Chicken Soup for the Soul #1
Why Do These Things
Have to Happen?
One of my joys and passions is my voice. I love to perform
in our local community theaters. My throat became very sore
during a particularly grueling show run. It was my first time
performing an operatic piece, and I was terrified I had actually
done damage to my vocal cords. I was a lead and we were about to
open. So I made an appointment with my family doctor where I
waited for an hour. I finally left in a huff, went back to work,
grabbed a phone book and found a throat specialist close by. Once
more I made an appointment and off I went.
The nurse showed me in and I sat down to wait for the
doctor. I was feeling very disgruntled. I rarely get sick and
here I was sick when I needed to be healthy. Besides, I had to
take time out of my workday to go to two different doctors, both
of whom kept me waiting. It was very frustrating. Why do these
things have to happen? A moment later the nurse came back in and
said, “May I ask you something personal?”
This seemed odd; what else do they ask you but personal
questions in a doctor’s office? But I looked at the nurse and
replied, “Yes, of course.”
“I noticed your hand,” she said a bit hesitantly.
I lost half of my left hand in a forklift accident when I
was 11. I think it is one of the reasons I didn’t follow my dream
of performing in theater, although everyone says, “Gee, I never
noticed! You are so natural.” In the back of my mind I thought
that they only wanted to see perfect people on stage. No one
would want to see me. Besides, I’m too tall, overweight, not
really talented ... no, they don’t want to see me. But I love
musical comedies and I do have a good voice. So one day I tried
out at our local community theater. I was the first one they
cast! That was three years ago. Since then, I have been cast in
almost everything I tried out for.
The nurse continued, “What I need to know is how it has
affected your life.”
Never in the 25 years since it happened has someone asked me
this. Maybe they’ll say, “Does it bother you?” but never anything
as sweeping as, “How had it affected your life?”
After an awkward pause, she said, “You see I just had a
baby, and her hand is like yours. I, we.., I need to know how it
has affected your life.”
“How has it affected my life?” I thought about it a bit so I
could think of the right words to say. Finally, I said, “It has
affected my life, but not in a bad way - I do many things that
people with two normal hands find difficult. I type about 75
words a minute, I play guitar, I have ridden and shown horses for
years, I even have a Horsemaster Degree. I’m involved in musical
theater and I am a professional speaker, I’m constantly in front
of a crowd. I do television shows four or five times a year. I
think it was never ‘difficult’ because of the love and
encouragement of my family. They always talked about all the
great notoriety I would get because I would learn how to do
things with one hand that most people had trouble doing with two.
We were all very excited about that. That was the main focus, not
the handicap.
“Your daughter does not have a problem. She is normal. You
are the one who will teach her to think of herself as anything
else. She will come to know she is ‘different.’ but you will
teach her that different is wonderful. Normal means you are
average. What’s fun about that?”
She was silent for a while. Then she simply said, “Thank
you” and walked out.
I sat there thinking, “Why do these things have to happen?”
Everything happens for a reason - even that forklift falling on
my hand. All the circumstances leading up to me being at this
doctor’s office and this moment in time happened for a reason.
The doctor came in, looked at my throat and said he wanted
to anesthetize and put a probe down it to examine it. Well,
singers are very paranoid about putting medical instruments down
their throats, especially ones so rough they need to be
anesthetized! I said, “No thanks,” and walked out.
The next day, my throat was completely better.
Why do these things have to happen?
By Lilly Walters
from A 2nd Helping of Chicken Soup for the Soul
Copyright 1995 by Jack Canfield and Mark Victor Hansen
How Much Is Enough ?
The rich industrialist from the North was horrified to find the
southern fisherman lying lazily beside his boat, smoking a pipe.
"Why aren't you out fishing?" said the industrialist.
"Because I have caught enough fish for the day," said the fisherman.
"Why don't you catch some more?"
"What would I do with them?"
"You could earn more money," was the industrialist's reply. "With
that you could have a motor fixed to your boat and go into deeper waters
and catch more fish. Then you would make enough to buy nylon nets. These
would bring you more fish and more money. Soon you would have enough
money to own two boats . . . maybe even a fleet of boats. Then you would
be a rich man like me."
"What would I do then?" asked the fisherman.
"Then you could really enjoy life."
"What do you think I am doing right now?"
By Anthony DeMello
from Chicken Soup for the Soul at Work
Copyright 1996 by Jack Canfield, Mark Victor Hansen,
Maida Rogerson, Martin Rutte & Tim Clauss
Hold Your Tongue
Ida and David both wanted all their sons to graduate
from college. They knew their boys would have to pay their
own way since David never made more than $150 a month.
