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REPRODUCING MUSIC FOR BRAILLE TRANSCRIPTION

            I wrote this article to help instructors, student services staff, and blind musicians reduce the amount of time that it takes the braille transcriber to complete a piece of music. This document and many other digital print and braille resources are available at www.papermusic.org.

Legal Obligations: Before sending material to be transcribed, it is extremely important that you observe care and prudence when reproducing copyrighted materials. If you are a student, and the transcriptions are required for your education, you are allowed under the fair use exemption to the copyright law to reproduce materials for that purpose. Otherwise, it is your responsibility to secure permission before sending copies of music. It is also important to exercise due restraint in re-distributing printed or electronic copies, including your embossed braille volumes.

Reproduction Guidelines: The quality and readability of the manuscript dramatically affects the amount of time it takes to produce the finished braille. It is optimal for the transcriber to have the published print edition, but if you must send a photocopy or a digital image of the manuscript, please observe these guidelines:

1.      Ensure that the music is aligned straight, horizontally and vertically, when copying. Sloppy or careless scanning techniques possibly cause the greatest amount of frustration for transcribers.

2.      Though it increases the size of the scanned files, it’s preferable to have a black & white grayscale image instead of two-tone. Faxed copies of music are never acceptable. A resolution of 300dpi is good for standard sized music. Increase the scanner resolution as the music gets smaller. For example, a standard choral octavo-sized piece scans well at 300dpi. Miniature study scores should be scanned at 600dpi.

3.      Minimize shadows in the copy, especially within the valley of the spine of a book, by applying gentle pressure to keep the copy flat against the scanning glass. It is expected to have some shadow around the outside of the image, but try to ensure that everything on the page has at least a half-inch of white space around it. Most published music is slightly larger than can be copied directly onto standard 8.5 × 11 inch paper.  Reduction to 93% is acceptable as long as the music remains completely legible (see the point #2). Avoid the temptation to scan two print pages side-by-side. This level of reduction makes the music very difficult to read, especially for electronic processing through optical character readers (OCR), and also for those who have been staring at computer monitors all our lives.

4.      Always check the entire scanned document to ensure that nothing has been omitted from the original, including the full title of the piece and individual movements or sections, the composer information, copyright information, etc. If the copy you send is an excerpt from the middle of a larger work, please include a scan of the first page of music that includes all of this important information.

5.      Because individual performers' markings are not part of the original published manuscript, they are generally not included in the finished file. This includes such markings added after publication (i.e., by the performer, instructor, or conductor) such as bowings, fingerings, pedalings, etc. If these markings are part of the original, they should be  included. If the instructor and student need other “after-print” markings, the transcriber needs to know this. The transcriber’s intent is always to faithfully reproduce the original published print copy.

6.      Again, please double-check the scan/copy to ensure that it is completely legible and clear throughout. Frequently encountered problems include: missing or fragmented bottom staff (bass line), missing clefs, missing bar lines at the ends of staves, faint or missing stems, overabundant performers’ markings that obscure or distort the music, and technical problems with the reproduction technology that obscures and/or distorts the music.

By following these simple guidelines, you can greatly increase the productivity of your friendly neighborhood braille transcriber by decreasing the amount of time it takes to transcribe your music.

            Thank you for helping us help you help us all!  --Andy English

 

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