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Index to the Tree of Isolation & Thought Poems

....From The Tree Of
........................Isolation & Thought

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Identification

The America
the car is a symbol
of the person. I may deny it
but it's there,
planted by Wall Street
just as though Svengali had some
access to my brain, I remain a certain
make,
year,
model. Who can explain
the way I'm sorry for the
1980 Galaxie- shine gone,
bumper tied by twine
to some guy
who wears his face
like an unmade bed,

his backseat stuffed with children,
his workman
overalls
the same dull blue
as life.

Or the Mercedes,
insufferably

smug,
who cuts in front of me, the driver
with a car phone
wrapped around an ear above a bored
Moroccan tan, his rich Corinthian leather
life, intent on next year's

Mazzarati
and The Market.

I started out:
a 1976 secondhand
Scamp,
a new Chevette,
then the only Horizon Car of The Year
that wouldn't run
in '88.
After that,
a Tracker,
previously owned, showed all the world
my adventurous
soul, but that one died

and now I'm a Neon- solid and sporty,
handle corners like a
cheetah; color, a buttery cinammon 2000
LX,
top of the line. Protected
by the airbags
for the first time in my life;
they didn't deploy.
A sideways collison can
outsmart- it's the sideway
collisons
that damage us the most

she's crunched
and spoiled
just as
all the things I love
turn out
to be.

I am a rental
waiting
for the damaged goods to be
returned. Not new,
not even
solid anymore...





No Rest, No Redemption

Addictions
are those things
that itch so badly,
even
after layers of skin are gone.

The addict will scratch to the bone,
try to get at it;
after the bone
it's the mind,
strafed and scraped
until the fingers
find the eyes...

but once the eyes are
jellied out
the thing imagined, that
illusive atom of desire, remains-
aways seen, and always
just a fingernail away.

My advice:
give wide berth
to the addicted.

They will have your skin
and eyes
and mind as well, before they amble
down the road;
a new name claimed, a brand new
suit of clothes, the same

Old
Scratch
ing soul.





Finding Its Level

If something is not a solid,

not a gas-

it's a liquid,
fluid thing;
moving, always moving,
not the kind of thing
you'd want
tied to...

if it grew too large it'd
drown you
and the worst thing about
a liquid-y thing: it seeks
the lowest ground.

You wonder
how far
down it'll go,
but cunningly,
it finds a lower,
darker depth
where even the rats
are spooked, and tonight
I caught a glimpse of two
red eyes.





Pieces

It is only that it's late, my mind
becomes more pliable, more apt to leak
what's mortared in, under brightest sun,
but I remember many

night
feeling
fingers-
I remember it.

I dream of foods-
sausages, strawberries in bowls of cream
and secrets caught in curtains
and a spring
wind. The curtains,
hypnotize and just the voice
drones on and on
but carries
out the window
into
nowhere
and I'm safe
until I speak

and it is late,
and I
wonder

what the statute
is on
memories?





Dowser

Don't know when
my hatred of
exclamation points
began; lord knows, I loved them
as a youngster. Slapped a
bat and ball at the end of every
breathless thought; fought exaggeration,
exaggeration
always won. Over the top is where kids like to be
and there I sat, with a ball and a bat
and a powerful urge to hit something out of the park, up
into
the cheap seats, where easy emotion
hung its hat, in Tammy Baker makeup
ready to run. I cried
for joy, I cried for sadness. Later on
when my feelings got their
sea legs, those who still
emoted
free as taps, made me suspect; they either
didn't grow
as deep

or were hanging on to the grenade pin
way too long, then yelling
to disguise the fact they never
really had the guts to pull it, blow up
once
in life, for real. When that
happens, when you lose your mind in grief
or anger
or even joy
you also lose the need to try
and show the highs and lows
and continually
exclaim.
Places
too deep to know
are what I respect
as true, in the same way I love
violets
by the side of road, sprung there by the
grace of God; they're
prettier
than a flashy, arranged bouquet could be. A thing
should be
more
than it
says
to move me to a place
an exclamation point tries taking me
by force. An old man
and his dog screams louder of loneliness
than any painted Gethsemane
I can think of: Jesus
with His lady-face contorted,
exclamation strokes of eyebrows, done in gesso
weeping
angels
all around
have nothing on a
mutt, his tail tucked down between his
legs, keeping pace with a whitehaired master
hardly keeping pace with
anything
anymore, shuffling home to room and bed: that is a
picture of exquisite, understated
love and sadness both. It is my heart
that tells me so, not
punctuation. Give me
the coin to bite on: I'll decide
if it's silver or it's lead is all
I'm saying.





