Rolling Stone Special issue

Rolling Stone Special issue


Page 29 Rolling Stone interview by Chris Mundy

          Some of you might remember Tori Amos from the one album she
          made with her short-lived mid-80's spandex band, Y Kant Tori
          Read.  Others might picture her straddling her piano bench
          like Debra Winger riding the mechanical bull in Urban
          Cowboy.  Perhaps you think of her as the rebellious
          minister's daugher from North Carolina.  Or as the outspoken
          nut job who claims to speak to fairies on a regular basis.
          If you checked all of the above, you're correct.

          Most people, however, know Tori Amos simply as the painfully
          personal singer/songwriter whose two albums, Little
          Earthquakes and Under the Pink, have dissected her own life
          in poignant and frightening detail.  One song from Little
          Earthquakes, "Me and A Gun," even chronicles her experience
          as a rape victim.  Whateve you think of Amos, you can rest
          assured that she will talk and get people talking.

          WHAT DO YOU THINK THE YOUNGER GENERATION HAS THAT THE BABY
          BOOMERS DON'T?

          Our generation has an incredible amount of realism, yet at
          the same time it loves to complain and not really change.
          Because, if it does change, then it won't have anything to
          complain about.  I think our generation loves our pain, and
          if you dare fucking take it away from us, we're going to
          kill you.  We like our pain.  And we're packaging it, and
          we're selling it.

          ARE YOU WORRIED THAT YOU CAN NEVER GET ANY MORE EMOTIONALLY
          BARE THAN "ME AND A GUN"?

          Well, you gotta figure that when you're firstborn and you
          come out of the tummy and there's that moment of life, it's
          never going to be quite so dramatic.  I know that song is as
          bare as you get, but I also know that when you're first
          talking about something you never talked about before,
          there's a certain power to that.

          ON ONE HAND, YOUR SONGS ARE VERY PERSONAL, AND ON HTE OTHER
          THERE ARE SONGS LIKE "CORNFLAKE GIRL" OR "THE WAITRESS,"
          WHICH POINTS FINGERS.  CAN YOU BE A PERSONAL
          SINGER/SONGWRITER AND UP ON A SOAPBOX AT THE SAME TIME?

          I don't think I preach at people.  I think I nail you
          against the wall and rip your skin off a little before we
          decide if we're going to put salt or ice cream on you.
          There is a level of the vampire in me, which is OK.  I've
          got a really nice shoe collection.  And then there's a part
          of me that's a part of me that's a nerdy girl who watched
          her best friend get the guy she wanted over and over again.

          ARE YOU INTERESETED IN PERSONAL POLITICS OR ACTUAL POLITICS?

          Everything comes back to the personal.  There's no way a
          judge, for example, can be objective in a child-molestation
          case if he's molesting children himself.  There's no way.

          I THINK THAT'S AN EXTREME EXAMPLE.

          But it's true.

          WHAT ROLE SHOULD POP MUSIC PLAY IN TERMS OF PEOPLE'S
          AWARENESS OF POLITICAL OR SOCIAL ISSUES?

          I don't know about politics, but I know about thinking for
          yourself.  A lot of people stand in different camps right
          now.  One of the camps is, "We are fucked, and we have no
          choice. We're fucked."  I don't agree with that.  I think
          we're choosing to be fucked, which is different.  This ain't
          Rwanda.  Hellooooooo.  Let's not have delusions of grandeur
          here.  Know what I'm saying?

          NOT AT ALL.

          Let's say you're a doe in the field, and you hear the call
          of the bull elk.  I watched those does.  I sat in
          Yellowstone (National Park) for six hours one day, checking
          the whole scene out.  There's 18 of them.  So you figure
          your bull's-eye has gotta be standing up very smartly
          because there's 18 to choose from.  This is where the whole
          female-clawing-at-each-other mentality comes from.  So this
          bull elk wanted the ones that were running away from him,
          not the ones that were pretending to eat the grass.  Forget
          it.  He was going after the ones that really didn't want
          him.  That says a lot to me.

          HMMM.  YOU TURN ALL YOUR ANSWERS BACK TO LOVE AND
          RELATIONSHIPS.  ARE THERE PEOPLE TODAY WRITING GOOD LOVE
          SONGS?

          I don't know.  There are some good hate songs.  I think all
          the boys that write the screaming stuff would write the best
          love songs.

          WHY?

          Because they have the most to hide.  The guys that are in
          the most pain are usually the ones with the biggest hearts.

          IN TERMS OF THE MUSIC BIZ, HOW MUCH DO YOU FEEL IT NEEDS TO
          MARKET PEOPLE MORE AS PERSONALITIES THAN AS MUSICIANS?

          I think journalists use it mroe than record companies.

          WHAT DO JOURNALISTS HAVE TO GAIN BY YOUR BEING STRANGE?

          They're selling copy.  Oh, I laugh my head off when some
          woman calls me a shivering waif in the forest.  I'm like
          "OK, sister, you get raped and get ready to get cut up, and
          tehn write about it and sing it.  And you have the balls to
          call me a waif shivering in the forest."  That's why I wrote
          "Cornflake Girl" and "The Waitress."  That to me is a lizard
          running around with a pussy.  It's not a woman to me.  She
          ruined her rights as a woman.  So what if I sing like the
          Little Mermaid?

          IF YOU HAD TO IDENTIFY YOURSELF FIRST AND FOREMOST AS A
          WOMAN, SONGWRITER, OR PIANO PLAER, WHICH WOULD IT BE?

          I can't be a boy with extra holes, right?  Well, I guess if
          you cut my hands off, I couldn't play the piano anymore, but
          I'd still be a women.

          ARE YOU SUPRISED WHEN MALE LISTENERS IDENTIFY WITH YOUR
          MUSIC?

          No. Becuase I'm nailing them left, right and center.

          SO WHY SHOULD THEY IDENTIFY?

          Because they know what they're up against.  They're not
          stupid.  It's so painful.  We just want to go play with
          them.  We just want to go walk in the rain and have an ice
          cream.  And if you want to tie me up in there, too, that's
          all right, you can get that in there if you need to.  But
          what is all this freakout stuff from guys as soon as they
          get close to something real?

          WHAT DO MOST WOMEN WHO GET THE CHANCE TO TALK TO YOU HAVE TO
          SAY?

          That they've been raped.

          DO YOU THINK THERE'S A REAL OUTLET FOR THEM TO DISCUSS IT?

          Most of them haven't worked through it.  They keep it
          inside.

          WHAT DO YOU THINK OF GANSTA RAP?  IS IT TRULY A MIRROR IMAGE
          OF SOCIETY?

          I haven't listened to enough to make a comment.  I've
          listened to Ice-T quite a bit.  He has a very clear opinion
          of women, and I don't necessarily agreee with that, but l7
          have a very clear opinion of men.  Certain things do appeal
          to me more than other things.  I'm obsessed with crocodiles
          and getting eaten by one.

          DOES THIS PLAY A SIGNIFICANT ROLE IN YOUR DAILY ROUTINE?

          Yeah, because when I hear that someone's been eaten by a
          crocodile or shark, I just get all gooey.  I start
          salivating.  I'm facinated by it.  If I had to get tortured
          by a human being or eaten by a crocodile, I'd take the
          crocodile any day of the week.  The reason is that it's not
          personal.  You were lunch.