CHESS
A MUSICAL BY
BENNY ANDERSSON
- TIM RICE - BJORN ULVAEUS
AUSTRALIAN
PRODUCTION SCRIPT
© TIM
RICE 1990
REVISED SCRIPT,
FEBRUARY 1990
CHESS
CAST
THE ARBITER
International Chess Federation
FREDDIE TRUMPER
American Chess Champion
ANATOLY
SERGIEVSKY
Soviet Chess Champion
FLORENCE VASSY
Anglo/American, born Czech
SVETLANA
SERGIEVSKA
Married to Anatoly
WALTER de
COURCEY
American Official
2 EMBASSY
OFFICIALS
British Diplomats
VOCAL ENSEMBLE
(20)
DANCE ENSEMBLE
(8)
CHILDREN (2)
ORCHESTRA
STRING QUARTET
(2 VIOLINS, VIOLA, CELLO)
FLUTE/PICCOLO/TENOR
SAX
OBOE/COR
ANGLAIS
CLARINET/ALTO
SAX/BARITONE SAX/BASS CLARINET
FRENCH HORN
1ST TRUMPET
2ND TRUMPET
TENOR
TROMBONE/BASS TROMBONE
KAT/PERCUSSION
ELECTRIC GUITAR
ELECTRIC BASS
DRUMS
ACCOUSTIC GRAND
PIANO/KORG M1
ELECTRONIC
KEYBOARD (KORG M1)
Yje Australian
Production of CHESS
premiered at the
Theatre Royal, Sydney
on the 3rd of
February, 1990
THEATRE ROYAL-MLC
CENTRE, KING STREET, SYDNEY, 2000
TEL: 224 8444
FAX: 223-3994
CHESS
This is the
script for the Australian production of CHESS - Tim Rices
full text (book & lyrics). While it includes some stage
directions specific to this production, they have been kept to a
minimum.
Some points
about the characters:
It is important
to understand the equation between the two Chess-players. At
the beginning FREDDIE is the brash, passionate, single-minded
Champion. ANATOLY is a more reasonable and sophisticated
player. By the end, though not so neatly, their roles have
reversed.
FLORENCE, who
is the emotional centre of the drama, begins by announcing
herself as a citizen of the world, but will find that
freedom has a price and history a pivotal role in peoples
lives. Her conflict between emotional allegiance and
personal liberty, locates the central theme of CHESS.
The loyal
SVETLANA finds her sense of security under siege and departs a
worldlier figure.
Of Course,
BANGKOK is the perfect city to play host and catalyst to these
emotional upheavals.
Representing
the International Chess Federation, THE ARBITER views all these
antics with a wry, almost spiritual detachment, until they start
to intrude on his world - the world of CHESS.
WALTER and
MOLOKOV, behind their entertaining masks of conviviality, are
practised opportunists. They believe passionately in their
differing systems and genuinely regard the game as more important
that its players.
The HOTEL
GUESTS, TOURISTS, CITIZENS, etc. represent the vox populi, as
they might in a Greek tragedy.
CHESS is
virtually unique among modern musicals, in being neither
nostalgic nor a period costume drama. It extends the
tradition of the popular, romantic musical by turning its clear
gaze on the world around us. The entire show also perfectly
illustrates Dorothy Parkers legendary Hollywood maxim:
It may come as a surprise to you, Mr. Goldwyn, but noones
life has a happy ending.
Jim Sharman [director]
Sydney, 1990
The Australian
production of CHESS is set
in and around an
international hotel in the
city of Bangkok at
a time when the cold war
years were giving
way to a new age of openness
ACT ONE
Scene
One: THE CHESSBOARD
PRELUDE (You
and I theme). The curtain rises to reveal a gauze
cloth depicting The Emerald Buddha. As the drums introduce
the BANGKOK theme, silhouettes are glimpsed through
the cloth. The gauze flies out to reveal the soaring atrium
of an internation hotel in Bangkok. Glittering guests and
hotel staff are gathered for a Thai Dance performance,
illustrating the origins of the game of Chess. Two warriors
battle on a chessboard stage, around a globe of the world. The
battle intensifies to a struggle for global supremacy climaxing
in an explosion. From the smoke, a figure emerges. It
is the ARBITER, dressed as a contemporary nightclub compere.
With the assembled guests and staff, he sings:
The
Story of CHESS
Arbiter/guests/staff
Each game of
chess means there's one less
Variation left
to be played
Each day got
through means one or two
Less mistakes
remain to be made
(The following
fable is delicately illustrated by a series of mythical tableaux
- the brothers fighting, the mother weeping, etc.)
ARBITER
Not much is
known
Of early days
of chess beyond a fairly vague report
That fifteen
hundred years ago two princes fought
Though
brothers, for a Hindu throne
Their mother
cried
For no-one
really likes their offspring
fighting
to the death
She begged them
stop the slaughter
with
her every breath
But sure enough
one brother died
ARBITER/GUESTS/STAFF
Sad beyond
belief
She told her
winning son
You have caused
such grief
I can't forgive
this evil thing you've done
He tried to
explain
How things had
really been
But he tried in
vain
No words of his
could mollify the queen
ARBITER
And so he asked
the wisest men he knew
The way to
lessen her distress
They told him
he'd be pretty certain to impress
By using model
soldiers on
A chequered
board to show it was his brother's
fault
They thus
invented ...
(The Two Small
Children are revealed, concentrating intently on a game of
chess.)
ALL
(mysteriously)
... chess
(The Arbiter
formally bows)
Scene
transition:
Scene
Two: THE ARRIVAL
Guests
disperse. Atrium elevators descend. Fanfare. The
ARBITER snaps us into the present with the following
announcement:
arbiter
Our game plan
commences with the arrival of two chess warriors at the
International Hotel, Bangkok, Thailand.
From PS
elevator step FREDDIE/FLORENCE/WALTER. From OP elevator,
ANATOLY/SVETLANA/MOLOKOV.Bangkok music. Welcome
banner. The Arbiter steps into the action at a bank of
press microphones:
arbiter
(very formal)
On behalf of
the king and the people of Thailand, and the International Chess
Federation, I am proud to welcome you to the ancient culture of
Thailand and the magnificent city of Bangkok, the world's two
greatest players of the ancient and magnificent game of chess.
