A LIFE SO CHANGED
Chapter Sixteen
Rose blinks, seeming to come back to the
present. She sees the wreck on the screen, the sad ghost ship deep in the
abyss.
"That was the last time Titanic ever saw
daylight."
"So we’re up to dusk on the night of the
sinking. Six hours to go," said Lovett.
"Incredible there’s Smith and he’s
standing there with the iceberg warning in his fucking hand--" Remembering
Rose. "Excuse me, hand, and he’s ordering more speed," said Bodine.
"Twenty-six years of experience working
against him. He figures anything big enough to sink the ship they’re going to
see in time to turn. But the ship’s too big, with too small a rudder...it can’t
corner worth a damn. Everything he knows is wrong," said Lovett.
Rose is ignoring this conversation. She has
the comb in her hands, turning it slowly. She is watching a monitor, which
shows the ruins of Suite B-52 turning into Suite B-52 in 1998. Like in a dream
the beautiful woodwork and satin upholstery emerge from the rusted ruin.
Jack is overwhelmed by the opulence of the
room. He sets his portfolio and drawing materials on the marble table.
"It’s quite proper I tell you. This is
the sitting room. Will this light do?" Putting down her key, everyone in
the group had their own key.
"What?" Not really hearing her, as
he touches the flowers in the vase, sitting on the fireplace.
"Don’t artists need good lights?"
"Zat is true. I am not used to work in
such ‘orreeble conditions." In a bad French accent, then he sees the
paintings. "Monet!"
"You know his work?"
He crouches next to the paintings stacked
against the wall. She is next to him. "Of course. Look at the use of
colors. Isn’t he great?"
"I know. It’s beautiful. Dad says it
looks cheap."
She goes into the boys’ room at the adjoining
walk-in wardrobe closet. He sees her go to the safe and start working the
combination. He is surveying the room.
"I can’t believe Dad let me know the
combination."
"Should we be expecting him anytime
soon?"
"Not as long as they have chapel...it
started at seven."
CLUNK! She unlocks the safe. Glancing up, she
meets his eyes in the mirror behind the safe. She takes some money out and puts
in her pocket, and takes out the box and opens it and removes the necklace,
then holds it out to Jack, who takes it nervously. "Nice...yours?"
"No, it’s for my sister...a birthday
present from Dad."
"What is it? A sapphire?"
"A diamond. A very rare diamond, called
the 'Heart of the Ocean.'"
Jack gazes at wealth beyond his
comprehension.
"Jack, I want you to draw me like one of
your French girls, wearing this."
"All right." Not getting it.
Okay, here comes the big part, stay calm.
"Wearing only this."
He looks up at her, surprised. "Are you
sure?"
She looks at him, with no statement.
"Yes."
Standing in front of the mirror, with her
pink silk robe on, and pulling her comb, the same comb, that Rose had in her
hands, and setting it on the table. She shakes her head, and her hair falls
free around her shoulders. I’m not ashamed to pose for Jack like this; after
all, he is an artist. Taking a deep breath and heading towards the door, she
stops. Oh, please let him like my body, for I don’t. I hope I look good, like
one of his French girls.
In the sitting, Jack moves the couch besides
the fireplace. Jack is laying out his conte crayons like surgical tools. His
portfolio is open and ready. He is sharpening one of his conte crayons, when
Rose comes into the room. To comfort her ease, she pantomimes a stripper
twirling her sash briefly. He smiles, and stunned by her. She walks toward him.
"I have to warn you. I don’t have a
perfect body. As a paying customer..." She hands him a hundred dollar
bill. He looks at it, surprised. "Don’t ask."
She steps back. "I expect to see what
you see." She parts the robe. The blue stone lies on her chest. Her heart
is pounding as she slowly lowers the robe. Jack looks so stricken, it is almost
comical. The robe drops to the floor. She looks at him, waiting for him to say
something, and starts to cover herself with her hands, but moved them away.
"Over on the bed, uh...the couch."
Pointing to the couch.
She smirks, and she goes to the couch, and
sits down.
"Go on...lie down."
She does and she poses on the couch, settling
like a cat into the position they remember from the drawing...almost.
"Tell me when it looks right to
you." Removing her arms.
"No, put your arm back where it
was." She puts her left arm behind her head. "Put your hand up by
your face." She puts her right hand on her forehead. "Head down. Eyes
to me. That’s it. And try to stay still."
Rose laughs nervously. Jack sighs big and
begins sketching. She notices his statement. "So serious!" Chiding
him.
