Thesis Bibliography

Amiran, E. & Unsworth, J. eds. Essays in Postmodern Culture. Oxford University Press, New York, 1993.

Ang, I. Living Room Wars, Rethinking Media Audiences for a Postmodern World. Routledge, London, 1996.

Birkerts, S. The Gutenburg Elegies, The Fate of Reading in an Electronic Age. Faber & Faber, Boston, 1994.

Blackwell, L. 20th Century Type, Remix. Laurence King Publishing, London, 1998.

Blackwell, L. David Carson, 2nd Sight, Graphik Design After the End of Print. Laurence King Publishing, London, 1997.

Blackwell, L. The End of Print, The Graphic Design of David Carson. Laurence King Publishing, London, 1995.

Bolter, J.D. Writing Space, The Computer, Hypertext and the History of Writing. Laurence Erlbaum Associates, New Jersey, 1991.

Braithwaite, B. Women's Magazines: The First 300 Years. Peter Owen, London, 1995.

Caputo, J. ed. Deconstruction in a Nutshell. A Conversation with Jacques Derrida. Fordham University Press, New York, 1997.

Carnase, T & Gorkin, B. eds. Graphis Digital Fonts 1. Graphis U.S., New York, 1996.

Carter, R. Working with Computer Type 1. Books, Magazines and Newsletters. Rotovision, Switzerland, 1995.

Carter, S. Twentieth Century Type Designers, New Edition. Lund Humphries Publishers, London, 1995.

Chauncey, C. ‘The Art of Typography in the Information Age.’ Technology Review, Feb-March, vol.89, 1986.

Cooper, D. ‘The Year Mozart and Sid Vicious Shared an Office in New York.’ Wired, Issue 3.03, March 1995.

Cotton, B. & Oliver, R. The Cyberspace Lexicon, An Illustrated Dictionary of Terms from Multimedia to Virtual Reality. Phaidon Press Limited, London, 1994.

Coupland, K, ed. Graphis Web Design Now 1. Graphis U.S., Inc. New York, 1997.

Cowart, J. Roy Lichtenstein, 1970-1980. Prestel-Verlag, Munchen, 1982.

De Kerckhove, D. The Skin of Culture, Investigating the New Electronic Reality. Somerville House Publishing, Toronto, 1995.

Derrida, J. Of Grammatology. Trans. G.C.Spivak, John Hopkins University Press, Baltimore, 1976.

Derrida, J. The Post Card, From Socrates to Freud and Beyond. Trans. A.Bass, University of Chicago Press, Chicago, 1987.

Derrida, J. Margins of Philosophy. Trans. with additional notes A.Bass, University of Chicago Press, Chicago, 1982.

Derrida, J. Glas. University of Nebraska Press, Lincoln, 1986.

Donnelly, D. Web Design, The Next Generation. Thames & Hudson, London, 1998.

Eagleton, T. The Ideology of the Aesthetic. Blackwell Publishers, Oxford, 1990.

Geotz, V. Colour and Type for the Screen. RotoVision, Switzerland, 1998.

Gilster, P. Digital Literacy. John Wiley & Sons Inc, New York, 1997.

Goncalves, M. Protecting Your Web Site with Firewalls. Prentice Hall, New Jersey, 1997.

Gray, C. ed. The Cyborg Handbook. Routledge, New York, 1995.

Greiman, A. Hybrid Imagery, The Fusion of Technology and Graphic Design. Overviews by Eric Martin. Watson-Guptill Publications, New York, 1990.

Green, M. Zen and the Art of the Macintosh, Discoveries on the Path to Computer Enlightenment. Running Press, Philadelphia, 1986.

Gunderloy, M. & Janice, C.G. The World of Zines, A Guide to the Independent Magazine Revolution. Penguin Books, New York, 1992.

Harari, J.V. ed. Textual Strategies, Perspectives in Post-Structuralist Criticism. Methuen & Co, London, 1980.

Harley, R. ed. New Media Technologies. Australian Film, Television & Radio School, Sydney, 1993.

Hawisher, G. & Selfe, C. eds. Critical Perspectives on Computers and Composition Instruction. Teachers College, New York, 1989.

Heim, M. Electric Language, A Philosophical Study of Word Processing. Yale University Press, New Haven, 1987.

Heller, S. Covers & Jackets, What The Best Dressed Books and Magazines are Wearing. Glen Cove, New York, 1993.

Heller, S. & Anderson, G. Typeplay. Nippan Shuppan Hanbai, Dusseldorf, 1994.

