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PEPPER'S MAGICAL MYSTERY TOUR

Sgt. Pepper's Lonely Hearts Club Band


Sgt. Pepper's Lonely Hearts Club Band released in June 1967, was a worldwide critical and commercial success, spending 27 weeks at the top of the UK Album Chart and 15 weeks at number one on the US Billboard 200.  A seminal work in the emerging psychedelic rock style, the album was critically acclaimed upon release and won four Grammy Awards in 1968.  With an estimated 32 million copies sold, it is one of the world's best selling albums.  Sgt. Pepper is considered by many to be the most influential and famous rock album ever, and has been named the greatest album of all time by both Colin Larkin's All Time Top 1000 Albums (1994) and Rolling Stone's 500 Greatest Albums of All Time (2003).

Freed from the burden of touring, the Beatles embraced an increasingly experimental approach as they recorded Sgt. Pepper's Lonely Hearts Club Band.  According to engineer Geoff Emerick, the album's recording took over seven hundred hours.  He recalled the band's insistence that everything on Sgt. Pepper had to be different.  We had microphones right down in the bells of brass instruments and headphones turned into microphones attached to violins.  Giant primitive oscillators were used to vary the speed of instruments and vocals.  Tapes were chopped to pieces and stuck together upside down and the wrong way around.  Parts of A Day in the Life featured a forty-piece orchestra and is considered to be the first ever progressive rock song, due to its complex arrangement, structure and sound that was unheard of in rock music at the time.



When the Beatles had given up touring, Lennon said: they could send out four waxworks and that would satisfy the crowds.  McCartney later explained: We were fed up with being the Beatles. We really hated that four little mop-top approach.  We were not boys, we were men and thought of ourselves as artists rather than just performers.  In early February McCartney had the idea of recording an album that would represent a performance by a fictitious band.  This alter ego group would give the band the freedom to experiment musically.  McCartney explained: I thought, let's not be ourselves.  Let's develop alter egos; it won't be us making all that sound, it won't be the Beatles, it'll be this other band, so we'll be able to lose our identities in this.  Sgt. Pepper's Lonely Hearts club Band set the Beatles free.

The Grammy Award-winning album packaging was art-directed by Robert Fraser, designed by Peter Blake and Jann Haworth, and photographed by Michael Cooper.  It featured a colourful collage of life-sized cardboard models of famous people on the front of the album cover and the lyrics printed in full on the back cover, the first time this had been done on a rock LP.  In the guise of the Sgt. Pepper band, the Beatles were dressed in custom-made military-style outfits made of satin dyed in day-glo colours.  The suits were designed by Manuel Cuevas.  Among the insignia on their uniforms are: MBE medals on McCartney's and Harrison's jackets, the Royal Coat of Arms of the United Kingdom on Lennon's right sleeve and an Ontario Provincial Police flash on McCartney's sleeve.


Magical Mystery Tour


Magical Mystery Tour, the soundtrack to a forthcoming Beatles television film, was released in the United Kingdom on 8 December 1967, as a six-track double EP on the Parlophone label.  In the United States the record, released on 27 November 1967, was an eleven-track LP compiled by Capitol Records, adding the band's 1967 single releases.  The first official release of the recordings in the UK as an eleven-track LP did not occur until 1976.

The album was a critical and commercial success with record sales in its first 3 weeks and #1 for 8 weeks in the US.  In 1987 when the Beatles updated their entire recorded canon for digital Compact Disc release, the track-listing of the 1967 US LP release was adopted as the official core catalogue version of the Magical Mystery Tour recordings rather than the six-track 1967 UK release which would not have been a practical configuration in the CD era.

It was Paul's idea to create a film based upon the Beatles and their music.  The film was to be unscripted: various ordinary people were to travel on a coach and have unspecified magical adventures.



Side one (the soundtrack) is opened and closed by two beatle classics.  Magical Mystery Tour, the opening track and theme song for the album, double EP and film of the same name, is a rousing set piece, meant to introduce the travelogue concept of the film.  Unlike the theme songs for their other film projects, it was not released as a single.  Side one concludes with John's psychedelic classic I am the Walrus.  The walrus is a reference to Lewis Carroll's poem The Walrus and the Carpenter.  Lennon's use of puns and non sequiturs was to confuse those who put so much time, effort and thought into understanding and interpreting the lyrics of Beatle songs.

The remaining four songs, between the first and last tracks of side one, are low-key marvels: Paul's graceful Fool on the Hill, the insnstrumental Flying that weaves like a hashish dream into George's hypnotic drone Blue Jay Way and the music hall throwback Your Mother Should Know.  Few of them are anyone's all-time favorite Beatles songs, only one had a prayer of being played on the radio, historically indifferent (except in Toronto where Blue Jay Way was, by convenience, used as the street name leading to the baseball stadium) and yet this run seems to achieve a majesty in part because of that.  Scott Plagenhoef in Pitchfork: It's a rare stretch of amazing Beatles music that can seem like a private obsession rather than a permanent part of our shared culture.



Hello Goodbye, opens side two (the singles) written by Paul and released on November 24, with I am the Walrus as the B side.  With simplistic lyrics that interplay between lead and backing vocals and a kaleidoscopic, carnival ride melody make it a much better record than it is a song.  John's Strawberry Fields Forever with Paul's Penny Lane, was releasded February 17th.  Both were written as tributes to their hometown, Liverpool.  Slyly surreal, assisted by studio experimentation but not in debt to it, full of brass, harmonium, and strings, unmistakably English sounding.  When critics call eccentric or baroque UK pop bands Beatlesesque, this is the closest there is to a root for that adjective.

All You Need Is Love, written by John, was first performed by the Beatles on Our World, the first live global television link, broadcast via satellite on 25 June 1967 and watched by 400 million in 26 countries.  The BBC had commissioned the Beatles to write a song for the United Kingdom's contribution.  The single was released in the US on July 7th, immediately becoming an anthem for the Summer of Love.  The B side, Baby, You're a Rich Man, also written by John, asks an unidentifird rich man: How Does it feel to be one of the beautiful people?

The original review by Rolling Stone consisted of a one-sentence quote from John Lennon: There are only about 100 people in the world who understand our music.


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Wanderin' Spirit
January, 2014
"Pepper's Magical Mystery Tour"


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