Still, they encouraged their sons to achieve all they
could. Arthur, however, went directly from high school
to a job. Edgar began studying law. When Dwight graduated
he didn't have a goal in mind, so he and Ed made a pact:
Dwight would work two years while Ed studied, sending Ed
as much as he could, and then they would reverse the
arrangement. While working Dwight found an opportunity
that appealed to him more than college - West Point.
Both Ida and David were crushed by Dwight's decision.
Ida was deeply convinced that soldiering was wicked. Still,
all she ever said to him was, "It is your choice." David
also remained silent, allowing his adult son full freedom
to forge his own future.
Yes, Ida and David wisely held their tongues - but
they never withheld their applause, especially on the
day their son, General Dwight Eisenhower, became President
of the United States of America.
From God's Little Devotional Book
from A Cup of Chicken Soup for the Soul
Copyright 1996 by Jack Canfield, Mark
Victor Hansen & Barry Spilchuk
Courage of the Heart
I sit on the rickety auditorium chair with the camcorder on
my shoulder and I can feel the tears well up in my eyes. My
six-year old daughter is on stage, calm, self-possessed, centered
and singing out her heart. I am nervous, jittery, emotional and
trying not to cry.
"Listen, can you hear the sound, hearts beating all the
world around?" she sings.
Little round face turned up to the light, little face so
dear and familiar and yet so unlike my own thin features. Her
eyes look out into the audience with total trust . . . she
knows they love her. Eyes that don't look like mine.
"Up in the valley, out on the plains, everywhere around
the world, heartbeats sound the same."
The face of her birth mother looks out at me from the
stage. They eyes of a young woman that once looked into mine
with trust now gaze into the audience. These features my
daughter inherited from her birth mother . . . eyes that
tilt up at the corners and rosy, plump little cheeks that I
can't stop kissing.
"Black or white, red or tan, it's the heart of the
family of man . . . oh, oh beating away, oh, oh beating
away," she finishes.
The audience goes wild. I do, too. Thunderous applause,
and they rise as one to let Melanie know they loved it. She
smiles . . . she already knew. Now I am crying. I feel so
blessed to be her mom . . . she fills me with so much joy that
my heart actually hurts. The heart of the family of man
. . . the heart of courage that shows us the path to take
when we are lost . . . the heart that makes strangers one
with each other for a common purpose . . . this is the heart
Melanie's birth mother showed to me. Melanie heard her from
deep inside the safest part of her. This heart of courage
belonged to a sixteen-year-old girl . . . a girl who became
a woman because of her commitment to unconditional love. She
was a woman who embraced the concept that she could give her
child something no one else ever could . . . a better life
than she had.
Melanie's heart beats close to mine as I hold her and
tell her how great she performed. She wiggles in my arms and
looks up at me. "Why are you crying, Mommie?"
I answer her, "Because I am so happy for you and you
did so good all by yourself!" I can feel myself reach out
with tendrils of love and hold her with more than just my
arms. I hold her with love for not only myself, but for the
beautiful and courageous woman who chose to give birth to
my daughter, and then chose again to give her to me. I
carry the love from both of us . . . the birth mother with
the courage to share, and the woman whose empty arms were
filled with love . . . for the heartbeat that we share is
one.
By Patty Hansen
from Condensed Chicken Soup for the Soul
Copyright 1996 by Jack Canfield, Mark
Victor Hansen & Patty Hansen
Making Change
A young boy went to a police department auction of bicycles
accumulated over a period of time. Each time the auctioneer
started the bidding, the boy would say, "I bid one dollar, sir."
The bidding would continue higher and higher until each bicycle
was sold to the highest bidder. Each time the boy would bid one
dollar. As the last bicycle to be sold was brought forth, the
little boy cried, "I bid one dollar, sir." The figures in the
bidding rose higher and the auctioneer finally closed the
bidding at nine dollars to the little boy in the front row.
Then the auctioneer reached into his pocket and pulled out
eight dollars and laid them on the counter; the little boy came
up and put his one dollar in nickels, dimes and pennies
alongside it, picked up his new bike, and started out the door.
Then he laid the bike down, ran back to the auctioneer and threw
his arms around the auctioneer's neck and cried.
By Elder Featherstone,
Submitted by Jack ZoBell
from A Cup of Chicken Soup for the Soul
Copyright 1996 by Jack Canfield,
Mark Victor Hansen & Barry Spilchuk
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