Heller, S. & Drennan, D. The Digital Designer, The Graphic Artist’s Guide To the New Media. Watson-Guptill Publications, New York, 1997.

Heller, S. & Fernandes, T. Magazines: Inside and Out. PBC International, New York, 1996.

Heller, S. & Finamore, M. eds. Design Culture, An Anthology of Writing from the AIGA Journal of Graphic Design. Allworth Press, New York, 1997.

Heller, S. & Fink, A. Faces on the Edge, Type in the Digital Age. Van Nostrand Rhienhold, New York, 1997.

Hollis, R. Graphic Design, A Concise History. Thames & Hudson, London, 1994.

Holtzschue, L. & Noriega, E. Design Fundamentals for the Digital Age. Van Nostrand Reinhold, New York, 1997.

Jameson, F. Postmodernism, or, The Cultural Logic of Late Capitalism. Duke University Press, Durham, 1991.

Jute, A. Grids, The Structure of Graphic Design. RotoVision, Switzerland, 1996.

Kinross, R. Modern Typography, An Essay in Critical History. Hyphen Press, London, 1992.

Kristeva, J. The Desire in Language, A Semiotic Approach to Literature and Art. Basil Blackwell, Oxford, 1980.

Kroker, A. & Kroker, M. ‘Dead Media Project: An Interview with Bruce Sterling.’ CTHEORY, Theory, Technology and Culture, Vol.22, No.1-2.

Kuipers, D. & C.Ashworth, eds. Ray Gun, Out of Control. Simon & Schuster, New York, 1997.

Landow, G. Hypertext, The Convergence of Critical Theory and Technology. John Hopkins University Press, Baltimore, 1992.

Lanham, R. The Electronic Word, Democracy, Technology and the Arts. University of Chicago Press, Chicago, 1993.

Lawson, A. Anatomy of a Typeface. David R. Godine Publisher, Boston, 1990.

Licko, Z., Vanderlans, R. & Gray, M.E. Emigre, Graphic Design into the Digital Realm. Van Nostrand Rhienhold, New York, 1993.

Litchy, T. Design Principles for Desktop Publishers. Scott, Foresman and Company, Illinios, 1989.

Lupton, E. Mixing Messages, Graphic Design in Contemporary Culture. Princeton Architectural Press, New York, 1996.

Lupton, E. & Miller, J.A. Design Writing Research, Writing on Graphic Design. Princeton Architectural Press, New York, 1996.

Mandelbrot, B. The Fractal Geometry of Nature. W.H.Freeman & Company, New York, 1983.

Margolin, V. & Buchanan, R. eds. The Idea of Design, A Design Issues Reader. The MIT Press, Cambridge, 1995.

Markley, R. ed. Virtual Realities and their Discontents. John Hopkins University Press, Baltimore, 1996.

Mattelart, A. & Mattelart, M. Rethinking Media Theory, Signposts and New Directions. University of Minnesota Press, Minneapolis, 1992.

McLuhan, M. The Gutenburg Galaxy, The Making of Typographic Man. Routledge & Kegan Paul, London, 1962.

McLuhan, M. Understanding Media, The Extensions Of Man. Routledge & Kegan Paul, London, 1964.

McLuhan, M. & Fiore, Q. The Medium is the Massage, An Inventory of Effects. Bantam Books, New York, 1967.

Meggs, P. A History of Graphic Design, Third Edition. John Wiley and Sons Inc, New York, 1998.

Mendelson, E. ‘Beowolf fonts mimic the look of metal typography.’ PC Magazine, Sept 12, 1995, v14, n15, p.49.

Milner, A., Thompson, P. & Worth, C. eds. Postmodern Conditions. Berg Publishers, New York, 1990.

Mitchell, W. The Reconfigured Eye, Visual Truth in the Post-Photographic Era. MIT Press, Cambridge, 1994.

Moholy-Nagy, L. Vision in Motion. Paul Theobold & Co, Chicago, 1969.

Moos, M. ed. Media Research, Technology, Art, Communication; Essays by Marshall McLuhan. Overseas Publishers Association, Amsterdam, 1997.

Myers, B.T. & Copplestone, T. eds. The History of Art. Architecture, Painting, Sculpture. Hamylan Publishing Group Limited, London, 1985.

Negraponte, N. Being Digital. Hodder & Stoughton, Rydalmere, 1995.

Nelson, T. Literary Machines, 93.1. Mindful Press, California, 1993.

O’Donnel, J. Avatars of the Word, From Papyrus to Cyberspace. Harvard University Press, Cambridge, 1998.