Frederick Trumper of the United States, the world champion.
And the new challenger for his title, champion of the Soviet
Union, Anatoly Sergievsky.
freddie
(to Anatoly)
Mr. Sergievsky,
may I present my second, Miss Florence Vassy.
anatoly
My pleasure,
Miss Vassy.
(he kisses her
hand. They exchange smiles)
florence
Mr. Sergievsky.
May I present Mr. Walter de Courcey, the member of our delegation
responsible for the commercial aspects of this enterprise -
walter
A necessary
evil, Im afraid, Mr. Sergievsky, when there is so much
media attention -
anatoly
(dismissively)
Yes, of course.
(turns to
Florence)
Miss Vassy, I'm
delighted the days of chess being an all-male preserve are over.
(Florence
smiles, Molokov intervenes)
molokov
I am Mr.
Sergievsky's second, Miss Vassy.
florence
Mr. Molokov - I
know you by reputation.
molokov
And we know
you, Miss Vassy.
florence
Thank you.
molokov
Yes we take a
great interest in Czechoslovak citizens who have made a success
of life in the West -
florence
Oh, I'm a
citizen of the world, now, Mr. Molokov.
molokov
(to Freddie)
Mr. Trumper.
(to Walter)
We have no
equivalent delegate with your particular talents, Mr. de Courcey
- whatever they may be.
walter
Mr. Molokov -
Molokov
Our champion is
, however, blessed with the support of his wife. Mr.
Trumper, Miss Vassy, Mr. de Courcey - Svetlana Sergievska.
Florence
crosses to SVETLANA.
florence
Have you
traveled abroad with your husband before, Mrs. Sergievsky?
svetlana
Nyet. I'm
looking forward to discovering your sophisticated world, Miss
Vassy.
(They each step
down in turn to sing, though still addressing their respective
opposite numbers)
florence
(to Svetlana)
When you make
good in any calling
(music: EnDgame/
Suddenly half
the world is falling
MODEL OF DECORUM)
Over itself to
be your friend.
svetlana
That's okay by
me.
anatoly
(to Freddie)
"Tough at
the top," is that the cliche?
I have to learn
as nouveau riche -
freddie
- A
New kid in
town. You might not like
What you want
to be.
molokov
& Walter
A job to do
well, an empty canvas
A game that's
more important than its players.
all
(except arbiter)
The unbridled
joy
Anticipating
all the
Complications
of a simple board game
FLORENCE
& SVETLANA ANATOLY/FREDDIE/
MOLOKOV/WALTER
All the
complications
of a simple
board game All the
The many
complications complications
of a simple
board game. of a simple board game.
Svetlana
departs with Molokov and Florence with Walter.
arbiter
(to audience)
For kings of
chess to be at their best, it's important for them to assimilate
the local atmosphere - thus, we see the world champion and his
challenger head downtown.
Scene
Three: THE CITY
Freddie and
Anatoly plus Tourists and Citizens. The reaction of each
player to the blandishments of the Tourists and Citizens
illustrates some basic differences in their personalities -
Anatoly much more polite in refusing.
One
Night in Bangkok
freddie
Bangkok! Oriental
setting
And the city
don't know what the city is getting
The creme de la
creme of the chess world in a
Show with
everything but Yul Brynner.
(Monks with
shopping bags hurry by)
anatoly
Bangkok! Just
another stop in
The chess world
circus - masters drop in,
Play,
checkmate, check out and then you
Move on to
another venue.
Like Reykjavik
-
freddie
Or the
Philippines -
anatoly
or Moscow -
both
Or ... this
place!
(Crowd of
tourists appear with tour guide)
TOURISTS
One night in
Bangkok and the world's your oyster
The bars are
temples but the pearls ain't free
You'll find a
god in every golden cloister
And if you're
lucky then the god's a she
I can feel an
angel sliding up to me
Anatoly
One town's very
like another
freddie
When your
head's down over your pieces, brother
(A tout accosts
Freddie)
tout #1
It's a drag -
tout #2
It's a bore -
touts
It's really
such a pity
To be looking
at the board, not looking at the city
freddie
Whaddaya mean?
You've seen one crowded, polluted, stinking town, you've seen 'em
all!
bar-madam
(as her
Bar-girls solicit Freddie's attention)
Tea, girls,
warm, sweet
Some are set up
in the Somerset Maugham Suite.
freddie
Get Thai'd!
I ain't a tourist
My every move's
among the purest.
(at a clap from
the Madam, the girls transfer their attentions to Anatoly)
anatoly
I get my kicks
above the waistline, comrades!
(Another tour
group appears)
all
One night in
Bangkok makes a hard man humble
Not much
between despair and ecstasy
One night in
Bangkok and the tough guys tumble
Can't be too
careful with your company
I can feel the
devil walking next to me.
(Buddhist
shrine revealed. Monks attend with garlands - photographed
by tourists)
anatoly
Bangkok! Oriental
leaven
Of the best of
hell and the worst of heaven
A winning smile
- a false impression
A rush of blood
- an indiscretion.
Bangkok! The
lights concealing
Silky thieves
of reason, stealing
Out before its
victim's waken
This is how the
West was taken.
all
One night in
Bangkok makes a hard man humble
Not much
between despair and ecstasy
One night in
Bangkok and the tough guys tumble
Can't be too
careful with your company
I can feel the
devil walking next to me.
freddie
Siam's gonna be
the witness
To the ultimate
test in cerebral fitness
This grips me
more than would a
Muddy old river
or reclining Buddah.
(to Anatoly)
I don't see
these guys rating
The kind of
mate we're contemplating
We'd let 'em
watch, we would invite 'em
But the queens
we use would not excite 'em
So they'd
better go back to their bars, their temples, their
massage parlors....
