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Joseph Fiennes played in Christopher Marlowe's Edward II at the Crucible Theatre in Sheffield, England from March 8 to March 31, 2001.

An epic story of power and love, Edward II was directed by acclaimed theatrical director Michael Grandage as part of the theatre's 2000/2001 season. Speaking in his role as Associate Director, Sheffield Theatres, Grandage said the season "brings together some of our most talented young directors and offers an opportunity to see some of our finest actors in one of the most exciting spaces in the country."

UK Theatre Web - Edward II

UK Theatre Web - User Reviews

The king and I - if the crown fits...

CAST LIST

Alex Avery - Levune/Gourney

Jack Carr - Mortimer the Elder

James D'Arcy - Gaveston

James D'Arcy: I hate kissing Joseph Fiennes

Millions of women would love to snog Joseph Fiennes for fun, never mind a living.

But the recent star of Rebel Heart James D'Arcy says he hates kissing the Shakespeare in Love actor in a theatre production of Edward II at the Sheffield Crucible.

'Do you know what, I just don't see what anyone sees in blokes at all,' complains James, who plays Gaveston, a young upstart who has a passionate affair with the gay king (played by Fiennes).

In short, James thinks it's about time his famous co-star had a closer shave. 'Every night I get stubble rash and that really doesn't do it for me.

'Maybe if he got one of those Mach 3 blades something would blossom, I don't know,' laughs TV's newest heartthrob, who plays the title role in an upcoming ITV adaptation of Nicholas Nickleby.

But apart from his stubble, James doesn't have a bad word to say about Fiennes.

'Joseph is a private man, but he's not, for want of a better word, a luvvie.

'His focus on the work is extraordinary, given that his profile is international, he's young, and is attractive to lots of seventeen- year-old girls... he doesn't let it go to his head.'

Robert Demeger - Earl of Warwick/Sir Thomas Berkeley

Joseph Fiennes - Edward II

David Hartley - Prince Edward

Leader Hawkins - Bishop of Coventry/Spencer the Elder

Andy Hockley - Pembroke/Rhys ap Howell

Peter Laird - Archbishop of Canterbury/Arundel

David Mallinson - Lancaster/Abbot of Neath

Jo McInnes - Queen Isabella

Lloyd Owen - Mortimer Junior

Ben Porter - Spencer

Ryan Sampson - Prince Edward

Jamie Sives - Lightborne

Tristan Sturrock - Baldock

Susie Trayling - Lady Margaret de Clare

Gideon Turner - Edmund, Earl of Kent

Jonathan Wrather - Maltrevis/James

Reviews

Sheffield Theatres - Joseph Fiennes

Film star Joe follows his big brother back to the theatre

Forget Tinseltown - I'm staying in Sheffield

Direct action

Christopher Marlowe Stages a Comeback

Blood and gutsy

Sheffield Theatres - Edward II at the Crucible

TIMETABLE

Dates

Thursday 8 March - Public Dress rehearsal - 7.30
Friday 9 March - Preview - 7.30
Saturday 10 March - Preview - 7.30
Monday 12 March - Preview - Young Persons' Performance -7.30
Tuesday 13 March - Friday 16 March - 7.30
Saturday 17 March - Matinee 2.30 - Evening 7.30
Tuesday 20 March - 7.30
Wednesday 21 March - Matinee 2.30 - Evening 7.30
Thursday 22 March - Friday 23 March - 7.30
Saturday 24 March - Touch Tour (don't know what that is, but like the sound of it!) 1.00 - Matinee (audio described) 2.30 - Evening 7.30
Tuesday 27 March - 7.30 - Post show talk with director and members of the company
Wednesday 28 March - 7.30 Platform session 6.00 (something academic)
Thursday 29 March - Friday 30 March - 7.30
Saturday 31 March - Matinee 2.30 - Evening 7.30

Prices:

Public dress rehearsal £1 (tickets available in person from 5 m on the day of performance)
Previews £5
Matinees £8 (no further concessions)
Evenings £15
Standby tickets £5 (available in person from 10 am until 1 1/2 hours before the show on day of performance - max. 2 per person)
Concessions 20 % off
Groups 10+ 25 % off
Square circle members 25 % off