Ong, W.J. Orality and Literacy, The Technologizing of the Word. Routledge, London, 1988.

Papadakis, A.C. ed. The New Modernism, Deconstructionist Tendencies in Art. Academy Group Ltd, London, 1988.

Peterson, T. Magazines in the Twentieth Century. University of Illinois Press, Urbana, 1975.

Petre, D. & Harrington, D. The Clever Country? Australia’s Digital Future. Landsdowne Publishing, Sydney, 1996.

Plant, S. Zeros and Ones, Digital Women and the New Technoculture. Fourth Estate, London, 1997.

Plunkett, J. & Rossetto, L. Mind Grenades, Manifestos For The Future. HardWired, California, 1996.

Poster, M. The Second Media Age. Polity Press, Cambridge, 1995.

Poster, M. The Mode of Information, Poststructuralism and Social Context. Chicago, 1990.

Poster, M. Critical Theory and Poststructuralism, In Search of a Context. Cornell University Press, Ithaca, 1989.

Postman, N. Amusing Ourselves to Death, Public Discourse in the Age of Show Business. Methuen Paperback, London, 1987.

Postman, N. Technopoly, The Surrender of Culture to Technology. Vintage Books, New York, 1993.

Poynor, R. ed. Design Without Boundaries, Visual Communication in Transition. Booth-Clibborn Editions, London, 1998.

Poynor, R. Typography Now Two, Implosion. Booth-Clibborn Editions, London, 1996.

Poynor, R. The Graphic Edge. Booth-Clibborn Editions, London, 1993.

Poynor, R. Typography Now, The Next Wave. Internos Books, London, 1991.

Robinson, A. The Story of Writing. Thames & Hudson, London, 1995.

Rucker, R., Sirius, R.U. & Queen, M. Mondo 2000, A User’s Guide to the New Edge. Thames & Hudson, London, 1992.

Sarup, M. An Introductory Guide to Post-structuralism and Postmodernism. Harvester Wheatsheaf, New York, 1988.

Saussure, F.de. Course in General Linguistics. eds. C.Bally & A.Sechehaye, trans. & annotated by R.Harris, Open Court, La Salle, 1986.

Smith, A. Books to Bytes, Knowledge and Information in the Postmodern Era. British Film Institute Publishing, London, 1993.

Snyder, I. ed. Page to Screen, Taking Literacy into the Electronic Era. Allen & Unwin, Sydney, 1997.

Spiekermann, E. & Ginger, E.M. Stop Stealing Sheep and Find Out How Type Works. Adobe Press, Mountain View, 1993.

Stake, R. The Art of Case Study Research. Sage Publications, Thousand Oaks, 1995.

Stefik, M. ed. Internet Dreams, Archetypes, Myths and Metaphors. MIT Press, Cambridge, 1996.

Steinberg, S. Five Hundred Years of Printing. Penguin Books, England, 1974.

Storer, R. ‘0075 Generation X’. Cream, Issue 5, Autumn 1999, p.71.

Surber, J.P. Culture and Critique. Westview Press, Boulder, Colorado, 1997.

Tapschott, D. The Digital Economy. Promise and Peril in the Age of Networked Intelligence. McGraw-Hill, New York, 1996.

Taylor, M. & Saarinen, E. Imagologies, Media Philosophy. Routledge, London, 1994.

Thornton, S. Club Cultures, Music, Media and Subcultural Capital. Wesleyan University Press, Hanover, 1996.

Thwaites, T., Davis L. & Mules, W. Tools For Cultural Studies, An Introduction. MacMillian, Melbourne, 1994. Memory Trade, A Prehistory of Cyberculture. Interface Books, Sydney, 1997.

Tuman, M. Word Perfect, Literacy in the Computer Age. Falmer Press, London, 1992.

Walton, R. Typographics 1, The Art of Typography from Digital to Dyeline. Hearst Books International, New York, 1995. Desktop Magazine, June 1999.

Wilson, R. & Dissanayake, W. eds. Global/Local, Cultural Production and the Transnational Imaginary. Duke University Press, Durham, 1996.

Worton M. & Still, J. eds. Intertextuality, Theories and Practices. Manchester University Press, Manchester, 1990.

Wozencroft, J. The Graphic Language of Neville Brody 2. Thames & Hudson, London, 1994.

Wozencroft, J. The Graphic Language of Neville Brody. Thames & Hudson, London, 1988.

Yin, R. Case Study Research, Design and Methods, Second Edition. Sage Publications, Thousand Oaks, 1994.