(Shrine
transforms into nightclub with Bar-girls, Go-Go dancers, drunken
tourists, etc.)
all
One night in
Bangkok and the world's your oyster
The bars are
temples but the pearls ain't free
You'll find a
god in every golden cloister
A little flesh,
a little history
I can feel an
angel sliding up to me.
(Dance break)
One night in
Bangkok makes a hard man humble
Not much
between despair and ecstasy
One night in
Bangkok and the tough guys tumble
Can't be too
careful with your company
I can feel the
devil walking next to me.
Scene
Four: THE TOURNAMENT
TOURNAMENT
SONG
CHILDREN
In a world of
changing values, shifting views
Where all we
win - we win to lose
What a joy to
be around events like this -
Constant,
certain, calm, a world of ordered bliss.
(brief formal
dance)
We are one big
happy family, black and white
The game our
one true guiding light
Sweeping
through the darkest corners to express
Countries,
classes, creeds as one in love of chess.
(Tournament
area is revealed as observers and U.S./U.S.S.R. delegates
assemble. Also hotel staff, the Arbiter and his
assistants.)
U.S. v
U.S.S.R.
observers
No one can deny
these are encouraging times
These are
optimistic and encouraging times
(Florence and
Molokov approach each other warily.)
molokov
Miss Vassy -
florence
Mr. Molokov -
delegates
(led by Walter
and Molokov but Florences top position should be clear.
However she should not be involved in the more bitchy lines.
She and Molokov prepare their objections for the Arbiter)
It's the US
versus USSR
Yet we more or
less are -
observers
No one can deny
these are encouraging times
delegates
- To our credit
putting all that aside
We have
swallowed our pride
observers
These are
optimistic and encouraging times
molokov
It really
doesn't matter who comes out on top
delegates
Who gets the
chop
molokov
Though it could
mean foreign travel has to stop
delegates
But we're gonna
smash their bastard!
Make him wanna
change his name
Take him to the
cleaners and devastate him
Wipe him out
humiliate him
We don't want
the whole world saying
They can't even
win a game
We have never
reckoned
On coming
second
There's no use
in losing.
arbiter
(entering)
Delegates!
Mr. Molokov, Mr. de Courcey...and Miss Vassy. As you can
see, the arena has been prepared for the competition, exactly in
accordance with the specifications laid down in the match
contracts; we are now ready to consider last-minute pre-match
applications, representations or objections.
florence
The American
delegation wishes to protest the size of the Soviet delegation
which far exceeds the permitted number -
molokov
Our delegation
consists of only three people; our tactician, myself, of course,
and our champion. His doctor, psychologist, PT expert,
security agents and chef cannot be considered delegates!
arbiter
Objection
overruled.
molokov
The Soviet
delegation has reasons [sic] to believe that the American
player's chair contains communications devices, and therefore
objects to the constitution of that chair -
florence
That's
impossible! Both chairs were made in
(she examines
them)
Sweden -
therefore, they are neutral chairs.
arbiter
Objection
overruled.
florence
The American
delegation wishes to object to the fact that each player is only
allowed one rest day per -
molokov
Oh! So
you will be needing plenty of rest, eh? Heh-heh -
(the Soviet
delegation joins in the laughter)
arbiter
Objection
overruled.
molokov
The Soviet
delegation objects to the wearing of reflective dark glasses -
arbiter
Objection
overruled.
(Florence and
her delegation whip our dark glasses in revenge for Molokovs
rest day jibe)
florence/molokov
(together)
The
American/Soviet delegation -
arbiter
Objection
overruled! I do not feel we're making meaningful progress.
I'll entertain no further proposals or objections. This is
a great sporting occasion between representatives of two great
nations. Let us grace this event with the decorum it
deserves -
walter
Just one last
point, Mr. Arbiter : -
(The Arbiter
stares at Walter but says nothing)
I heartily
concur with every sentiment of those stirring words, Mr. Arbiter.
But may I just make an application on behalf of the television
and other companies making such a major financial contribution to
this event, that your permission be given to a few commercial
supporters of chess to set up a discreet display of wares in the
arena -
florence/molokov
(together)
Objection!
arbiter
Mr. de Courcey!
I see no reason why such an imaginative proposal should not be
pursued. Take this card, call the number after ten
tomorrow.
florence/molokov
(together)
Objection!
arbiter
(extremely
quickly)
Overruled!
delegates
It's the red
flag up against stars and stripes
But we're
peace-loving types
observers
No one can deny
these are encouraging times
walter
It's a sweet
hail-fellow-well-met affair
For both eagle
and bear.
observers
These are
optimistic and encouraging times.
molokov
To those who
say that this is not a friendly clash
delegates
Don't be so
rash!
molokov
I assure you
comrades that is balderdash
americans
What a load of
whingeing peasants!
Thinking they
can win - they can't!
What an
exhibition of self-delusion
This one's a
foregone conclusion
We don't want
the whole world saying
They can't even
win a game
We have never
reckoned
On coming
second
There's no use
in losing
walter/molokov
How good to
feel that as this great event begins
It underpins
Our quest for
peace, the bonds of common interest
Of East and
West
americans
As long as our
man wins.
russians
As long as our
man -
all
--wins!!
The champions
enter and shake hands warily before the Arbiter lays down the law
with:)
The
Arbiter's Song
arbiter
I've a duty as
the referee
At the start of
the match
On behalf of
all our sponsors
I must welcome
you
Which I do -
there's a catch.
I don't care if
you're a champion
No one messes
with me
I am ruthless
in upholding
What I know is
right
Black or white
- as you'll see
ARBITER
DELEGATES/OBSERVERS
I'm on the case
HES ON THE CASE
Can't be fooled
CANT BE FOOLED
Any objection
ANY OBJECTION
Is overruled
IS OVERRULED
Yes he's the Arbiter and he knows best
He's impartial
don't
push him
he's unimpressed
arbiter
You got your
tricks?
Good for you!
But there's no
gambit
I don't see
through
arbiter
delegates/observers
(spoken)
he's the Arbiter
I know the
score
he knows the score
From square one
From square one
Ill be
watching all - 64! he'll be watching all - 64!
