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In The Crosshairs
Off with
rubbery covering of skin,
off with everything, the hair
that hangs like Spanish moss, the hanks
of feminine promise- perfumed,
curling
like there's gentle
softened thoughts inside this head, when there is
nothing
of the sort. Off with lips that are always
opening, but look
where a flock of sharp beaked
killers wait to launch themselves
in uproar, feathered in fury. I have turned
against my kind. I'd watch
my step, I really would, this is no
dollface-cooey-coo,
I am a
kamkize coming in with murder in my eye
all systems go---the most dangerous
person on earth is the person with nothing to lose
and nothing
to prove
and nowhere to go
but at you.
Ticket To Ride
As much as I deny it
.......escape
makes sense.
To slip from under the grinding file of life
that sands each twenty-four hour
block, till the mouth is full of the noxious
shavings, nothing to show for it
but a mounting dune of
gun-metal gray--I can see why the
married man
turns to the shop girl with nervous, turgid thoughts
or addicts snort their ten-minute heaven,
or gamblers
throw their last ten spot
at a long-shot horse:
the lights,
the crowd's adrenalin. Home-stretch
castenet hooves seem worth the risk compared to
dominoed days, that wait to fall on their brothers. A road
black white black white, blurred to a kind of paste, a rope of
waste and connect the dots, until the the doctor says it's
this or that, and you're left with the only completed
thought- the one that ends
with the sentence, "That's it, that's all, it's
over. Period."
Cooling
Receding
isn't the problem, recession of me
from life, but the feeling that I stand still and
life
itself
pulls away
is what I've begun to notice. I enter a room, a
conversation and I can see
the back of me
in shadow, while the noise and movement
the color of people is sucked away
out of range. It's strange to feel the slide and do
nothing about it. I feel I'll do nothing
until the day I die- and the dots
ahead, like Seurated
...............
daubs
will be people I loved or thought I did
somewhere some
time, some
painting
once.
The reactor is shutting
down. It's like
falling asleep: the hands
go first.
How Now
I am the cow
whose teats have gone
hard and dry
the one
who isn't
Elsie
anymore, but a rogue
and surly thing
kicking up the pasture clods
trampling all the daisies
-scratching
my neck against a tree
to get rid of that
damn
bell
that keeps tabs
on my
whereabouts
so I can roam to places no one pulls at me
to give them what they
need, warm and regular.
Pang
I ride a
ribbon of slipperiness. It loops
from limb to limb. Few know
where I have been; I am the
connection
up
between the legs, playing
in hair, rolling down
socks, slipping through
locks and gazing long
at people
sleeping on their thorns.
I give them quarter
turns
from left to right so they can feel
the pricking of their skins. Creep into
empty kitchens, rattling pots for what is
not inside: I am the hunger
comes at night,
and you would know me
if you saw me.
Shook
Wind came last night
shook the house
loose, rattled the windows,
rain like marbles
shot from the sky a giant
scattergun
wake up, wake up's
what I heard
to what
I couldn't say
but it was
loud.
A night of nearly sixty
degrees,
November
anomaly makes me think the
world is ending
world we know
slunk off
in a warm disquiet
birds found shelter in the eaves
or deeper parts of trees
where they held like
hooks- I need some hook
hands, gripping life.
Believing In Magic
What did we do before
modern
medicine
turned us into
chemistry
equations-- made plasters out of mud
and leaves. Saw magic
in the moon, the letting of
blood. Applying
leeches, special
rocks
from places of power
that would
give us back to health; we stretched our faith
and our
imaginations
to worlds of whirling mystery and
chance-
it seems to me,
sitting here, waiting
in the smell of
disinfectant
a better way.
Corraled
The calmer
I try to be, the more
my heart will
Appaloosa
at its rib
cage
kicking
the balsa bars, the light and curving
bones of self containment.
Mustn't scream-
cardiac shriek's all
I can manage: a blood curdle
being squeezed by a fist
sized pump that
pounds
the minutes.
Hole
Immer essen
always eating
this
and that
your head
and eyes
this night
this perfect
ly
emp
ty night-
hungry as hope.
Reverberations
The dead lake
reeds
are poking up.
Stroke sky. The drowned man bobs below.
I cannot see his face,
but know the way his arms wave, caught in current, long
held on goodby, we drift and drift with sounds.
I grab the edge of wind
and won't let go.
It comes for me
with lacy voices, tatted throughout,
commingled high and low, the fluted notes
of grandma's
whooping, knee-slap laughter,
mother's Chesterfield gravel-grinding words
I barely heard.
An undertone,
a hum beneath the tremolo
of my babies' remembered hunger
anger; it harrows me still
to hear it.
My once
husband's voice: the thing I loved
the most, the way the phone
felt in my hand and held mellifluous
brown and orange, serge, sienna
burnt and rubbed into my ear. I hear the
truth, the disguise
of all my life
in every cloaked and moving fog
with wind
inside- there is no name
for this.
On To Page 7
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