robert Durand [France]

Romain Braude

Silva-Bet ...............Bettoney*1925* (Professional)

Silver King .........H.N. White (Professional) *1924*

Silvertone .................Sears & Roebuck

Soloiste

Superior Artist

Superior Supertone ................ Sears & Roebuck [import]

Symphony ..................Wurlitzer

Three Star .................Bettoney

Topper

Triebert (DW) *1898* [Paris] Professional

Truetone ......[A trademark of Buescher]

U.S. Bettoney Military use

Velvetone [Italy]

Victor

Victory

Villere [France]

Whiting

Wolvertine ................ Grinnell Bros.

Wonder (DW) C.G. Conn *1895* (HP)

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