(Dance break)
arbiter
(to players)
If you're
thinking of the kind of thing
That we've seen
in the past
Chanting gurus,
walkie-talkies,
Walkouts,
hypnotists,
Tempers, fists
- not so fast
(then to Walter
and Molokov)
This is not the
start of World War Three
No political
ploys
I think both
your constitutions are terrific so
Now you know -
be good boys
ARBITER
DELEGATES/OBSERVERS
I'm on the case
HES ON THE CASE
Can't be fooled
CANT BE FOOLED
Any objection
ANY OBJECTION
Is overruled
IS OVERRULED
he's the Arbiter and he knows best
He's impartial
don't push him
he's unimpressed
arbiter
You got your
tricks?
Good for you!
But there's no
gambit
I don't see
through
arbiter
delegates/observers
Oh I'm the
Arbiter hes
the arbiter
I know the
score
He knows the score
From square one
from square one
I'll be
watching all - hell be
watching all
arbiter/delegates/observers
- sixty-four!
(Freddie and
Anatoly are now in position. Fanfare. The Arbiter
stars the clock for play to begin. The CHESS instrumental
music begins and it appears that decorum and sanity are now the
order of the day. Freddie plays a confident opening
sequence. However, the focus shifts from the players as
Walter ushers on a party of Merchandisers and sponsors
logo-emblazoned banners unfurl from above)
Merchandisers'
Song
merchandisers
Whether you are
pro or anti
Or could not
care less
We are here to
tell you
We are here to
sell you chess
Not a chance of
you escaping from our wiles
We've locked
the doors, we've blocked the aisles
We've a
franchise worth exploiting
And we will -
yes we will!
When it comes
to merchandising
We could kill.
(We leave this
high-kicking distraction briefly to rejoin the game of chess just
as Anatoly resigns. The Arbiter gives a match update.)
arbiter
Mr. Trumper has
won the first game. Mr. Sergievsky will play white in the
second game, starting tomorrow.
merchandisers
We've done all
our market research
And our
findings show
That this game
of chess could be around
A month or so
Maybe it's a
bit confusing
For a game
But Rubik's
Cubes were much the same
In the end the
whole world bought one
- Sight unseen
We will do the
same with bishop
Rook and queen.
arbiter
(This time
Freddie is handing the Arbiter an envelope)
The second game
is ajourned. Play will resume with Mr. Trumper's sealed
move tomorrow.
merchandisers
When you get up
-
When you get up
in the morning
Till you go to
bed
You will find
our friendly message
Rolling 'round
your head.
Clean your
teeth with chequered toothpaste
Wear our vests
Our kings and
queens on bouncing breasts
You could even
buy a set
And learn to
play
We don't mind
we'll sell you something Anyway!
We'll sell you
something anyway!
(At the
conclusion of the Merchandisers song we return to the apparent
calm of the match but notice that physical tension is building.
A Soviet delegate (the Chef) is presenting Amatoly a cup of
yogurt and a napkin. Freddie stares in incredulity. As
Anatoly begins to eat, Freddies patience fails)
freddie
Hold it! Stop
the clock!
(He bangs down
the timer on top of the clock)
(Anatoly looks
bewildered, holding his spoon a few inches from his mouth)
freddie
What is that?
anatoly
What is what?
freddie
(points)
That.
anatoly
This is yogurt.
Would you like some?
molokov
We are entitled
under the match rules to provide our player with refreshments -
freddie
(jumping to his
feet)
You are not
entitled to assist your player by delivering him messages -
molokov
Messages?
anatoly
(in Russian to
Molokov)
What is he
doing?
[phonetically: Shtoe
on dzyeh-lai-yet]
freddie
I'm not stupid!
I've been watching. Yesterday, 20th move, strawberry; 35th
move, honey. Today, 20th move, banana. Each time just
before he changes tack. You're giving him signals! Strawberry
means do this, banana means do that - it's cheating!
molokov
This is
absolutely insane! You are deliberately attempting to
sabotage this game because you are losing -
freddie
(to the
Arbiter, who has been maintaining a calm objectivity)
Are you gonna
do anything about this?
arbiter
Mr. Trumper,
you are dangerously close to being penalized -
freddie
Cmon you
said you were on the case -
(awkward pause)
or are you in
on this too?
florence
Freddie -
freddie
You tell him,
Florence!
molokov
(thumping table
as Florence tries to calm Freddie)
I tell him!
Unless this ridiculous interruption is penalized -
freddie
(shouting them
both down)
Mr. Arbiter!
Florence! Take note that unless I receive a full and formal
written apology from the Soviets for their player's
unsportsmanlike behavior, and dishonest behavior, I shall be on
the next plane out of this dump and will be taking legal action
to have this match awarded to me by default!
(he turns on
several Press Photographers who have rushed in at the end of this
outburst and chases them out, yelling:)
Beat it you
jerk-off!
ANATOLY
(in Russian to
Molokov)
Keep calm!
Let me handle this!
[phonetically:
Spakoina! Ya sam raz-byeh-rooss]
(then in
English to the Arbiter as the stage is cleared)
So what happens
now? You will of course disqualify him -
florence
For God's sake!
This is a matter that can be resolved by rational discussion -
anatoly/molokov
Rational
discussion!
(The delegates
and observers leave. The chessboard is again indicated as
the Quartet undertake their negotiations. An almost ritual
flirtation develops between Florence and Anatoly)
Quartet:
Decorum & Tranquility
molokov
(to Arbiter)
We wish, no
must, make our disgust
For this abuse
perfectly clear
We're here for
chess - are the US?
If so why foul
the atmosphere?
florence
I must protest
- our delegation
Has a host of
valid points to raise
arbiter
It's not just
black and white
If I may coin a
phrase
As any neutral
would attest
florence
Though we
concede
(She now sings
to Anatoly)
The fact your
masters bend the rules is maybe not your fault
If they
withdraw their psychological assault
Then under
protest he'll proceed.
molokov
If your man's
so sweet
Then why his
fighting talk?
If he says we
cheat
Then why on
earth did he go take a walk?
florence
I am not
surprised he wanted fresher air
Once he
realized there was no hope
Of your guys
playing fair.
