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Season XXVI | ||||||
Spring 2007:
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Litany in E major
K243
Litaniæ de venerabili altaris sacramento
in E Dur
Kyrie Panis vivus
Verbum caro factum
Hostia sancta Tremendum
Panis omnipotentia
Viaticum Pignus
Agnus Dei
Mozart
Indeed, the nine movements of the litany are a study in contrast, a celebration of Mozart's ability to blend the old, "strict" style with free-form operatic composition. "For whom did Mozart write such things?" Alfred Einstein* asks, rhetorically. "We have no choice but to imagine that in the audience for such a litany, devoutness was mixed with connoisseurship; it was a concert, given on a liturgical pretext."
* Alfred Einstein. Mozart, His Character, His Work 1945
Great Mass in C Minor, K427
Große Messe in c-Moll K417a
Kyrie Chorus & Soprano
Gloria:
Gloria in excelsis Deo Chorus
laudamus te Soprano II
gratias agimus tibi Chorus
Domine Deus Sopranos I & II
qui tollis Double choir
quoniam tu solus Sop. I & II, Tenor
Jesu Christe Chorus
cum Sancto Spiritu Chorus
Credo:
credo in unum Deum Chorus
et incarnatus est Soprano I
Sanctus Double choir
Benedictus qui venit Quartet & Double choir
| Kyrie | Panis vivus | Verbum caro factum | |
|---|---|---|---|
| Hostia sancta | Tremendum | Panis omnipotentia | |
| Viaticum | Pignus | Agnus Dei | |
Mozart
Indeed, the nine movements of the litany are a study in contrast, a celebration of Mozart's ability to blend the old, "strict" style with free-form operatic composition. "For whom did Mozart write such things?" Alfred Einstein* asks, rhetorically. "We have no choice but to imagine that in the audience for such a litany, devoutness was mixed with connoisseurship; it was a concert, given on a liturgical pretext."
* Alfred Einstein. Mozart, His Character, His Work 1945
Great Mass in C Minor, K427
Große Messe in c-Moll K417a
Kyrie Chorus & Soprano
Gloria:
Gloria in excelsis Deo Chorus
laudamus te Soprano II
gratias agimus tibi Chorus
Domine Deus Sopranos I & II
qui tollis Double choir
quoniam tu solus Sop. I & II, Tenor
Jesu Christe Chorus
cum Sancto Spiritu Chorus
Credo:
credo in unum Deum Chorus
et incarnatus est Soprano I
Sanctus Double choir
Benedictus qui venit Quartet & Double choir
Indeed, the nine movements of the litany are a study in contrast, a celebration of Mozart's ability to blend the old, "strict" style with free-form operatic composition. "For whom did Mozart write such things?" Alfred Einstein* asks, rhetorically. "We have no choice but to imagine that in the audience for such a litany, devoutness was mixed with connoisseurship; it was a concert, given on a liturgical pretext."
* Alfred Einstein. Mozart, His Character, His Work 1945
Great Mass in C Minor, K427
Große Messe in c-Moll K417a
Kyrie Chorus & Soprano
Gloria:
Gloria in excelsis Deo Chorus
laudamus te Soprano II
gratias agimus tibi Chorus
Domine Deus Sopranos I & II
qui tollis Double choir
quoniam tu solus Sop. I & II, Tenor
Jesu Christe Chorus
cum Sancto Spiritu Chorus
Credo:
credo in unum Deum Chorus
et incarnatus est Soprano I
Sanctus Double choir
Benedictus qui venit Quartet & Double choir
| Kyrie | Chorus & Soprano
| Gloria:
| Gloria in excelsis Deo | Chorus
| laudamus te | Soprano II
| gratias agimus tibi | Chorus
| Domine Deus | Sopranos I & II
| qui tollis | Double choir
| quoniam tu solus | Sop. I & II, Tenor
| Jesu Christe | Chorus
| cum Sancto Spiritu | Chorus
| Credo:
| credo in unum Deum | Chorus
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et incarnatus est | Soprano I
| Sanctus | | Double choir
| Benedictus qui venit | Quartet & Double choir
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