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"Blessed is Stephen Schwartz for giving us a score that makes as good an impression as it did 29 years ago -- when such current wonderful cast members as Barrett Foa (Jesus) and Will Erat (John the Baptist) weren't yet on earth. Blessed are those who creatively updated the show without getting any credit in the program. As for the concept of updating: Hey, why not, say, why not? Godspell has always been a freewheeling exercise, so, really, what's the harm of references to Reeboks and "Who Wants to a Millionaire?" Blessed be director Shawn Rozsa, for making a wise-as-Solomon decision with regard to "We Beseech Thee" and "Beautiful City." The former was a toe-tapper in the original 1971 show, while the latter replaced it in the 1973 movie version. Both are so good that it's sad to see only one included -- but Rozsa had his exemplary cast do both of them. Blessed are Shoshana Bean and Leslie Kritzer, two alumnae from the Cincinnati Conservatory of Music, who once again find themselves performing together, as they did at school in Babes in Arms and The Hot Mikado. Only now they're professionals, and sure worthy of the label. After Bean finished "Bless the Lord" -- as the audience was roaring with approval as loudly as the day Don Larsen pitched his perfect game in the World Series -- she returned to where her director put her, coincidentally next to Kritzer. The actress gave Bean such a warm smile and approving gesture that Bean gave her a little hand-slap out of embarrassment. (It's okay. Bean had such respect in her eyes when Kritzer got each and every one of her laughs, which numbered in the dozens. What a terrific funny girl she is, and what a terrific Funny Girl she'd be.) Blessed is the musician who begins the show by turning one of those signs that hang in store windows, the ones that say "Open" -- which stayed that way until the end of the musical, when the musician flipped it over to display, "Sorry -- We're Closed." Yes, but only until the next performance. For blessed are the producers and the audiences that will keep this Godspell alive and well for months to come. " ~Peter Filichia, Theatre.com News


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