By Rosalie Branigan of Central United Methodist Church, Albuquerque, NM

Concerning Liturgical Dance

"Less movement, an economy of movement, or no movement at all makes a stronger statement than fierce activity." - Bob Fosse

Symmetry is lifeless.

Two-dimensional design is lifeless.

The eye is faster than the ear.

Movement looks slower and weaker on the stage.

All dances are too long.

A good ending is forty percent of the dance.

Monotony is fatal; look for contrast.

Don't be a slave to or a mutilator of the music.

Listen to qualified advice; don't be arrogant.

Don't intellectualize; motivate the movement.

Don't leave the ending to the end.

(From The Art of Making Dances by Doris Humphrey)

Beware of pitfalls:

- compromises that fill space with any movement;

- obsession with realistic 'acting out';

- too much or not enough contrast;

- too much symmetry for no reason;

- lack of exploration of or wandering from the subject;

- awkward or steroetyped rhythmic and/or spacial patterns;

- movement beyond the dancers' abilities, in technique or expression;

- dance that goes on and on, long after its point has been made;

- undue reliance on accompaniment, costuming, or staging;

- movement or design too small to be seen;

- avoidance of qualified criticism.

(From A Primer for Choreographers by Lois Ellfeldt)

Choose material that:

- uses active verb and images,

- has sound theology,

- has a good (compelling) melodic line,

- has at least two sections or themes.

Use a consistent style throughout the piece.

Remember to use vertical space.

Be aware of the sight lines when the church is full.