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Tripping out 1966 - 1969 with sex, drugs and rock'n'roll. We see the Stones journey through relationships, drug busts, fame and fortune, laughter, joy and lonliness. From Mick & Marianne to the Brian, Keith & Anita triangle played out daily in the press. Mick as Turner in the motion picture Performance, with Anita Pallenberg, that eerily mirrors the rise, fall and death of Brian Jones.
Featuring original Jagger; Richards compositions from Aftermath, Between the Buttons, Flowers, Their Satanatic Majesties Request, Beggars Banquet and Let it Bleed. |
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Aftermath, recorded in Hollywood, opens with Paint It Black, that was #1 for two weeks during the summer of 1966. Bill Wyman plays the bass pedals of a Hammond B3 organ by pummelling them with his fists and Brian Jones plays sitar, both of which add to the unique sound of this standout track. This album contains Brian's best work. He plays several different instruments besides guitar. From the sitar to a fine dulcimer on Lady Jane and I Am Waiting and marimbas on Under My Thumb.
Between the Buttons, released February 1967. contains one of their best ever ballads in Ruby Tuesday. This song has Brian Jones all over it. Brian co-wrote it with Keith Richards (although Brian wasn't credited), he sings back up vocals with Keith and his fine piano, haunting recorder, along with a great lead vocal by Mick Jagger, takes this song to the top. Miss Amanda Jones is another fine track, with classic guitar weaving between Keith and Brian. Flowers, released June 1967, with a nod towards the prevailing mood of the moment the Summer of Love, features Backstreet Girl and the Smokey Robinson classic My Girl. |
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Their Satanic Majesties Request, the unusual title was inspired by the words inside a British passport, “Her Britannic Majesty’s Secretary of State requests and requires…”, was released in time for Christmas 1967. The most unusual of all the band’s albums – the one that polarizes opinion among fans and critics alike was recorded between February and October at Olympic Studios in Barnes, West London. The Stones struggled to work around what was the most difficult time in the band’s career, against a background of personal issues, criminal trials and jail, it is an eclectic mix of music that includes She’s a Rainbow and 2000 Light Years From Home. Brian plays the mellotron on both recordings.
Beggars Banquet, released December 1968, is the album that changed everything for the Rolling Stones. From the manner it was recorded at Olympic Studios in Barnes, London, to the track selection, a mixture of rockers Street Fighting Man, blues numbers Prodigal Son, No Expectations and ballad Salt Of The Earth, the band truly came into their own, and the Rolling Stones’ music of today is a reflection of what happened in that studio in 1968, they reached their musical manhood. |
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Let it Bleed, released November 1969, to coincide with the Stones first tour of North America since 1966. Also, the first studio album to be released following Brian Jones departure from the band and subsequent death, it includes his replacement, 20 year old guitarist Mick Taylor. Like Beggars Banquet it was produced by Jimmy Miller and it’s also similar in that both sides of the LP open with two stone cold classics, Gimme Shelter, with Merry Clayton’s wonderful backing vocal, and Midnight Rambler, songs that have been a part of Stones live shows for the last four decades. In another similarity to the band’s previous studio album it also features a blues cover, this time, Love in Vain, written by the King of the Delta Blues Singers, Robert Johnson. The last track on the record is the ambitious and very different You Can’t Always Get What You Want. Featuring the London Bach Choir arranged by Jack Nitzsche. Al Kooper, late of Blood Sweat & Tears on keyboards and French horn. Lastly, the future queen of British TV cookery shows, Delia Smith, baked the cake on the front cover. |
My favorite verse:
I went down to the Chelsea drugstore
We decided that we would have a soda
(You can't always get what you want) well no!
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Wanderin' Spirit
October, 2012
"Tripping Out"
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Rolling Stones and American R&B | |||
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Beginnings 1962-1965 |
Tripping Out 1966-1969 |
Flat Out 1970-1980 |
Rolling On 1981-2005 |
Live Stones |
Exposed Mick Jagger |
Riff It Up Keith & Ronnie |
Forty Rocks |
Muddy Waters | Little Walter | Jimmy Reed | Chuck Berry |
Willie Dixon | Koko Taylor | Barbara Lynn | Etta James |
Got Soul | Motown Classics | Doo Wop Party | Juke Joint |
Favorites From the Record Cupboard | |||
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Beatlemania 1962-1966 |
Pepper's MMT 1967 |
Beatles Revolution 1968-1970 |
Beach Boys |
Grateful Dead Workingman's Dead |
Grateful Dead American Beauty |
Grateful Dead Europe 72 |
Jefferson Airplane |
The Doors | Moody Blues | Pink Floyd | Jimi Hendrix |
Them Van Morrison |
Van Morrison Into the Mystic |
Van Morrison Back on Top |
Eric Clapton |
Small Faces | Faces | Rod the Mod Stewart |
Rod Stewart Superstar |
Flying Burrito Brothers | Chocolate Watchband | Flamin' Groovies | Electric Prunes |
Bob Dylan | Simon & Garfunkel | Mamas And Papas | The Byrds |
Joan Baez | CSNY | Joni Mitchell | The Band |
Jackie DeShannon |
Led Zeppelin Mothership |
The Who My Generation |
Carole King Natural Woman |
M. Faithfull Swinging London |
M. Faithfull Aftermath |
Claudine Longet | Nancy Sinatra |
Bruce Springsteen | Tina Turner | Janis Ian | Olivia Newton John |
Liberty Silver | Fleetwood Mac White Album |
Fleetwood Mac Rumours |
Eurythmics |
Patti Smith Horses |
Rock'n'Roll Time Capsules | |||
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1950's Rock & Roll |
1960-63 Twistin' |
1964 British Invasion |
1965 Retrospective |
1966 Hits of 66 |
1967 Flowers, Peace & Love |
1968 Great in 68 |
1969 The 69er |
Woodstock Festival |
1960's Psychedelic Era |
1970's Decade of Decadence |
1980's Big Chill |
Rockin' Out in the Garage | |||
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Midwest | Heartland | North West | South West |
Old South | Deep South | International | Spirit's Favs |
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