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Still Life With Fruit
I've begun the long
decline
of years. I've opted
out of love, sometimes I doubt
there ever was a youth
that I should mourn.
There was a horn
of plenty, turned away from me.
I was too polite, too shy,
too wrongly wrought
to seize
a piece of it; I studied others,
did what they did, but not
an honest
salivation have I known. I'm like
the wife
who, in her mid-years, will not tolerate
the weight of her man upon her.
Tired of spreading for a poke of him, who poked
but into what, she wonders. Tired and weary
of disconnection, feeling more sovereign
saying 'no', and let the wind blow
through the both of them-
I'm one
of those gorgons
now. Some women
stay juicy,
pliant, joyful- I am a desicating
husk,
and if you must
know what manner of corn those green leaves
held, it was of a drier, angrier
hue
than you ever knew; it just looked
golden. If you've sap inside,
may I suggest you just uproot
and go a-roving. I am re
solute. Turning into something
new
something simpler
but more
wooden. Like a
decoy.
The Few
Despite what Gray's
Anatomy says,
two chambers has the heart.
One closes
in and out,
the one marked love,
while the second one's for hate
and once a thing has entered,
even God could shout like he did for rag-wrapped
Lazarus, and nothing's gonna fly up, stupid,
blinked with life,
so
help me;
the only way to get there
is by passing through
the other first. Ain't nuthin
meaner than that: to enter and end up that way-
I've known a few, and been one
once or twicest.
Gone
No four year old girl child,
brown eyes lit up like Christmas-
all angel high
and in the clouds
with Grammy,
should feel her death
come dragons; fire and flames and
pushed through walls
of towers
she used
to dream
were silver,
sugar fairy
tale
but up to
God she went
her mouth
an 'o'
her life
went
liquid
then
a gas
and gone...
Period Of Mourning
Like clouds passing the moon
there is a change, a veil, a more opaque light,
an elemental weight felt as the head
moves side to side. The eye is heavy,
shifts
slowly in its socket home,
as soft lip presses harder to the one
below. The mouth, tight. Closed. Disposed to
smallest opening of sigh; the last to leave the heart.
The last that dares to go.
There is so little
left. There are comparisons:
the sound of a theater after the last actor
is gone, door thud swallowed by drape.
The bleat of a lamb without a tongue,
calling from hill to an earless sky. Crickets
with legs mud-stuck, and still
and there is the scream
rising up
like steam
that never
becomes one.
Like A Painter
To write at all is like
being pulled along ground glass, naked,
by the feet, leaving a ruby trail behind
like red confectioner's sprinkles;
sometimes
that is all I have
to show where I have been;
that is how I make my mark,
in smears of bright pain.
Others try to follow it
interpreting the bloody lines:
why the turn here,
the stopping there,
as though they read a cardiogram
of episodic almost deaths, heart stalls,
restarts, wondering what the causes were
and where the weakness.
I wonder right along with them
and drag the pretty words.
The hurt is fine;
it's how I know
that I'm breathing.
Hard Times
Rockefeller Center,
alit with Christmas cheer this year
so odd
and New York snow
takes on
a sooty look
with bits of bloody September
in thick air.
The smoke
is not an effect
to soften the colors in the trees
of peppered light
that ring the rink
where skaters loop- it's coming
from the grave that never closes
and those angels blow their golden horns
in vain.
They'll be
no excelsis deo
and
no getting up again.
There Are Such Creatures
Toothless, save for one
black nub in front
his snail of tongue pressed
down and round and teased
as he would tease
the dying slit the aristo
cratic lady
forced her
urine from- a head
held up, her lifeless trunk
still kicked
at Madame Guillotine's dark floor.
And in his pants
there burst
a brief
crescendo with the bladefall. This I know:
there are such creatures
then, there are such creatures
still.
The Warhol, Pittsburgh
Pennsylvania's current
exhibition is
'Without
Sanctuary'-
Lynching Photography
in America.
The lighting low, the photographs
are framed and small
and show one, stretched-neck negro
after another.
