FOOD AND DRINK |
Type | Name |
What is it? | How to Serve | Info |
DRINK |
Bazi tea | An herbal beverage served hot & heavily sugared | | Traditionally drunk 3 tiny cups at a time, in rapid succession. |
| Blackwyne | Earth coffee | Is ladled from large blackwyne pots in the firepits. | Traditionally served with red and yellow sugars and powdered bosk milk, and in tiny cups or bowls. |
| Breeding Wine (Also called second wine) | A sweet beverage | | Counteracts the effects of slave wine, making a slavegirl fertile |
| Ka-la-na | A very potent dry white or red wine, made from the fruit of the Ka-la-na tree. | Should be served in a goblet. Comes in a bota. | White kalana is ALWAYS served chilled. |
| Kal-da | Alcoholic beverage made of ka- la-na wine diluted with citrus juices and mixed with strong spices | Should be ladled into a bowl from the firepits. | Always served hot. |
| Meade | A fermented beverage made from honey and herbs. | Served in a frosted mug. | Gorean Ale |
| Mulled Ka-la-na | Heated ka-la-na, with mulling spices. | ladle it into the goblet, add a garnish and take to the one you are serving. | Usually garnished with a piece of ka-la-na fruit or tospit. Kept warm in a pot at the firepit |
| Paga (Pagar-Sa-Tarna) | A grain-based, distilled hard liquor akin to whiskey. | Served Warm in a bowl. | Is lumpy. Comes from a bota. The Name Means ''pleasure of the life-daughter'' |
| Slave Wine | A black, bitter beverage | | Acts as a contraceptive; its effect is instantaneous and lasts for well over a month; Can be counter-acted with second wine. |
| Sul Paga | An alcoholic beverage made from suls (Earth potatoes) | Served warm in a bowl. | Akin to vodka. Comes from a bota. |
| Ta Wine | A dry wine made from grapes | Pour into a goblet at the Masters feet | Served at room temperature and come from a bottle |
Positions And Comands
NAME |
EXAMPLE |
| nadu |
This is the most basic of all the positions. This is the position a slave is in most of the time.
She kneels before her Master, her head held high, eyes downcast, knees spread wide open, shoulders back keeping her back straight (or arched slightly), breasts thrust outward. Her hands lie on her thighs, palms facing upward. |
| Tower Slave Position |
There is another variation of Nadu in which she kneels the same way, but with her palms down and her knees modestly together. This variation is referred to as Tower Slave Position and is typically reserved for underage or white-silk slave girls, or slave girls who serve their Master in a non-sexual way, such as a Tower Slave or female Work Slave. |
| Sula |
This position is self explanatory. She lays on her back, her hands at her sides, palms facing upward. Her legs are spread wide open. She awaits Master's inspection. |
| Sula-Ki, or "Alternative Sula" |
This position is almost identical to the Sula position, except once she has assumed the Sula position she slowly lifts her hips up off the floor, as if beckoning him with her body, encouraging her sexual use by him. |
| Bara |
This position is used for a variety of reasons, sometimes as punishment. She lays on her stomach, face down and turned to the left with her wrists crossed behind her back. Her ankles are crossed, as well, as if for binding. |
| Belly |
This position is used for varied reasons, one of them being that it just pleases the Master. She falls to the floor face down, her forehead resting flat on the surface her arms at her sides with her legs widely spread and crawls to the Master on her belly. |
| Crawl |
This is very similar to belly but there are differences. She gets down on all fours, palms to elbows are flat on floor, her ass in the air with her forehead close but not touching the floor and crawls to just an inch from the Master's feet. |
| Gorean bow |
This position is very painful to maintain for longer than 5 minutes. She kneels in nadu position and bends her body backwards, her head to the floor, she places her hands by her head, and pulls up into a back bend. |
| Leash |
This position is used to attach a leash. She kneels, her back to her Master, with her chin lifted and head turned to the left, offering her collar for leashing. Her wrists are behind her back, ready, if needed, to be snapped into slave bracelets. |
| High lesha |
Similar to lesha except done from a standing position. She stands with her back to her Master, her hands crossed at the small of the back, her feet shoulder width apart, back and shoulders slightly arched, her breasts thrusting forward, head held high and tilted to the left with her eyes lowered in respect and submission. |
| Bracelets |
This position is used to put on slave bracelets for chaining the slave. A common place to chain slaves is to their Master's bed or at a Tavern where there are rings in the walls that a Master may use to attach a slave to while he goes about his business. She places her hands behind her back, her shoulders pushed back and her breasts thrust outward, her hands clasped tightly behind her back, ready for bracelets to be placed on her. |