FLORENCE/ANATOLY
MOLOKOV/ARBITER
How sad
It's very sad to see
the ancient and
To see
distinguished game
that used to be
ALL
A model of
decorum and tranquility
Become like any
other sport
A battleground
for rival ideologies
To slug it out
with glee
anatoly
(attacking)
I would say
with regard to
Him it is hard
to
Dispel
Ever growing
suspicions
My opposition's
Not well.
florence
(defending)
I would have
said
You'd
understand the strain
and
pressure getting where he's got
Or that you'd
simply call him highly-strung and not
Imply that he
was off his head.
anatoly
(flirting)
But how on
earth
Can someone
half as nice and civilized as you
Be part of such
a self-destructive point of view
I hope he pays
you what you're worth.
arbiter
(attacking)
I call this
tune
No one's immune
to my power
Once in that
hall.
molokov
(blocking)
In that case
I must ask you
Why you now
Preside over a
brawl.
florence
(to Anatoly)
I'm not getting
rich
My only
interest
Is in something
which
Gives me the
chance
Of working with
the best.
anatoly
(to Florence)
I can only say
I hope your
dream comes true
Till that far
off day
I hope you cope
With helping
number two.
FLORENCE/ANATOLY
MOLOKOV/ARBITER
How sad
It's very sad to see
the ancient and
To see
distinguished game
that used to be
ALL
A model of
decorum and tranquility
Become like any
other sport
A battleground
for rival ideologies
To slug it out
with glee.
(Tempers by now
are rising to a pitch)
FLORENCE
arbiter
anatoly
MOLOKOV
it is very sad
to Its so sad to sad
how sad
see see
a game that it is very sad to to see
sad to see a
really should see
a dis-
game that once
be
this disting- tinguished
used to
guished and
be a model
like a model old game that
game that
of de-
of calm and
tran- corum
used to, that always
quility
become
used to be tran- used to be
sad when it be-
just like any quility
like a
other
comes
like sport a battle-
has become model
any
ground for
other sport
rival ide- battleground
to of de-
just
ologies slug it
out corum
a
battle-
to slug
with glee
ground, a
battle- slug it out
any other sport and of
ground,
for ide- slug it out like
a battle- pure tran-
ground
ologies
it is very sad to see
quility
Its very
sad sad so sad
how
it is very
to see the
to see
sad
sad to seethe
ancient and
dis-
old distin-
tinguished
its a
guished
game
that
game that
used to be a
battleground for see a
used to be a
model of
decorum rival ide- model
of decorum modelof tran-
and tranquil-
ologies and
tranquil- quility
ity be-
ity be
comes
like any it becomes
just like any when it be-
other
a
other
sport
battleground for sport how sad
comes abattle
like a
ideologies to
see ground
thenit
battleground
a battle- how the
game is ve-
for
rival
ground
that
ry
ideologies
its very sad used to be
sad,its very
sad
its very
sad to see a game
tranwuility when this
ancient game
be-
so sad to see
a battleground a battleground
comes a
battleground
all
To slug it out
with glee
arbiter
This crisis is
the fault of both parties. If both players are not back at
the board within 36 hours, the match will be cancelled and the
title put into abeyance!
(disgruntled
delegates depart)
TOURNAMENT
SONG - reprise (Optional)
the two
children
Don't you find
it rather touching to behold
The game that
came in from the cold
Seen for what
it is, religion plus finesse
Countries,
classes, creeds as one, in love of chess
ARGUMENT
1
arbiter
Isn't it
strange the complications
People create
in situations
When there's no
need for any kind of
Imbroglio
But in the end
they all see reason
I didn't want
to put the squeeze on
But there are
times when someone forceful
Has to say no
(to the
Children)
They all think
theyre part of some sophisticated international battle of
wills and personality
I see nothing
other than a simple board game...
(exit the
Arbiter with Children)
Scene
Five: The American Suite
(Freddie is
calmly playing computer chess as Florence storms in. Hotel
maids discreetly tidy the room and the bed.)
Argument
2
florence
You want to
lose your only friend?
Well, keep it
up you're doing fine
Why this
humiliation?
Why treat me
like a fool?
I've taken shit
for months, for years
And I won't
take it anymore!
(Florence
dismissed the maids. Freddie plays on regardless)
How many women
would drive themselves crazy
By arguing over
a game of chess?
Not very many
but the way things are going
There'll soon
be one less!
freddie
Don't believe
you, sweetie pie -
florence
Listen,
Freddie, I too had ambitions.
How did I get
waylaid?
How can such a
flower
a sensitive
soul, a delicate child
Wind up as a
nursemaid, respectably set
for
the glittering prizes?
Instead of
which I landed you -
freddie
You'll get your
prizes!
I'm ninety
percent of the way to the top of the heap
florence
Thanks - 10% -
you got me cheap
freddie
(speaking)
No, no
Florence. I meant we are ninety percent of the way.
florence
How many women
- articulate women
With something
to shout about - spend their time
Playing a game
in which silence is golden
And speaking a
crime?
freddie
Maybe if he
moved his king...?
florence
All of my
struggles for qualification -
My nights with
Goethe and Proust
Recklessly
abandoned
For you! who
thinks Chekhov is king to G3
And Joyce my
college roommate!
Then when I
show you a move you can't fathom
I have to admit
it feels great -
(She makes a
move on Freddies board: the very move hed been
searching for)
freddie
Great news for
chess fanciers
Hey, that's how
he did it
Yeah, that's
how that commie jerk plays!
florence
Maybe I deserve
a raise!
freddie
I'm only
teasing Soviets
With gentle
bonhomie
And you've a
better reason to be anti-them than me
florence
There's a time
and there's a place
freddie
Well how about
here and now? Are you for me or for them?
florence
There's a time
and there's a place.
freddie
1956 - Budapest
is rising
1968 - Prague
and Mr. Dubcek
1968 - Some of
us remember.