Young, R. ed. Untying the Text, A Poststructuralist Reader. Kegan & Paul, London, 1981.

Reference details for the illustrative images and magazine pages used throughout this thesis are sorted here by – thesis page number - chapter title - title of image - then primary reference location details.

Page 25 - Mandlebrot Sets - T.Wegner, B.Tyler, M.Peterson & P.Branderhorst, Fractals for Windows, Waite Group Press, Corte Madera, 1992, p.6 of the colour plates insert.

Page 32 - Analog music - Holtzschue, L. & Noriega, E. Design Fundamentals for the Digital Age. Van Nostrand Reinhold, New York, 1997, p.17.

Page 34 - Digital music - Holtzschue, L. & Noriega, E. Design Fundamentals for the Digital Age. Van Nostrand Reinhold, New York, 1997, p.17.

Page 36 - Bitmap 300dpi ‘A’ - Litchy, T. Design Principles for Desktop Publishers. Scott, Foresman and Company, Illinios, 1989, p.27.

Page 36 - Post script ‘b’ - Meggs, P. A History of Graphic Design, Third Edition. John Wiley and Sons Inc, New York, 1998, p.456.

Page 38 - Gill Sans ‘g’ - Blackwell, L. 20th Century Type, Remix. Laurence King, London, 1998, p.74.

Page 38 - ‘A’ by Tory - Lupton, E. & Miller, J.A. Design Writing Research, Writing on Graphic Design. Princeton Architectural Press, New York, 1996, p.54.

Page 39 - Roman grid ‘B’ - Lupton, E. & Miller, J.A. Design Writing Research, Writing on Graphic Design. Princeton Architectural Press, New York, 1996, p.54.

Page 41 - Marinetti’s ‘SCHRABrrRrraaNNG’ - Lanham, R. The Electronic Word, Democracy, Technology and the Arts. University of Chicago Press, Chicago, 1993, p.33.

Page 52 - A random field of pixels - Mitchell, W. The Reconfigured Eye, Visual Truth in the Post-Photographic Era. MIT Press, Cambridge, 1994, p.88.

Page 54 – ‘St Ambrose,’ 5th century mosaic, Church of Ambrogio, Milan - Myers, B.T. & Copplestone, T. eds. The History of Art. Architecture, Painting, Sculpture. Hamylan Publishing Group Limited, London, 1985, p.234.

Page 54 - Roy Lichtenstein’s ‘Mirror No. 2’ 1971 – Cowart, J. Roy Lichtenstein, 1970-1980. Prestel-Verlag, Munchen, 1982, p.27.

Page 54 - George Suerat’s ‘Sunday Afternoon on the Island of Grande Jatte’ 1885-6 – Myers, B.T. & Copplestone, T. eds. The History of Art. Architecture, Painting, Sculpture. Hamylan Publishing Group Limited, London, 1985, p.805.

Page 57 - Beowolf - Poynor, R. Typography Now, The Next Wave. Internos Books, London, 1991, p.212.

Page 58 - Burroughs – Poynor, R. Typography Now, The Next Wave. Internos Books, London, 1991, p.211.

Page 61 - Computer icons – Holtzschue, L. & Noriega, E. Design Fundamentals for the Digital Age. Van Nostrand Reinhold, New York, 1997, p.150.

Page 61 - Chinese pictographs – Robinson, A. The Story of Writing. Thames & Hudson, London, 1995, p.50.

Page 62 - Contemporary icons – Robinson, A. The Story of Writing. Thames & Hudson, London, 1995, p.210.

Plate 1 - ‘Too Much Joy’. Ray Gun, October 1992, Issue 1.

Cited in Blackwell, 1995, unpaginated.

Plate 2 - ‘Brian Ferry’. Ray Gun, November 1994, Issue 21.

Cited in Blackwell, 1995, unpaginated.

Plate 3 - ‘Netsurf’. Wired, December 1994, Issue 2.12, p.195.

Cited directly from Wired.

Plate 4 - ‘You Used To Watch TV, Now It Watches You’. Wired, January 1995, Issue 3.01, p.124-125.

Cited directly from Wired.

Plate 5 - ‘The Transom’. Wired, December 1994, Issue 2.12, p.45

Cited directly from Wired.

Plate 6 - ‘The Proud Highway, The Letters of Hunter S Thompson’. Rolling Stone, August 1997, Issue 538, p.74-75.

Cited directly from Rolling Stone.

Plate 7 - ‘Contents’. Cream, Issue 5, Autumn 1999, p.3.

Cited directly from Cream.

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