Episodes:
Video:
Audio:
Extras:
Overall
DVD Score:
CBS Video bestowed a treasure trove of Twilight Zone episodes to
ravenous DVD collectors at a rate of three to four episodes at a
time. While the forty-three volume collection may seem daunting
to enthusiasts, it is important to remember Volume 43 was not the
end of the set. Instead, Panasonic (and later Image Entertainment)
distributed two "Treasures" discs, spotlighting episodes
that were important because of their rarity, their controversial
nature, or their cherished spot in viewers' hearts.
Three episodes are included on the disc entitled "Treasures
of The Twilight Zone". The first is "Where Is Everybody?",
the episode that jumpstarted creator Rod Serling's little fantasy,
mystery and horror show on October 2, 1959. In the story, Mike Ferris
(Earl Holliman) is a loner - in a town with nobody in it! While
he searches for signs of life, he cannot shake the feeling that
he is being watched.
The premiere episode is structured like a typical "Twilight
Zone" episode and pays off with the twist ending that Serling
popularized in the show's five season run. However, the ending stays
away from inferences of the supernatural or unexplained. In the
bonus material, a "pitch" reel from Serling explains his
reason for not being too controversial with the first episode. Although
he had won three Emmys before he started "The Twilight Zone",
Serling badly needed sponsorship for the show to stay on the air.
Since the first episode was included with the pitch to sponsors,
it was more sensible to play it safe.
The second episode on "Treasures" is "The Encounter"
(episode 151), written by Martin Goldsmith. It starred a young George
Takei, who was just two years away from becoming Mr. Sulu on "Star
Trek: The Original Series". Playing a Japanese-American gardener,
he agrees to mow his neighbor Fenton's (Neville Brand) yard until
he discovers a samurai sword in the man's attic. The two actors
exchange outstanding performances as visions of the past come back
to haunt each man and an untimely locked door traps them in a claustrophobic
attic. Due to its controversial ending, it was one of the few "Twilight
Zone" episodes not included in the syndication package, and
is therefore quite rare. While "The Encounter" is not
as controversial today, it still retains its entire bizarre ambience.
Finally, the last episode included is "An Occurrence at Owl
Creek Bridge", a short film that won an Academy Award and a
prize at the Cannes Film Festival. While not conceived as a "Twilight
Zone" episode, its twist ending and eerie nature lent it to
Rod Serling's world easily. It was acquired by CBS in order to keep
"The Twilight Zone" under budget in its final year, and
was not included in the syndication package (because of rights issues).
In the episode, a spy is to be hanged for his attempt to sabotage
the building of a railroad line. The man is spared death when the
rope breaks, but then snaps back into his grim fate at his happiest
moment of freedom.
Video:
"Treasures of The Twilight Zone" is presented in its
original aspect ratio of 1.33:1. All three episodes seem to suffer
from considerable archival damage in their opening title sequences.
However, the episodes themselves have been "digitally re-mastered".
While a statement like that usually bodes no prediction for the
quality of the transfer, in this case it actually looks well restored.
Each episode still suffers from black artifacts and scratch damage
in addition to some lack of sharpness, but they have held up well
for their age. "The Encounter" probably looks the best
of the three and "Where is Everybody?" the worst, but
all three episodes are certainly watchable. These discs have not
been anamorphically enhanced for widescreen televisions.
Audio:
"The Twilight Zone" is presented in Dolby Digital Mono.
While this requires the volume to exceed normal listening levels,
it still is quite listenable without too much distracting signal
noise. The titles probably have the biggest audio problems, but
there exist no sound dropouts or unnecessary fades for these episodes.
Some of the scoring is done by legendary Bernard Hermann, so it
is more than a pleasure to listen to. Characters seemed to be aware
of microphone pickups, and usually have an extraordinarily crisp
delivery of their lines (much like contained shouting). This becomes
quite common during "Twilight Zone" episodes and something
the viewer probably does not realize unless they are specifically
concentrating on it.
Extras:
The "Treasures" discs contain more supplemental features
than the standard volumes of "Twilight Zone" episodes.
"Treasures of The Twilight Zone" has animated menus, with
a doll's eyeball looking over the selection made. When navigating
from one choice to another, there's a noticeable pause of music
and image as the eyeball shifts perspective to the choice indicated.
On the main menu, there are four options. Selecting "Feature
Presentation" will play the episodes in sequential order, starting
with a quick "Twilight Zone" opening sequence. All episodes
also contain a placard before their beginnings listing original
air dates. Other options include "Episodes" (a sub-menu
containing each episode's title), "Rod Serling Extras"
(which leads to a sub-menu of Serling-centric features), and "Inside
the Twilight Zone" (which pours into another sub-menu of production
supplements). Choose wisely and quickly; the menu's soundtrack loops
after about 20 seconds.
In the "Inside the Twilight Zone" section, there are
four options: "Rod Serling Bio" (who knows why this is
not in the "Rod Serling Extras"), "Season by Season",
"History of the Twilight Zone" and "Reviews and Credits".
The Rod Serling bio is simply a detailed synopsis of the creator's
life, in a scrolling format. The scrolling is just a bit too fast
for detailed study, so read quickly or skim through non-essential
parts.
In "History of The Twilight Zone", a scrolling text presentation
outlines the show's impact on the history of television and other
science-fiction related programming. It details what famous actors
got their starts on the show, as well as noted composers Bernard
Hermann and Jerry Goldsmith. This scroll is slow enough to be read,
but there is probably about a minute's worth of information here.
"Season by Season" details the meteoric rise of "The
Twilight Zone", its cancellation in the midst of its run after
failing to find a sponsor, the burnout of Rod Serling and the other
writers, and the axing of the show after its fifth season by CBS
executives who hated it (although you might have to read between
the lines to get all this information). Again, the scrolling is
slow enough for a comfortable read. You might, however, tire quickly
of the feature's soundtrack.
"Reviews & Credits" is probably the most helpful
feature. The whole section is written by "Twilight Zone"
fanatic Marc Scott Zicree. The mini-reviews of the episodes encapsulated
on the disc are accommodating in providing background, history,
and trivia surrounding each episode. Again, you'll have to be a
speed reader to keep up with the fast scrolling text.
Traveling back to the previous menu, "Rod Serling Extras"
is selected. In the "Extras" sub-menu there are two options:
"Interview" and "Pitch". The "Interview"
is from a 1959 episode of The Mike Wallace Show. This 21 minute
interview has suffered from major video damage and audio problems,
but is probably the most fascinating extra on the disc. In the interview,
Wallace denounces the upcoming "Twilight Zone" show as
not serious work for Serling. A taciturn Serling sets him straight;
it may be commercial entertainment, but its still good writing.
The Wallace of 1959 seems much more concerned with sensationalism
than his contemporary self, and his show seems like a glorified
interview for a 1959 version of "Hard Copy". It is interesting
to see Serling handle Wallace so easily, and the interview stands
as an intriguing historical document.
The "pitch" is one that would have been shown to sponsors
such as General Foods, the sponsor for "The Twilight Zone"'s
first season. In it, Rod Serling addresses the sponsors and promises
them a quality show that is sure to bring in hefty product sales.
Since the show had yet to be aired, Serling outlines some of the
biggest episodes from the first season's production and assures
his audience that his spoken explanation does not do the episodes
justice. The feature runs about 10 minutes in length.
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