I'd have
thought you'd support
Any attack on
these people
On the people
who ran
Mindlessly over
your childhood
Appearances
altered
But most of the
names are the same
florence
(agitated, but
controlled)
1968 - history
and blackmail
Try another
line - that's all in the past now
freddie
They see chess
as a war
Playing with
pawns like your father.
If you walk out
on me
You're really
betraying his honor
Were he alive
now
He'd surely be
dying of shame
florence
You know that
there's nothing I've done
That he'd be
ashamed of in my whole life!
Why'd you have
to do this to me?
(Freddie walks
out, slamming the door in her face)
Nobody's
Side
florence
What's going on
around me
Is barely
making sense
I need some
explanations fast
I see my
present partner
In the
imperfect tense
And I don't see
how we can last
I feel I need a
change of cast
Maybe I'm on
nobody's side
And when he
gives me reasons
To justify each
move
They're getting
harder to believe
I know this
can't continue
I've still a
lot to prove
There must be
more I could achieve
But I don't
have the nerve to leave
(Various career
women emerge from their hotel rooms)
florence
& women
Everybody's
playing the game
But nobody's
rules are the same
Nobody's on
nobody's side
Better learn to
go it alone
Recognize
you're out on your own
Nobody's on
nobody's side
florence
The one I
should not think of
Keeps rolling
through my mind
And I don't
want to let that go
No lover's ever
faithful
No contract
truly signed
There's nothing
certain left to know
And how the
cracks begin to show!
florence
& women
Never make a
promise or plan
Take a little
love where you can
Nobody's on
nobody's side
Never stay too
long in your bed
Never lose your
heart, use your head
Nobody's on
nobody's side
Never take a
stranger's advice
Never let a
friend fool you twice
Nobody's on
nobody's side
Never be the
first to believe
Never be the
last to deceive
Nobody's on
nobody's side
Never leave a
moment too soon
Never waste a
hot afternoon
Nobody's on
nobody's side
Never stay a
minute too long
Don't forget
the best will go wrong
Nobody's on
nobody's side
Better learn to
go it alone
Recognize
you're out on your own
Nobody's on
nobody's side
Scene
transition:
Scene
Six: THE RUSSIAN SUITE
(Chess board
set up as per American suite. Anatoly attempting to relax.
Svetlana surrounded by duty-free shopping. Molokov
partaking of room service)
SVETLANA
The man is
utterly mad, Anatoly - you're playing a lunatic!
anatoly
That's the
problem. He's a brilliant lunatic. You can't tell
which way he'll jump or why. When he's playing chess or
when he throws a fit - he's impossible to analyse; you can't
dissect him, you cant predict him - which of course means
he's not a lunatic at all.
molokov
What we've just
seen's a pathetic display
From a man
who's beginning to crack
He's afraid -
I've seen Americans do this before
We're on the
right track!
anatoly
Nonsense!
Why do my
seconds Always want to believe
Third-rate
propaganda?
molokov
My friend -
please relax; We're all on your side
You know how
you need us
anatoly
I don't need my
army of so-called advisors
And helpers to
tell me
The man who's
revitalised chess single-handed
Is more or less
out of his brain
When it's very
clear he's sane
molokov
Listen, we
don't underestimate Trumper
We won't get
caught in that trap
After all,
winning or losing reflects on us all -
anatoly
Oh don't give
me that crap!
I win - no one
else does
And I take the
rap if I lose
molokov
It's not quite
that simple
The whole
world's tuned in
We're on
display
We're not
merely sportsmen -
anatoly
Oh please don't
start spouting that old party line
Yes I know it's
your job but
You better stop
pulling such games pretty quick
Or you're
saving this match and your skin
That is if you
want to win!
svetlana
I don't want to
win. Not if it does this to you - to us.
anatoly
(almost
shouting)
Does what to me
- to us?
svetlana
You can't see?
anatoly
I'm sorry.
But it would be madness to let twenty years of work be destroyed
at the final hurdle because of this megalomaniac's antics.
svetlana
And five years
marriage -
anatoly
It will all be
fine once this match is over. I promise.
svetlana
If we still
have a marriage?
molokov
If we still
have a match!
anatoly
(to Molokov)
Well, make sure
we do! What the hell else do you have to do?
(pause)
Silly question
-
molokov
You're becoming
as crazy as Trumper. Anatoly, relax. Do your job -
I'll do mine. Svetlana -
(Molokov and
Svetlana leave)
Where
I Want To Be
anatoly
Who needs a
dream?
Who needs
ambition?
Who'd be the
fool
In my position?
Once I had
dreams
Now they're
obsessions
Hopes become
needs
Lovers
possessions
Then they move
in
Oh so
discreetly
Slowly at first
Smiling too
sweetly
I opened doors
They walked
right through them
Called me their
friend
I hardly knew
them
Now I'm where I
want to be and who I want to be
and
doing what I always said I would
and yet
I feel I haven't won at all
Running for my
life and never looking back
in case
there's someone right behind
to shoot
me down and say he always knew I'd fall
When the crazy
wheel slows down
Where will I
be? Back where I started
Don't get me
wrong
I'm not
complaining
Times have been
good
Fast,
entertaining
But what's the
point?
If I'm
concealing
Most of my
thoughts
All of my
feelings
Now I'm...
(Various
well-attired male guests emerge from their hotel rooms)
anatoly
& men
..where I want
to be and who I want to be
and
doing what I always said I would
and yet
I feel I haven't won at all
Running for my
life and never looking back
in case
there's someone right behind
to shoot
me down and say he always knew I'd fall
anatoly
When the crazy
wheel slows down
Where will I
be?
Back where I
started.
Scene
Seven: THE TERRACE BAR
(Cocktail Hour.
Arbiter at the piano, various nationalities assembled. The
Children play chess)
Cocktail
Chorus
chorus
(Music: slow
foxtrot arrangement of One Night in Bangkok)
Ask any
conoisseurs of human nature
This is a
melting pot you can't ignore
With no
disturbance from the legislature
The players
move as thousands have before
As was, is now,
and shall be, evermore
This is a
terrace of a thousand stories
Each one so
typical of humankind
A bar where one
in every three or four is
Yours for the
asking if you're so inclined
One in a
hundred could be quite a find
(Walter and
Molokov emerge from the crowd)
walter
So everybody's
friends again, are we, Mr. Molokov? Do we owe this to your
charm or to your brutality?
molokov
Let us say that
I am at least quietly confident of a little diplomatic triumph.