One Born Every Minute

Had a psychic reading done
last week, the ten dollar
version.
Consisted of
reading my aura,
'murder aura', she said
which was alarming till it dawned on me
that she'd said 'murky', not murder, but murder's what I heard
combined with me being a fire sign, moon in Taurus, morning
baby
to boot
which the Wiccan said sucks anger like a sponge;
I was ready to
kill her then and there.
I've got the karma for it, surely. Felt like
Ma Barker
out of touch with my
bloodlust
on the darkling plain I wander this time round
until she told me: 'office worker'
'accounting', 'hate it'-
should have been
much more'-
'it's not
too late'- but of course
it is.
The healer she saw
when I took off my glasses,
when she read my muddy halo knows the
truth, but I swear to God
I should've
iced her
just the
same.





Redemptive

Dropped
marbles
do not make a sound
on slate if ears are closed
and pillows cannot comfort
grown from granite.

It's not the
thrown, but the receiver
must be placed just so and ready
with a pocket, worked and worked with linseed
lovingly molded
for the
landing,
pointed upward.

The time, the place
the ears
must work in symphony.
There's an importance
in conjunctions to make a Star
of Bethlehem: we are saved
when saving has its day
and not
a moment before.





As A Dog Eats

Those who
know how to savor, taking a
morsel, letting it
press against the tongue and
touch the teeth, then melt down
slow, so drip by drip
it kisses the throat and each
pink taste bud
blinks its codes,
finds names for it: remembering.
Those who savor
cannot
comprehend
the shovelers of food, the anxious
gulpers, those who cannot fit enough inside
as though one slice is like another
they cannot brothers be to those who
count their loaf a host of sorts, a
miracle,
a stunning
singularity
given ample space
to be the thing it is apart
from every other meal. This is
true of food, and likewise true of
physical love: there's appetite and hunger.
One is filled,
the other compounds itself
by filling up the stomach
before the mouth or mind has
equal chance to know it. Ask a dog
his memory
of meat.





Thoughts On The Loss Of Teeth

The world has been
something to chew on,
really tear and gnaw
to get the juice and goods of it.
I often use
eating metaphors, so important to me
the act of rending,
masticating the cold mush of everyday to warm it up
-take it in: assimilate, absorb. So now
that I am losing a near-bicuspid
that could have been saved but for my
procrastination

and the wisdom molars
farther back, weak but needed stand-ins
all these years

I wonder if I'll gulp
or puree everything-
life included. If my tendency to
rip
open
the envelope with teeth
will be gone for good, replaced by
milder
baby meat, the gentler version; a Brahm's life
not the battling brow
of Beethoven
making thunder, clashing clouds and
intentions
one against the other
just to hear the bang.

Will days go quietly
on little baby feet---

and who
will burp me?





Bringing In October

Seasonal rewindings:
playing over the old
bad tape that skips and catches
but always makes a go of it
one more time.
The 1940's
furnace,
double
burner
with its cheery, curlicued
Sears, scripted on each honest, clanging
iron door
as I check the pilot lights- the right one
always higher so the left
stays lit and taking off the noisy, sheetmetal door
to change the peaked, four-filter cardtrick
two little
tents
bivouacked in there; pointed,
leaning together
to prevent a fraction of the dust and years
that cling to the ducts
of this old house to keep it from escaping. Creaks
and snaps
of breathing metal
beneath the floor. The heat
that sneaks from registers to please my toes, each
of the twelve Octobers
it has done so.

The smell.
The familiar
homey
smell of dusty heat, the bang
of ductwork; then, the blower starts
and I put away
my checkbook and my prayers.

Another year, another fall
ritual

and this old friend
as big as three refrigerators
mounted on a twenty inch, solid base of
concrete, motor fastened five feet from the floor
so even an
idiot would have known the
creek
rises-
basement floods
but not this fool who thinks, perhaps this
relic lasted; why not
me- here.





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