Cast:
Joe
Fox - Tom Hanks
Kathleen Kelly - Meg Ryan
Tzipporah - Greg Kinnear (As Good As It Gets, E's Talk Soup)
Miriam - Parker Posey (Party Girl, House of Yes, Kicking
and Screaming, subUrbia, Clockwatchers)
Aaron - Jean Stapleton (TV's All in the Family)
Director: Nora Ephron
Previews: Blast From The Past,
Message In A Bottle
The advances of modern
technology have officially crossed over into every aspect of our lives. You cannot go
anywhere, or see anything without something.com. Email flies at an infinitesimally greater
rate than snail-mail. Businesses are run, commerce conducted, lives changed, all by this
magical web of computers. It was only a matter of time, before it was incorporated into
the movies. Other films (The Net, Hackers) have tried, but this one succeeds on focusing
on the interpersonal and social magic allowed by being connected to anyone, anywhere.
The plot is basic and simple. The
key to this movie is the interaction and appearances of Hanks and Ryan; the plot is the
setup and purpose for them. It involves two people, in love on-line, where they escape the
world, and discuss impersonal, yet deep issues, and then bicker in real life, where he is
the heir of a bookstore chain, and she is the owner of a small bookstore, soon put into
peril by Hanks presence. Their early interactions are some well-timed near misses,
followed by meeting, then rivaling etc. Telling anymore would give away too much.
Hanks and Ryan are infinitely
watchable together, proving that with more screen time this go-round, their appeal is
definitely there. Hanks proves that not all of his characters are one-dimensionally good,
showing a nice combination of charming, ruthless, and fallible, all at once. But its Ryan
who's in scene-stealing top form here. She shows elements of every previous role she's
had, from Sleepless, through I.Q. and even a touch or bitterness from the completely
unwatchable Addicted to Love. All at once she is cutesy, smart, and vulnerable, a winning
combination. Put these two together, and you have the heart of this film. The filmmakers
here realized what they had in their hands. They had a truly magical and watchable couple,
with a chemistry that people enjoyed watching.
The flaws come when the focus comes
off of them, and they try to develop too many other things around them. The supporting
performances in this movie are, for the most part, excessive, forced and out of place.
(although it was a rather nice revelation to discover the love life Generallismo Franco,
and that the Godfather movie is a religion to me) When it comes to a movie like this,
people want to see the couple; the plot is just reason and supporting tale of why we are
watching them. Suggestion..throw in one supporting character for him (either, a
girlfriend, father, or best friend..but not all three), and for her (most likely a
significant other, to show what she's missing and needs, although that isn't really the
case here, because Kinnear really doesnt do anything wrong, except inexplicably
obsess on typewriters)..but she didnt need a best friend, and a mentor, with as much
screen time as they all got. The pacing, uneven at times, due to the convolution
presented by these supporting characters. Take out the pointless stories involving these
characters, focus on the interactions of Hanks and Ryan, and basically..keep it simple,
because it works.
This is an old-fashioned romance,
with a perfected 90s touch and smart, yet not cliche'd plot. It will make you leave, or
even float, out of the theater, with a warm, good feeling in your heart; the final scene
of the movie reeled me in. Everyone in the theater knew it was coming, the only question
was how, and the payoff was well worth it. This is a definite date movie, one for fans of
Hanks and Ryan, separately, and together, and one for those searching a slightly flawed,
but enjoyable and heart warming (isn't that how love really is though). It will make you
smile, even bounce a bit, leaving the theater, knowing that good things can happen to good
people. ($$$)
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