We must not count our chickens, however. I have arranged
with Miss Vassy for a private meeting between the two
antagonists. I think they will all see sense. Not
that Anatoly has ever done anything else. But he is not
going to give Trumper the satisfaction of rising to his bait.
We are civilised.
walter
Well my
television boys will be relieved. They weren't looking
forward to explaining to their sponsors that, unless they're in
the yogurt business, their products were off the screen.
molokov
What exactly is
your business here, Mr. de Coursey?
walter
Really,
Alexander! I'm here to insure that the commercial benefits
of this circus are maximized on behalf of various - er - clients.
molokov
(chuckles)
Yes. And
I am the Pope. Tell me about Florence Vassy.
walter
You know all
about Florence Vassy, your holiness.
molokov
I know that her
father disappeared after that incident in Prague in 1968...
walter
Incident!
molokov
So I know she
was smuggled out of Czechoslovakia when she was five, back when
you and I knew exactly where we stood, eh, Mr. de Courcey?
(chuckles)
I'm already
nostalgic for the old cold war days. This new openness
is such a strain.
walter
A rather
cynical attitude, comrade.
molokov
Its much
easier to deal with opposite numbers when you know you can't
trust them.
walter
So that's all
you know about Florence? Fled Prague in '68?
molokov
Of course not.
I know she was brought up in England, and I know she met Trumper
when she was at University in America. But is she with him
because she likes chess? A woman liking chess that much?
(laughs)
Does she sleep
with him?
walter
(as Florence
enters)
Why don't you
ask her yourself?
florence
How refreshing
to see East and West in such harmony. Where is Anatoly, Mr.
Molokov? I didn't agree to this meeting out of the goodness
of my heart.
molokov
Well where's
Freddie, Miss Vassy?
walter
Do I detect a
less than promising start to your diplomatic triumph, Alexander?
Two no-shows?
molokov
Not at all, -
er - Walter.
(Anatoly enters
- Molokov seems aware of this without even looking at him.)
We may have to
wait a while for the tardy Mr. Trumper, however.
(He notices
Florence's locket)
Ah, this is
very pretty. Perhaps some of him is with us already. A
lock of his hair, perhaps?
(A concierge
approaches Molokov and hands him a note. He reads it.
Walter greeets Anatoly.)
Excuse me, I
have to make a telephone call.
(Molokov exits.
Walter hands Anatoly an envelope.)
walter
(to Anatoly)
Your interview
details. It's all there.
anatoly
(carefully)
Yes, of course.
walter
(to both
Anatoly and Florence)
Well, will you
excuse me? I hope the discussions with Freddie go well.
florence
(too late)
Just a
moment....
(But she and
Anatoly are now alone. The cocktail crowd have moved
upstage to admire the evening sky. The Arbiter reprises the
chorus, accompanying himself at the piano)
COCKTAIL
CHORUS - reprise
arbiter
This is a
terrace of a thousand stories
Each one so
typical of humankind
A bar where one
in every three or four is
There for the
asking if you're so inclined
One in a
hundred could be quite a find
(The Arbiter
and pianist exit. Anatoly is engrossed in Walters
document.)
Terrace
Duet
florence
(to herself)
This is the one
situation
I wanted most
to avoid
Nothing I say
will convince him this isn't a trick.
anatoly
A drink on a
clear moonlit night - I relax, she smiles
There's
something peculiar going on.
florence
So, through no
fault of my own, I'm in it
way
over my head
Embarrassed,
outnumbered, marooned.
anatoly
Now she can't
be working for them - I mean us -
She seems so
very straightforward - but where is he?
florence
He has to show
up
it can't come
to nothing -
perhaps it can.
anatoly
Maybe he's
scared
but he didn't
seem scared in the game.
florence
Oh, I just
couldn't care less
He can go right
ahead go and wreck his career
I know I've
done my best.
anatoly
Well at least
she's a good-looking spy
florence
What if my
Russian friend thinks that my plans
Have nothing to
do with the chess?
If I don't say
something and soon
He'll go -
maybe I'm on nobody's side!
(st last he
approaches her and takes her hand for a dance)
anatoly
Listen, I hate
to break up the mood
How do you say,
begin the beguine
Haven't you
noticed we are one character short
In this
idyllic, well-produced scene?
florence
(dancing with
Anatoly)
How could I
not, Miss Vassy regrets
Anything goes
with your opponent.
anatoly
Never mind him
- I haven't missed him so far
Maybe it won't
do any harm
To struggle on
without his charm.
both
(More seriously
as Walter enters, unseen, and hovers US)
Funny how all
at once I feel
Nothing about
this meeting matters anymore
(The
light-hearted dancing turns into a long passionate embrace)
cocktail
chorus
This is a
terrace of a thousand stories
Each one so
typical of humankind
Theirs is no
different, but they don't mind!
(The couple
emerge from their embrace. Florence almost in shock. Anatoly
obviously entranced. During the following the Chorus
disperse to their rooms or each others.)
florence
This is the one
situation
I wanted most
to avoid
anatoly
My dear
opponent -
I really can't
imagine why
florence
You think I'm
the dangerous kind --
Well, I am!
anatoly
You -- You're
not dangerous --
Who could think
that of you?
florence
You -- you are
so strange --
why can't you
be what you ought to be?
florence
& anatoly
You should be
scheming, intriguing,
too
clever by half
anatoly
I have to hand
it to you --
For you've
managed to make me
forget why I
ever agreed to this farce
florence
& anatoly
I don't know
why I can't think of anything
I would rather
do
Than be wasting
my time with someone like you.
(As song ends,
Molokov and Freddie enter. Molokov is checking some papers
but Freddie witnesses the extended kiss between Florence and
Anatoly. Leaving Molokov, he confronts the duo.)
no
contest
freddie
Who'd ever
think it?
