IT WAS DEEP APRIL
It was deep April, and the morn
Shakespeare was born;
The world was on us, pressing sore;
My love and I took hands and swore,
Against the world, to be
Poets and lovers evermore,
To laugh and dream on Lethe's shore,
To sing to Charon in his boat,
Heartening the timid souls afloat;
Of judgement never to take heed,
But to those fast-locked souls to speed,
Who never from Apollo fled,
Who spent no hour among the dead;
Continually
With them to dwell,
Indifferent to Heaven and Hell.
CONSTANCY
I love her with the seasons, with the winds,
As the stars worship, as anemones
Shudder in secret for the sun, as bees
Buzz round an open flower: in all kinds
My love is perfect, and in each she finds
Herself the goal: then why, intent to tease
And rob her delicate spirit of its ease,
Hastes she to range me with inconstant minds?
If she should die, if I were left at large
On earth without her-I, on earth, the same
Quick mortal with a thousand cries, her spell
She fears would break. And I confront the charge
As sorrowing, and as careless of my fame
As Christ intact before the infidel.
MY DARLING
Atthis, my darling, thou did'st stray
A few feet to the rushy bed,
When a great fear and passion shook
My heart lest haply thou wert dead;
It grew so still about the brook,
As if a soul were drawn away.
My darling! Nay, our very breath
Nor light nor darkness shall divide;
Queen Dawn shall find us on one bed,
Nor must thou flutter from my side
An instant, lest I feel the dread,
At this, the immanence of death.
AH, EROS DOTH NOT ALWAYS SMITE
Ah, Eros doth not always smite
With cruel, shining dart,
Whose bitter point with sudden might
Rends the unhappy heart --
Not thus forever purple-stained,
And sore with steely touch,
Else were its living fountain drained
Too oft and overmuch.
O'er it sometimes the boy will deign
Sweep the shaft's feathered end;
And friendship rises without pain
Where the white plumes descend.
LO, MY LOVED IS DYING
Lo, my loved is dying, and the call
Is come that I must die,
All the leaves are dying, all
Dying, drifting by.
Every leaf is lonely in its fall,
Every flower has its speck and stain;
The birds from hedge and tree
Lisp mournfully,
And the great reconciliation of this pain
Lies in the full soft rain.
Katherine Lee Bates (1859-1929) was a feminist writer. Her most well-known piece is probably “America the Beautiful.” She was involved with a woman, Katharine Coman, for twenty-five years. In 1912, Coman was diagnosed with cancer and died in 1915. Bates wrote of their relationship in “Yellow Clover” and before her own death wrote to a friend, “So much of me died with Katharine Coman that I’m sometimes not quite sure whether I’m alive or not.”
I would not ask you if those golden spheres
In love rejoice,
If only our stained star hath sin and tears,
But fill my famished hearing with your voice.
One touch of you were worth a thousand creeds.
My wound is numb
Through toil-pressed, but all night long it bleeds
In aching dreams, and still you cannot come.
YELLOW CLOVER
Must I, who walk alone,
Come on it still,
This Puck of plants
The wise would do away with,
The sunshine slants
To play with,
Our wee, gold-dusty flower, the yellow clover,
Which once in parting for a time
That then seemed long,
Ere time for you was over,
We sealed our own?
Do you remember yet,
O Soul beyond the stars,
Beyond the uttermost dim bars
Of space,
Dear Soul who found the earth sweet,
Remember by love's grace,
In dreamy hushes of heavenly song,
How suddenly we halted in our climb,
Lingering, reluctant, up that farthest hill,
Stooped for the blossoms closest to our feet,
And gave them as a token
Each to each,
In lieu of speech,
In lieu of words too grievous to be spoken,
Those little, gypsy, wondering blossoms wet
With a strange dew of tears?
So it began,
This vagabond, unvalued yellow clover,
To be our tenderest language. All the years
It lent a new zest to the summer hours,
As each of us went scheming to surprise
The other with our homely, laureate flowers,
Sonnets and odes,
Fringing our daily roads.
Can amaranth and asphodel
Bring merrier laughter to your eyes?
Oh, if the Blest, in their serene abodes,
Keep any wistful consciousness of earth,
Not grandeurs, but the childish ways of love,
Simplicities of mirth,
Must follow them above
With touches of vague homesickness that pass
Like shadows of swift birds across the grass.