As he sketches, the tension is palpable. She
is riveted by his eyes, and he by her form. In his sketch, he begins drawing
the form of her face, arms, necklace, and breasts. Jack is losing his
seriousness, and Rose knows where he is, because he kept looking, nervously at
them.
"I believe you are blushing, Mr. Big
Artist. I can’t imagine Monsieur Monet blushing."
He stops, and looks up at her. "He does
landscapes." She laughs. "Just relax your face. No laughing."
"Sorry." She exhales loud.
Jack’s eyes come up to look at her over the
top edge of his sketchpad. It was the one from her memory. It is an image she
will carry the rest of her life.
Despite his nervousness, he draws with sure
strokes, and what emerges is the best thing he has ever done. Her pose is
languid, her hands beautiful, and her eyes radiate her energy. Slowly on her
face dissolves to Rose, eighty-five years old. Only her eyes are the same.
"My heart was pounding the whole time.
It was the most erotic moment of my life...up till then at least." With a
smile, and was posing too, with her hand on her forehead.
A semicircle of listeners staring in rapt,
frozen silence. The story of Jack and Rose has finally and completely grabbed
them.
"What happened next?" asked Bodine.
"You mean, did we 'do it'?"
Smiling. "Sorry to disappoint you, Mr. Bodine. Jack was very
professional."
Jack is signing the drawing. "JULY 14, 1998.
JD." Rose wearing her robe again is leading on his shoulder, watching.
Rose gazes at the drawing. He has X-rayed her soul. Jack finishes and hands her
his portfolio with the drawing inside.
"Thank you." She was not thanking
him for the drawing, but saving her from "her world" and caring for
her too.
She tries to take the portfolio, but he kept
hanging on to it. They fight as they kissed. Finally he lets go, but grabbed
her waist, before she could moved, and threw her into his lap. They laugh, and
Jack slowly puts his arms around her, and hugged her, and kisses her forehead.
Suddenly, Rose slips off, and went to the Boys’ room. She scribbles a note on a
piece of Titanic stationary. Jack comes up to her.
"What ya doing?"
"Will you put this back in the safe for
me?" Covering the stationary, so he couldn’t see her handwriting.
"Uh huh." He takes the box with the
necklace in it, and places it in the safe, and he saw the money too.
Rose comes up to him, as almost close the
safe. "Why don’t you go out to the promenade, while I get dress."
"Okay." He kisses her and then goes
out, and Rose puts the portfolio in the safe, then wrote something else on a
Titanic stationary, and puts it inside besides the portfolio, and closes it.
CLUNK! Then she tore half of the stationary and wrote a brief message and taped
it on the safe. Then she went to her room to change.
Lewis enters from the Palm Court through the
revolving door and crosses the room towards Cal. A fire is blazing in the marble
fireplace, and the group are talking, just the men. Cal sees Lewis and detaches
from his group, coming to him.
"None of the girls have seen her."
"Good night! There are only so many
places she could be. Lewis, find her." In a low voice, but forceful.
TITANIC glides across an unnatural sea, black
and calm as a pool of oil. The ship’s lights are mirrored almost perfectly in
the black water. The sky is brilliant with stars. A meteor traces a bright line
across the heavens.
Captain Smith peers out at the blackness
ahead of the ship. Quartermaster Hitchens brings him a cup of hot tea with
lemon. It steams in the bitter cold of the open bridge. Second Officer
Lightoller is next to him, staring out at the sheet of black glass the Atlantic
has become.
"Clear night," said Captain Smith.
"I don’t think I’ve ever seen such a
flat calm, in twenty-four years at sea," said Lightoller.
"Yes, like a mill pond. Not a breath of
wind."
"It’s make the bergs harder to see, with
no breaking water at the base."
"Mmm. Well, I’m off. Maintain speed and
heading, Mr. Lightoller."
"Yes, sir."
Jack is looking out the promenade window. He
brings his head back and breathes into his hands. Rose, fully dressed now,
returns to the sitting room.
"It’s getting cold. You look
beautiful."
Rose looks at the promenade window from afar,
with a concern look. Suddenly, they hear a knock, and someone calls her name.
She cursed and takes Jack’s hand and leads him silently to her room.
"My drawings!" She pulls him
harder.
The door opens from the sitting room and
there are Lewis, Robby, and Joe.
"Rose?" They go towards the girls’
room, saw her closing her door, with Jack behind her. She saw them.
"Oh, my God. They saw us. Hurry."
Rose and Jack come out of the room, closing the door, now they are walking down
the corridor towards the B-deck foyer. Jack grabs her hand into his. They laugh
softly to each other. They are halfway across the open space when the room door
opens and the guys come out. They see Rose and Jack, and hustles after them.
