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View Date: April 28th, 2002

Rating: ($$$ out of $$$$$)

Cast:

Woody Allen CW Briggs
Helen Hunt Betty Ann Fitzgerald
Charlize Theron Laura Kensington
Dan Aykroyd Chris Magruder
Elizabeth Berkley Jill
John Schuck Mize
John Doumanian Office Worker
Peter Gerety Ned
Wallace Shawn George Bond

Written and Directed by:
Woody Allen 

Related Viewings:
Small Time Crooks (2000)
Manhattan Murder Mystery (1993)
Crimes and Misdemeanors (1989)
Take the Money and Run (1969)

Official Site:
Curse of The Scorpion


Also see my reviews at:

 


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Curse of The Jade Scorpion


Far be it for me to criticize such a wonderful filmmaker as Woody Allen, but being the movie fan that his work is aimed at, I feel it is my duty to do so.  Curse of The Jade Scorpion is a wonderfully fun, sharp-witted effort, whose only failure comes Allen’s continued insistence at being a romantic lead in every one of his movies.  I feel that his art has become a self-indulgent fulfillment of his fantasies, and that we are his unwitting victims.  The love story in this film works, but not with him as the lead, it becomes a distraction, rather than a progression of the plot.  Despite this, Allen’s talent as a screenwriter and storyteller is in its normal good form, with intelligent dialogue (including his neurotic tendencies, and Hunt’s continually descriptive wishes of doom) and an interesting, unique story.

The story centers on C.W. Briggs, a neurotic (as usual) but talented insurance investigator.  His boss, Chris Magruder (Ackroyd) has brought in an efficiency expert (Hunt) to help the department run more fluidly.  Of course, it doesn’t hurt that he is also having an affair with her, but is hesitant about leaving his wife.  Meanwhile, Hunt and Allen have an intense dislike for each other, which results in the movies most humorous moments.  At a party at a local club, a hypnotist (Ogden-Stiers) uses Hunt and Allen as his unwitting victims, sending them into a trance (using the aforementioned Scorpion), then commanding them using the words “Constantinople” and “Madagascar”.  After having them act out a mock romance, he wakes them from their trance and they all go their separate ways.  But alas, there is more, the hypnotist has ulterior motives and never breaks the two from his spell, making phone calls, uttering the words, and having them do his bidding.  I loved the idea itself, unique and creative, without being completely unrealistic, and the dialogue, filled with the expected witticisms and social observances, along with the playful and energetic performances of Hunt, Shawn and the others but again, Woody, in this role, was a distraction

Throughout his career, Allen has tried to be the protagonist for the neurotic underdog.  Someone who appeals to the guy who may not have the looks, the money, the style or the charm, but is armed with an acerbic sense of humor and a big vocabulary.  Briggs is no different, fulfilling all the prototypical traits of an Allen lead character.  But the character isn’t the problem here; it’s the performance, and believability of the role.  It’s not just the age difference, which can also be forgiven in certain films, depending on the screenplay, but the fact that we’ve seen this character before, in different situations and circumstances.  It worked the first time; it was funny the second time, now it is just tiring, repetitious and a distraction away from a story that has lighthearted playful nature otherwise.  I just wish Woody would give up his acting career, continue to write as he does, and give the leads to someone else.

Ultimately, Curse of The Jade Scorpion is a consistently funny, but self-indulgent effort that falls victim to the Woody Allen romantic curse.  In the majority of his movies, Allen has cast himself into a romantic storyline that is occasionally necessary, but just not with him in the role.  He needs to learn the lesson that Tarantino has, stay behind the scenes, and your films will work much better.  There is no denying his talent to relay sarcasm, neurosis and intelligent humor and weave it into an entertaining story.  One or two times, is okay, nine or ten, is just unnecessary. Allen hasn’t just beaten this dead horse, he has pulverized into a near unrecognizable pile of dust This effort is a nice guilty little pleasure with some truly shining moments and funny dialogue, but it nearly gets dragged down, by Allen, indulging his romantic fantasies upon us, in the guise of a credible story.  The idea behind Scorpion works, the humor, the story and characters do as well, but Allen (who seems to be suffering from Richard Gere syndrome of casting himself opposite beautiful, noticeably younger, leads) becomes a distraction in a story that would have worked much better without him in it.

 

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