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From the Observer, Sunday December 31, 2000, by Susannah Clapp

My Highlight of the Coming Year

Joseph Fiennes will take the title role in Marlowe's rarely performed Edward II at the Sheffield Crucible in March, where he'll be directed by Michael Grandage, the winner of this year's Evening Standard Award for best director. Actor and director seem to have looked over Shakespeare's shoulder to Marlowe at the same moment: Grandage had just decided to stage Edward II when he received a call from Fiennes saying he had been looking for a way to do the part.

Grandage considers him perfect casting, since the play - generally considered to have influenced Shakespeare's Richard II - demands an actor who can suggest a concentrated internal struggle, and Fiennes is more interested in the passive aspects of character than in rhetorical 'splurges'. Nevertheless, he can splurge and declaim when required.

This is an epic play with a big narrative sweep; the action covers several decades, shifting from Paris to the Tower of London, from battlefield to palace. The production will have a cast of 18, and will be designed by Christopher Oram, who has created beautiful spaces for Grandage's previous productions.

Edward II has, Grandage recalls, been performed as 'a rubber-clad gayfest', but he sees it differently: as a political play with a gay theme which, in telling a chunk of English history, pits a new generation against the old in a way that makes it possible to side with anyone. It is, he thinks, 'fantastically anarchic'.

Edward II runs from 8-31 March at the Sheffield Crucible (0114 249 6000)

Shakespeare Fiennes Stars in Marlowe Epic

13 November 2000

Film star Joseph Fiennes, who played the bard in the blockbuster Shakespeare in Love, returns to the stage next year to play the title role in one of the greatest dramas by Shakespeare's contemporary rival, Christopher Marlowe. The new production of Edward II, directed by Michael Grandage, opens at Sheffield's Sheffield's Crucible Theatre on 13 March, following previews from 8 March, and continues to 31 March 2001.

Considered Marlowe's most accomplished play, Edward II, written in 1592, tells the epic story of the homosexual king who was defeated and eventually murdered by power-hungry barons.

Fiennes plays the title role. Although best known for his film work, Fiennes (younger brother of fellow actor Ralph Fiennes) has worked extensively on stage. In 1998, he starred in the Royal Court premiere of Nick Grosso's acclaimed Real Classy Affair, alongside Nick Moran (of Lock Stock and Two Smoking Barrels fame). Fiennes' other stage credits include A Month in the Country (Albery Theatre), The Woman in Black (Fortune) and numerous RSC productions.

In addition to the Oscar-winning Shakespeare in Love, Fiennes' other film credits include starring roles in Elizabeth and Martha Meet Frank, Daniel and Laurence, as well as the upcoming Stalingrad battle epic Enemy at the Gates. It is rumoured that Fiennes turned down the starring role in Roman Polanski's next film, The Pianist, in order to perform in Sheffield.

Michael Grandage directed Marlowe's The Jew of Malta at the Almeida in 1999. His other recent stage credits include Good, starring Charles Dance at the Donmar Warehouse, and this year's revival of Passion Play, which opened at the Donmar before transferring to the West End's Comedy Theatre.

From Emilia Fox' diary at Peoplenews.com:

"Monday 26th February
My horoscope insisted that I go travelling this week, and while I would love to tell you that I was writing from a beach in the Caribbean, Randall and Hopkirk say that they still require blonde action. Unwilling to spurn the stars, and having read in a magazine that it’s the 'primo loco' of the month, I’ve obediently taken a train to Sheffield to visit friends in the cast of Edward II at the Crucible Theatre. Michael Grandage, who I worked with in Good at the Donmar Warehouse two years ago, is directing Joseph Fiennes and James d’Arcy in what is sure to be the most sought-after ticket of 2001. My advice is to book now, because Hollywood executives are already trying to work out where the hell Sheffield is, and with Grandites, Fiennites and d’Arcees reserving whole rows for every night, it’s going to be easier getting hold of a red-hot poker than a ticket for this show."


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