Women, too, and victims burned alive.
The photos are a standard size
the reason is that all of them
were sent
as postcards-
sent from friend to friend, from
loved to lover. Their cheerful words
are scrawled behind,
framed
so you can read them: 'Dear William, Look.
I had a barbecue. Love, Jack.'
December, 1941. I'll bet
they
never stopped
to wipe the smile or note
the blood-empowered secret
down inside the pleated trousers, cuffed-
the Zoot Suit generation
or wondered
at the awful, spreading
tundra
of the soul. There were such creatures
then. There are
such creatures now.
Strays
It was a frigid
April morning-
I could see my breath.
The cold I felt went deeper,
knobby knees
were knocking, one
against the other
as pigtailed, I set off for school,
my dog behind, a puppy with distemper
who had sprayed the cellar walls with
watery stool he couldn't help.
They didn't call a vet,
they called the pound to come and get him,
my first and only pet- I knew they'd kill him
just as I knew from the day he followed me home
that some things
are terrible gifts.
I used my legs like pistons.
I ran back home
for one last hug, my dress a mess-
I had to change,
was late for school,
smelled faintly
of his sickness.
I remembered
how the first month that I had him,
I searched with silver flashlight
in the blue and winter evenings
through the snow
for piles of dung,
looking for the evidence of worms.
He'd scoot his rump across the floor,
I was afraid
they'd let him go if he had
parasites
inside. And each chair leg
that showed his little teeth marks
I would crayon over, brush him
till he gleamed. They never got the shots
he should have had;
'Too much money'.
I didn't think
that it was true but more like a concern
they'd rather not
have had.
I never got my own shots
as an infant. Too painful's
what they told me.
Through the
whooping cough
and measles
when the bleakest
March and Aprils
rolled around,
I just wondered
when
the watery shit
would start.
Strange Valentines
Albert Fish, a dour man
of dark suits and sour mind
walked upright, like you or me
read newspapers, his watch
and looked at clouds. Combed his hair
slicked neat
and lived in a house
next to the house
of a darling child named
little Grace Budd whom he fried and ate; Albert
would have called it love. Flesh of the child was
like a tulip, pink and sweet- no doubt,
requiring salt. Albert removed her precious meat
with such rapt reverence, he remarked to her parents
by letter later, what a delicate morsel her
ass had been. Years afterward, he thought of Grace
with every straight pin pushed through thin
testicular skin; an X-ray showed all 32
were still inside, reminding him
of just how wide the heart will roam
to find its awful ease,
to keep a love contained,
love fed on love. Albert Fish
ate a dish of monstrous
worship- 'Bt Grace Beguiled'- but never
doubted, for a moment
his devotion to that child.
Her skull lay somewhere, picked by birds.
Hung On A Hook Of Grief
There are the simple tasks,
the hair wash,
making of toast
and bed
and merry, too- a joke
comes hand-standing,
silly pants and seltzer
to wet its way past grief.
The sun rolls round
and round, and you hope time does its work
as it always has;
you rely on that.
Then,
there is an update.
Montage of faces covered in ash
and you realize
there's no getting past
this one. An interview with transit workers, heroes all
who helped the in first mad rush of fleeing, describe how
when they brought them up from basement levels
before the first collapse, what they saw
as they looked at ground floor glass,
were bodies hitting, splashing
in impossible deaths
to escape flames-
the glass was red, running.
They told the folks behind
to look at the stairs:
look down
'so they wouldn't trip'-
but it was to protect them
from what the mind will fasten on the rest of life
if they lived through it- an oozing sore
that will not heal,
that sickens the entire host.
There are ghosts
down there
and the smoke
rising, all they have to say.
You feel the hook
pierced through the belly
pull, take on the weight of it
four thousand times
more heavy
than before.
What the mind cannot shake free of
it will field dress,
leave to hang and horrify
and you, with it.
You know there is a price to be paid,
there is no silence anymore
that lets you sleep.
On To Page 14
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