How oft, beneath some foreign arch of sky,
The rover,
You or I,
For life oft sundered look from look,
And voice from voice, the transient dearth
Schooling my soul to brook
This distance that no messages may span,
Would chance
Upon our wilding by a lonely well,
Or drowsy watermill,
Or swaying to the chime of convent bell,
Or where the nightingales of old romance
With tragical contraltos fill
Dim solitudes of infinite desire;
And once I joyed to meet
Our peasant gadabout
A trespasser on trim, seigniorial seat,
Twinkling a sauce eye
As potentates paced by.
Our golden cord! our soft, pursuing flame
From friendship's altar fire!
How proudly we would pluck and tame
The dimpling clusters, mutinously gay!
How swiftly they were sent
Far, far away
On journeys wide
By sea and continent,
Green miles and blue leagues over,
From each of us to each,
That so our hearts might reach
And touch within the yellow clover,
Love's letter to be glad about
Like sunshine when it came!
My sorrow asks no healing; it is love;
Let love then make me brave
To bear the keen hurts of
This careless summertide,
Ay, of our own poor flower,
Changed with our fatal hour,
For all its sunshine vanished when you died.
Only white cover blossoms on your grave.
But first I want your life:--before I die I want to see
The world that lies behind the strangeness of your eyes,
There is nothing gay or green there for my gathering, it may be,
Yet on brown fields there lies
A haunting purple bloom: is there not something in grey skies
And in grey sea?
I want what world there is behind your eyes,
I want your life and you will not give it me.
Now, if I look, I see you walking down the years,
Young, and through August fields--a face, a thought, a swinging dream
perched on a stile--;
I would have liked (so vile we are!) to have taught you tears
But most to have made you smile.
To-day is not enough or yesterday: God sees it all--
Your length on sunny lawns, the wakeful rainy nights--; tell me--;
(how vain to ask), but it is not a question--just a call--;
Show me then, only your notched inches climbing up the garden wall,
I like you best when you are small.
Is this a stupid thing to say
Not having spent with you one day?
No matter; I shall never touch your hair
Or hear the little tick behind your breast,
Still it is there,
And as a flying bird
Brushes the branches where it may not rest
I have brushed your hand and heard
The child in you: I like that best
So small, so dark, so sweet; and were you also then too grave and wise?
Always I think. Then put your far off little hand in mine;--
Oh! let it rest;
I will not stare into the early world beyond the opening eyes,
Or vex or scare what I love best.
But I want your life before mine bleeds away--
Here--not in heavenly hereafters--soon,--
I want your smile this very afternoon,
(The last of all my vices, pleasant people used to say,
I wanted and I sometimes got--the Moon!)
You know, at dusk, the last bird's cry,
And round the house the flap of the bat's low flight,
Trees that go black against the sky
And then--how soon the night!
No shadow of you on any bright road again,
And at the darkening end of this--what voice? whose kiss? As if you'd say!
It is not I who have walked with you, it will not be I who take away
Peace, peace, my little handful of the gleaner's grain
From your reaped fields at the shut of day.
Peace! Would you not rather die
Reeling,--with all the cannons at your ear?
So, at least, would I,
And I may not be here
To-night, to-morrow morning or next year.
Still I will let you keep your life a little while,
See dear?
I have made you smile.
MY HEART IS LAME
My heart is lame with running after yours so fast
Such a long way,
Shall we walk slowly home, looking at all the things we passed
Perhaps to-day?
Home down the quiet evening roads under the quiet skies,
Not saying much,
You for a moment giving me your eyes
When you could bear my touch.
But not to-morrow. This has taken all my breath;
Then, though you look the same,
There may be something lovelier in Love's face in death
As your heart sees it, running back the way we came;
My heart is lame.
“I know you are too young to become my wife, but I hope, darling, that in a few years you will come to me and be my love, my wife! How my brain whirls how my pulse leaps with joys and madness when I think of these two words, ‘my wife.’”
II.
Rose whose soul unfolds white petaled
Touch her soul rose-white;
Rose whose thoughts unfold gold petaled
Blossom in her sight;
Rose whose heart unfolds red petaled
Quick her slow heart's stir;
Tell her white, gold, red my love is;
And for her,--for her.