"Come on!" shouted Rose. They break
into a run, surprising the few ladies and gentlemen about. Rose leads him past
the stairs to the bank of elevators. They run into one, shocking the hell out
of the Operator.
"Wait. Wait. Take us down. Quickly.
Quickly!" said Rose and Jack.
The Operator scrambles to comply. Jack even
helps him close the steel gate. The guys run up as the lift starts to descend.
Lewis slams his hands on the bars of the gate. Jack whispers something in her
ear, and she make a very rude and unladylike gesture, and so did he. They
laughed.
"Bye. Bye," said Rose, waving at
them. Jack still made the gesture as they went down.
When the lift finally got to the floor. Jack
and Rose stumbles out. They run into a couple.
"Sorry," said Jack. They continued
to run. They went downstairs, and Jack runs into a cart. "I’ve got
it," said the steward.
They laugh as they went functional space,
with access to a number of machine spaces. Jack and Rose are leaning against
the wall next to the doors with windows, laughing.
"God, who are they? Your
bodyguards?"
"I guess they are!" She laughs.
Suddenly the guys saw them from the windows’
door, and charges towards them. Jack saw them. "Oh, shit!"
"Go!" Said Rose, as they ran. They
turn towards into a blind alley; they come to the end. Dead-end.
"No. Over here." He sees a door a
little away from them, it marks: CREW ONLY. Jack tries to open it.
"Quick!" said Rose. He got it open, and they got in, and Jack locks
it.
The guys came up to the door, and found it
was locked.
Jack and Rose enter a roaring fan room, with
no way out, but a ladder to go down.
"Now what?" Her ears are covered
with her hands, because of the noise.
"What?" His too. They laugh.
Jack taps Rose and points down at the ladder.
She nods. They come down the escape ladder, with Jack first, and then he helped
Rose down, and look around in amazement. It is like a vision of hell itself,
with the roaring furnaces and black figures moving in the smoky glow. They run
the length of the boiler room, dodging amazed stokers, and trimmers with their
wheelbarrows of coal.
"Hold up. What are you two doing down
here?" asked Barrett.
Rose pulls Jack’s coat, and they ran.
"You shouldn’t be down here, it could be
dangerous!" Shouting at them.
"Carry on! Don’t mind us! You’re doing a
great job, keep up the good work. We’re just lovers on the run!" Jack
shouting over the din to the stokers. Rose laughs.
They run through the open watertight door
into boiler room six. Jack pulls Rose through the fiercely hot alley between
two boilers and they wind up in the dark, out of sight of the working crew.
Watching from the shadows, they see the stokers working in the hellish glow,
shoveling coal into the insatiable maws of the furnaces. The whole place
thunders with roar of the fires.
Cal is sitting with Parrish. "They’ll
find her."
Cal looks at his watch, and scowls.
"They have to find her, or else."
The furnaces roar, silhouetting the
glistening stokers. Jack kisses her face, tasting the sweat trickling down from
her forehead. They kiss passionately in the steamy, pounding darkness. Then
Jack sees a door behind them.
"Let’s see what’s in there."
"Okay."
They enter between the rows of stacked cargo.
She hugs herself against the cold, after the dripping heat of the boiler room.
"Wow! Look what we’ve got here,
huh?" said Jack, holding her hand.
They come upon a Renault car, lashing down to
a pallet. It looks like a royal coach from a fairy tale, its bass trim and
headlamps nicely set off by its deep burgundy color.
Rose clears her throat, saying there is a
lady present, and Jack plays along being a chauffeur, and he opens the door for
her and handed his hand to her, she took it.
"Thank you." Rose climbs into the
plushly upholstered back seat, acting very royal.
There are cut crystals buds on the walls back
there, each containing a rose. She smiles at them. Jack jumps into the driver’s
seat, enjoying the feel of the leather and wood. Rose steps forward, and pushes
the window down from her and him.
He honks the horn. She laughs.
"Where to, miss?"
"To the stars."
He looks at her puzzled, but she grabs his
arms, and pulls him over the seat into the back. He lands next to her, and his
breath seems loud in the quiet darkness. He looks at her and she is smiling. It
is the moment of truth. He takes her hand, and put into his.
"You nervous?" asked Jack.
"No." Quietly, and he smiles.
She takes his hand from hers, and kisses his
artist’s fingers.
"Put your hands on me, Jack."
She puts his hand on her left breast. He
lightly pulls her to him and kisses her, and they slide down in the seat. Their
kisses and caresses became more passionate than ever.