Tony Albano Success in Horowitz Memorial Open Congratulations to APCT Top Ten player Tony Albano for his high finish in the recently concluded Al Horowitz Memorial Open. He finished the finals just half a point behind the winner Chris McLaughlin and tied for second place with IM Isay Golyak. Thanks to APCT’er Ralph Marconi of Joliette, Quebec, who was the Tournament Secretary for this ICCF event and provided this information. Giant Team Match Underway Ralph Marconi is also team captain for the North American Pacific Zone team in an ICCF 100-board friendly match against the South American Zone. The following APCT players are taking part on the board numbers indicated: 3. Michael Brent, 8. Ted Greiner, 11. James Skeels, 12. Ralph Marconi, 19. Stephan Gerzadowicz, 26. Travis Norman, 35. Michael Guillot, 40. Allen Wright, 47. William Bivens, 63. Marek Raczynski, 76. Chris Caligari, 82. Stephen Wead and 84. Jefferson Green. Reasons for Losing and a Challenge to Readers I recently asked chess journalist and APCT member Roy DeVault of Gulfport, MS for some advice to help me improve my play. He replied with these very interesting and useful ideas: “The question of chess style has always intrigued me. Most players know what you mean when you refer to a style of chess play, but can they define or illustrate any style other than 19-th century, Morphyesque play? I think not. Of course, we are addressing something very abstract, and it may well be true that the elements of chess style (wasn't there a book years ago with that title?) are in the eye of the beholder. I would be fascinated to know a good player’s opinion of my style. Does it resemble, in some small way, the play of ??? who? I haven't a clue. Do I play in the style of Alekhine?, Spassky? I don't know. If I knew, I would offer an opinion as to your style of play, but, as I said, I don't really know how to define chess style. I AM sure that all players have a style, even though they aren't GM's. Perhaps this would be good subject material for your column. Invite readers to give their ideas as to how to define chessplaying style. [There you have it, readers, a challenge! -- JFC] “Regarding your ‘I need to go back to basics...’ One thing I noticed in playing over a bunch of games I lost was that, as a general truth, I did not stand badly out of the opening. My losses were attributable to one of these: 1) A lack of alertness at a crucial point. In many cases, I made a "routine" move when the right move would have prevented my opponent from gaining an advantage. The move I made was actually a blunder, but it looks all right at first glance. I think this comes mainly from a lack of appreciation of the opponent's possibilities. 2) Pressing too hard for an advantage in an even position. This was a bugaboo for a long time, but I've finally conquered it. When one has no advantage, as frustrating as it may be (time invested in the game, need to win for Tmt. standing, etc.) one has to play quiet, solid chess and accept a draw if that is what comes. 3) Lack of confidence in one's own ability. By this I mean the feeling that if "I don't do something soon, he'll overwhelm me." That feeling is most often a false one. I've had to train myself not to panic in positions where I'm getting nowhere, and to look to what I can do to set my own house in order. 4) Mis-evaluation of the position as more favorable to me than it really is. See (2) above. This is interrelated with (3) also. It causes one to do things like launch an attack when one should be consolidating. “One of the hardest things to do in chess is to make useful moves (Petrosian was the best) when there is nothing much to do in a position. Many of my losses came from trying to force something instead of playing "Petrosian-like" chess. In that situation, both players are waiting for the other to make a mistake. Have faith that it will be him! Even if you sit quietly on the position for a time.” Thanks, Roy, for a very interesting and insightful discussion. I hope readers take note of your challenge above. Simply Enjoying Chess Roy DeVault also supplied the following commentary. “I recall SM John Jacobs, who taught a chess class in Dallas, saying once in class that his favorite chess activity was playing over a Spassky game while enjoying a glass of wine. I do it without the wine (I prefer coffee).” After I asked permission to quote this in my column he added: “I like the idea of the John Jacobs’ quote. He is a pleasant, friendly fellow, and would not mind