Such a very
pretty setting!
Tell me what's
the betting
Very pretty
plotting too?
No matter -
(indicating
Molokov)
We've done all
your work for you
(He approaches
Florence)
Who'd ever
guess it?
Daughter in
collaboration
With the very
nation
Gave her father
third degree!
Where's Daddy?
Dead or in the KGB?
(Molokov reacts
to Freddies final words. Florence storms off. Freddie
descends on Anatoly, intercepted by Walter. Molokov takes
Anatoly aside)
Scene
transition:
Scene
Eight: THE TOURNAMENT
no
contest
walter
(to Freddie)
You take care,
you don't let
Their
shenanigans blind you
And you're
wrong to forget
You've got your
country behind you.
freddie
You're a fool
if you think you can wave a flag
And inspire
some dramatic action
If I want bad
enough then it's in the bag
If I don't
you're a mere distraction.
(Walter and
Molokov exit. The actions of Anatoly and Freddie are echoed
in dance by the two warriors. The scene transforms into the
chess arena during the following)
anatoly
(turning on
Freddie)
You taught me
freddie
how the few who
win acquire
What their
hearts desire
It's not
practice, it's not skill
They'll help,
but not as much as loving will.
freddie
(challenging
Anatoly)
No contest,
comrade
Pay no mind to
reputation
You want
concentration?
When they pick
you off the floor
youll
know I wanted it a little more
anatoly
You can win you
can lose
Take or be a
possesion
You taught me
how to choose
And the key is
obsession
freddie
See my eyes,
are they safe, are they even sane?
Are they warm
when they seem to greet you?
You don't know,
you can't tell, but it should be plain
These are eyes
that are gonna beat you
Don't ever tell
me
I don't know
the way to play it
Do I have to
say it?
Doesn't matter
what you try
I have him, you
can see it in the eyes
both
No contest,
comrade
Barely any
point in playing
When it's just
delaying
What we both
already know
You lost it a
woman and a half ago...
(The tournament
has re-assembled. Delegates, observers et al take up their
places. Both men positioned as at the end of a game)
You lost it a
woman and a half ago!
(Anatoly makes
the final move, and is declared the winner by the Arbiter.)
arbiter
Mr. Trumper has
resigned. Mr. Sergievsky has won the third game. The
scores are now level and unless either party would like to
exercise its right to a rest day the deciding game will commence
tomorrow.
walter
(going up to
Anatoly)
Congratulations,
Anatoly. Please come right away for your interview.
(Anatoly kisses
Svetlanas hand with ominous finality. Molokov begins
to protest but eventually lets Anatoly go with Walter. A
dejected Freddie gets up from the table. He approaches
Florence.)
Florence
Quits
freddie
So you got what
you want
What a nasty
ambition!
Set me up, pull
me down
Then exploit my
condition.
I should have
guessed, woman
That if
pressed, woman
You're on
nobody's side but your own
And you're
behaving
Like a mere
woman
It's so clear,
woman -
It's your sex!
Once they start
getting old and getting worried
They let fly,
take it out
On the one that
supports them
it's you I'm
talking about
florence
Who'd ever
guess it?
Such a squalid
little ending
Watching you
descending
Just as far as
you can go
I'm learning
things I didn't want to know
freddie
Who'd ever
think it?
This would be
the situation -
One more
observation -
How'd we ever
get this far
Before you
showed me what you really are?
florence
You'll be lost
without me
To abuse like
you're used to.
freddie
Go away! Just
get out!
Be someone
else's parasite!
(Before
Florence can respond again, the Arbiter makes an astonishing
announcement. During the last few moments of the
Freddie/Florence argument we have been aware of great activity
between the Arbiter and his assistants, culminating in his
statement.)
arbiter
(a paper in
hand)
I've just been
informed that the challenger, Anatoly Sergievsky, has applied for
political assylum at the British embassy. He wishes it to
be known that this will not affect his participation in this
contest.
Pandemonium -
especially from:
molokov
What?
svetlana
He can't!
molokov
He has no
travel restrictions, what more does he want?
svetlana
He's crazy!
molokov
And he's
winning!
arbiter
(continuing to
read)
And he hopes
that this difficult personal decision will not affect his play or
that of his opponent.
(Huh!
from Freddie, as an Arbiters Assistant appears bearing
flowers - Thai orchids)
These,
apparently, are for you, Miss Vassy.
svetlana
(to Molokov)
No, Alexander.
No!
arbiter
A nice gesture
-
freddie
A nice gesture!
Hes screwed me!
(Taking the
flowers, Florence proceeds downstage, the focus of blame,
interest and hostility)
Heaven
Help My Heart
florence
If it were love
I would give that love
every
second I had
And I do
Did I know
where he'd lead me to?
Did I plan
Doing all of this for the love of a man?
Well I let it
happen anyhow
And what I'm
feeling now
Has no easy
explanation, reason plays no part
Heaven help my
heart
I love him too
much
What if he saw
my whole existence
Turning around
a word, a smile, a touch?
One of these
days, and it won't be long,
he'll
know more about me
Than he should
All my dreams
will be understood
No surprise
Nothing more to
learn from the look in my eyes
Don't you know
that time is not my friend?
I'll fight it
till the end
Hoping to keep
that best of moments
When the
passions start
Heaven help my
heart
The day that I
find
Suddenly I've
run out of secrets
Suddenly I'm
not always on his mind
Maybe it's best
to love a stranger
Well that's
what I've done - heaven help my...
all
heaven help my
heart
anatoly
(re-enters)
Moves made on
the spur of
the moment
Are the moves
that set you free
florence
Heaven help my
heart
(Anatoly moves
to Florence - they embrace)
freddie
(observing)
One of these
days and it won't be long
He'll know all
about her -
florence
Heaven help my
heart
svetlana
How to fight
how to hate
When the
sadness wears me down
florence
Heaven help my
heart
all
(chorale
IN HALF-TIME)
One night in
Bangkok
And the world's
in turmoil
Not much
between despair and ecstasy
Not much
between despair and ecstasy!
(Bangkok music
blazes)
end of act
one