| High bracelets |
She stands with feet a shoulder width apart, holding her head high with eyes lowered submissively, her arms out before her with wrists pressed together, ready for binding. |
| Ko~lar or Collaring Position |
Also called "the Position of Female Submission." She kneels at the Master's feet and leans her body back, sitting upon her heels, with her arms extended upward, crossed at the wrists, and her head beneath them lowered in supplication. |
| Submission |
She kneels, bending at the waist, places her cheek to the floor, takes the Master's right foot and places it upon her neck, placing her arms behind her back, crossing them at the wrist. |
| Obedience Position |
She goes to the floor, laying upon her stomach, face down before the Master. She turns her head and places her cheek against his feet, kissing them lightly in a gesture of love and submission. |
| Karta Position of obedience |
She kneels on the floor, her thighs spread widely to allow her to lay her chest upon the floor, she leans forward placing her breasts and forehead against the floor, she reaches out with her arms fully extended, palms against floor. Ankles may be crossed or uncrossed. Shows utmost respect. Requests may be made from this position. |
| Suga |
This is very similar to Karta but in this her wrists are crossed. She kneels, knees wide apart and lays her head to the floor, forehead down and arms stretched over head and wrists crossed, lying quietly. |
| Prostrate |
This is used when waiting to enter a room. She kneels and touches her forehead to the floor stretching her arms out before her with palms face down and fingers spread. |
| Table |
This command is used when a Master is in need of a table to rest his drink or to just rest his feet. She goes to all fours, locking her elbows, making her back smooth and level, holding her head level as well. |
| Whipping Position |
She first assumes the Nadu position, though with her arms crossed in front of her. She then leans forward and places her head to the floor, first sweeping her hair forward over her shoulders in order that her back might be utterly exposed to the whip. |
| Hair Position |
She stands, her feet flat on the floor, and bows gracefully at the waist, that her hair might fall forward for display, or to be shorn, seized, or used for any purpose that the Master desires. |
| "Slaver's Kiss" Position |
She falls to the floor upon all fours, and lowers her head to the ground, with her buttocks thrust upward and her thighs widely spread, exposing her hindquarters fully in preparation for the caress of the leather against her body.
Common Gorean Usage Position of this position - She falls to the floor upon all fours, and keeps her head straight, her eyes looking forward, with her buttocks thrust upward and her thighs widely spread in preparation for the sexual use of the Master. |
| She-Sleen Position |
Also known as "assuming the modality of the she-quadruped." She falls to her hands and knees, her head down on the floor, her hindquarters thrust high for viewing and/or her Master's pleasure. "Serving in the modality of the she-quadruped" is an instruction whereby the slave performs her regular duties upon hands and knees, without the benefit of the use of her hands. In this mode she may not rise to her feet and may use only her mouth and teeth to grasp and manipulate objects. |
| Leading Position |
She stands and moves behind her Master, bending at the waist. She places her hands behind her and puts the side of her head to her Master's hip, that he might lead her easily by the hair or collar while walking. |
| Heel Command |
She goes to Master and kneels behind his left foot, awaiting his movement whereupon she stays to his left and slightly behind him following him as he moves. |
| Walk Command |
When this command is given, she turns in a graceful pirouette, her hair swinging. She then walks, gliding across the room, her feet hardly seeming to leave the floor, her hips swaying sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, her shoulders back, her chest thrust forward, her belly in. She turns her hip out a bit, her hands at her sides, and points one foot. Her head is up and her eyes are lowered. |
| Run Command |
When this command is given, she runs toward her objective, taking short rapid steps, with her legs almost straight, her feet hardly leaving the floor. As she moves her back is straight, her head is turned to the left, and her arms are at her sides, her palms facing outward at a 45 degree angle to her body. Upon reaching her objective she drops gracefully to her knees and typically resumes the position of Nadu. |
| Slave Lips |
When this command is given, she turns her head up to the Master, her lips pursed in a sensual kissing position.
She remains motionless, her lips thusly puckered, and may not move until she is granted the kiss of a Master. |
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