being quoted at all. He does not write on chess but has had his little class (8-12 -- varies) going for years. He reviews great games or presents an opening system or studies a recent well-known game in detail. He has a demo board ... and lectures about 90 minutes ... Last USCF rating I knew for him was 2385. “The notion of chess to simply enjoy is a neglected one. People don’t ‘stop to smell the roses’ as often as they should. Everyone has some favorite players, and enjoying their best games without a compulsion to study can be very enjoyable.” A Matter of Postal Etiquette APCT member Phyllis Kuehn of Saginaw, MI contributed the following concerning the use of good postal manners. I agree with her comments ... what do you think? “I have enjoyed almost all of my postal opponents over the years, finding them courteous and, sometimes, very friendly. If my opponents like to write notes, I write notes; if they do not, I just send the moves. But a small minority have annoying habits, and I wonder how others feel about this. Once in a while, I find what I think is quite a good move (I wish it were more often), but I wouldn't dream of announcing this or emphasizing it by placing an exclamation point after it. I think it shows very poor taste to brag about your own moves. After all, it may not turn out to be as good as you think. Often it is simply good luck resulting from another person's error, and that is not a reason to think that you are especially brilliant. (Often games are won by the player that makes the fewest errors.) In short, I feel that awarding your own moves exclamation points is tacky. “When I see someone doing this, I am offended. I get an impression of that person which may be totally off base. He strikes me as rude, self-centered, and arrogant--one who feels he is far superior to the rest of us mortals--essentially someone not easy to like. “I will occasionally attach an (!) to an opponent's move. A particularly good move which I did not anticipate might lead me to comment in this way. But not if he's done it first! No way! And the only punctuation I will ever attach to a move of my own is this one: (?) when it is deserved.” [Thank you for these observations. I feel much the same. I take particular offense when an opponent labels one of MY moves with (?). Fortunately, this (perceived) rude behavior has been very rare in my experience. Like you, I believe it is important to be courteous and sensitive in our correspondence with our opponents. -- JFC] APCT’er Finishes Ninth Book When Maurice Ellis of New Castle, PA recently mentioned the following, I wrote him for more information. He said, “For historical record, I took 333 of my APCT games and copyrighted a book of them. This is my 9th book so far.” Following is his reply. “You asked me to tell you more about the other books I’ve written. Well, here are some: Lydia’s Opening (1. h4) & Gracik’s Opening (1. f3) -- Contains original analysis. The Ellis Gambit (1. e4 e6 2. d4 d5 3. Nc3 (Nd2) dxe4 4. Nxe4 e5 -- Games and analysis. More Postal Games of Maurice Ellis - Over 100 APCT postal games. Opening Book Routine for Chess-Playing Programs “I’ve also written books and monographs on the French, Grunfeld, King’s Indian and King’s Gambit. I’m getting material together for a couple more books. I don’t write them to make money, just for fun. For those into computers, those interested can find my books at the Library of Congress, Unpublished Works section.” [Thanks for the information, Maurice. You’ve found additional ways to enjoy our marvelous game and present a good example for the rest of us. -- JFC] Another Chess Challenge Under this heading last time I gave a problem submitted by Dennis B. Jessup of W. Paducah, KY. I found it more challenging than expected. To briefly repeat, create a position that can be reached legally where White has only one move and it checkmates Black. The best solution has the smallest piece count before the move where each piece (counting both White and Black) has this value: K=0, P=1, B/N=3, R=5, Q=9. Tim Blevins of Lawrenceville, VA sent: White - Kh8, Ph7, Pd7. Black -- Kf8, Pf7. Move: 1. d8(=Q)++. Count: 3. He added, “I would say you will have quite a few 3 point solutions for this problem.” Jessup said this is the solution he had in mind. Paul Sholl of Moline, IL wrote, “The best I can do on the problem is (White -- Kh2, Rh1, Pg2, Pf3, Pf4. Black -- Kh4, Pg3) -- 9 points. Maybe having White in check is kind of sneaky, but I’m not Sam Loyd. On another topic: like you I prefer the term ‘chess geek’ to ‘chess nut.’ But I prefer ‘chess nut’ to ‘chess dork.’” [I couldn’t agree more! -- JFC]. Jack R. Clauser, II of Shiremanstown, PA sent: White: Ka6, Pb6. Black -- Ka8, Pc6, Bb8, Nc4. Count: 8 points. My best solution: White: Ka6, Pa5, Pb6, Pa7. Black: Ka8, Pc6. Count: 4 points. Part of the challenge was proving this position could legally be reached. All the above are clever and attractive solutions. Tim Blevins achieved the smallest count by “bending the rules” slightly, perhaps the cleverest move of all. His pawn move is the only legal move available. Choosing to promote it to a Queen creates checkmate. On the other hand, I could find a move that doesn’t deliver mate, namely 1. d8(=N). So did he “bend” the rules or break them? I’m not really sure, but I am sure that he was clever. I proposed the question on the Internet and got nine replies. FM Ralph Dubisch of Seattle, Washington and NM Noam D. Elkies of Cambridge, Massachusetts independently sent White: Kh6, Ph5, Pg6, Ph7. Black: Kh8, Pf6. Note that this is identical to my solution but mirrored on the opposite side of the board. Elkies also gave White: Kh6,Pg5,Ph5,Pg6,Ph7; Black: Kh8 (with the same point count and mate) but pointed out that the position could not be legally reached. Per Erik Manne suggested that all pieces (non-Kings) be counted as one point. This allows more flexibility and some clever and pretty solutions. The best I found was a 3-pointer. Charles G. ”Swifty” Thomas of Spanish Fort, AL wrote: “Dennis Jessup’s May-June challenge reminded me of an old ‘problem’ involving a forced mate in six! I don’t recall the book or the composer, but the reader was teased with something like ‘Can’t do chess problems? Too complicated? Try this mate in six. Don’t think, just move.’” The position given: White - Ka8, pawns on a3, a7, c7, d3, d6. Black - Kc8, pawns on a4, b6, d7. [Now this is a clever composition! I can see why you thought of it here. -- JFC]. Our resident expert on problem solving APCT columnist Newman Guttman of Evanston, IL sent the following: “Thanks for printing my note on the change-color mate-in-one [see March-April 1996. The original problem was to find a position where White delivers mate by promoting a pawn to a Black piece. Guttman’s solution was White: Kh5, Rf7, Pg7, Black: Kh7, Rh8. -- JFC]. In wondering whether there has been further activity by your readers [no activity -- JFC], I remembered (finally) that I own a (French) problem tester for fairy chess that handles this kind of thing. In reading its repertory, I see that it recognizes three kinds of piece-color changes: ‘magique,’ where a non-King changes color each time it moves; ‘volage,’ where a non-King changes color only the first time that it moves to a different-colored square; and ‘hypervolage,’ where the piece changes color every time it changes square color (my dictionary tells me that ‘volage’ means ‘fickle’). “These fairy-chess rules made me realize that Jessup and I were subconsciously working under yet another fairy-chess stipulation, that the problem length was one ‘ply,’ where White has the move. That’s a very narrow stipulation (you know that the computer-chess people refer to ‘ply’ as a ‘half-move’). “I ran the Jessup and my ‘compositions’ through the tester for ‘volage’ and ‘magique.’ Jessup’s is sound (1.Pb8=B) only under ‘volage.’ Under ‘magique,’ there are two solutions: 1.Pb8=Q and 1.Pb8=B. I had two ‘compositions.’ (1) With Qf7, under ‘volage,’ 1.Pg8=N is the one solution, but under ‘magique,’ there are five solutions: 1.Pxh8=Q, 1.Pxh8=R, 1.Pg8=Q, 1.Pg8=N, 1.Pg8=R. (2) With Rf7, ‘volage’ has the one intended solution 1.Pg8=N, but ‘magique’ has three solutions: 1.Pg8=Q, 1.Pg8=N, 1.Pg8=R. “It’s a headache figuring out these results. Consider my case (2) above, with Rf7. After 1.Pg8=Q, it is Black’s move with a BQ on g8. 1...Qxf7 is illegal, since on capture, the Q becomes White, leaving the BK in check. Similarly, 1...Rg7 to interpose. But 1.Pg8=B is not a solution because 1...Bxf7 stops the mate by legally capturing the R. Unless you hear independent clamor from your readers, it’s doubtful that you want to open this can of fairy-chess worms in further columns.” [I don’t intend to pursue a discussion of ‘fairy-chess’ in this column, but I thought the readers might enjoy this glimpse into a strange (to me) and different area of chess, the world of fairy chess. Thanks for your contribution. -- JFC] |
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