Slave Positions
Bara
laying on her belly a slave presses her forehead to the floor, crossing her ankles and places her wrists crossed in the small of her back, she waits motionless to be bound "Bara," said Mincon to Tula. "Bara," said I to Feiqua. Both slaves went immediately to their bellies, their heads to the left, their wrists crossed behind their backs, their ankles also crossed. It is a common binding position. Mercenaries of Gor page 145 |
Belly
a slave lays upon her belly, parting her legs shoulder width apart, keeping her arms to her side, palms are up, her forehead to the ground she crawls to her Masters/Mistress feet "To Your Belly" To your belly," he said. She went to her belly, her hands at the sides of her head. Kajira of Gor page 399 Rogue of Gor page 102 Kajira of Gor page 427 |
Blanket the slave is covered with a blanket, cloak, or any piece of cloth. The cloth might cover her entire body, or just her head.the slave has been trained to remain motionless and completely quiet until the cloth is lifted by her Master. |
Bound
By Masters Will bound by the Master's will, means that a kajira must remain as if she was chained, braceleted or bound by actual equipment, even though no such items truly bind her. |
Bracelets
a girl prepares to be bound, she kneels, thighs spread wide, back arched, extending her arms before her, her wrists together, waiting to be bound, her head is held high, eyes submissively lowered, alternate ways, wrists might be placed behind a girl's back or a girl stands spreading her legs shoulder length apart "`Bracelets,' he snapped.
She put her head in the air and placed her hands behind
her back." |
Crawl a slave kneels then drops to all fours, her forearms flat on the ground and lowers her head so that it is also slightly above, but not touching the ground, she raises her rask high then crawls to her Master until her head touches his boots. "I pointed to the stones at
my feet. "Crawl," I said, in Gorean. The girl
slipped to her belly, and, as a slave girl, crawled to my
feet. She put her lips to my foot; I felt her hair over
it. |
Display she stands before her Master, legs parted enough for a hand to slip between, stands tall with back arched, chin level to ground, her eyes lowered in respect, hands behind her back with wrists crossed, ready to be inspected. - Players of Gor pg 137 |
Gorean
Bow she kneels in nadu,then bends her body backwards slowly touching her head to the ground behind her, then places her hands by her head and pushes her body up into a back bend..not moveing till told to by her Master.this is a painfull possition |
Hair
a slave remains in the positions she is in, then gathers her hair and offers it to her Master. "Her master seized her from
the circle then and hurried her from the light, her head
down, held by the hair, at his left hip. This is a common
leading position for female slaves being conducted short
distances. As the master holds her hair in the left hand,
it leaves his right hand, commonly the sword hand,
free." |
Harta upon hearing the command Harta, the slave moves to her Master or Free Person giving this command with speed and gracfull movements. |
Heel a slave kneels just behind her Master's left foot,as He moves she remains just behind His foot, never coming in contact with Him at any time.. "The Forkbeard turned about and, one arm about Pudding, the other about Gunnhild, started from the dock. Hilda followed him, to his left. 'She heels nicely,' said Ottar. The men and bond-maids laughed. The Forkbeard stopped. Hilda's face burned red with fury, but she kept her head high. Pet sleen are taught to heel; so, too, sometimes, are bond-maids; I was familiar with this sort of thing, of course; in the south it was quite common for slave girls; in various fashions in various cities, to heel their masters. Hilda, of course, was a free woman. For her to heel was an incredible humiliation. The Forkbeard started off again, and then again stopped. Again, Hilda followed him as before. She is heeling!' laughed Ottar." Marauders of Gor page 123 |
High
Harness a girl stands tall and straight, holding her tummy tight, her chin is tilted high revealling the colar she wears with pride, warm smoldering eyes are kept lowered in the deepest respect "Lift your head, " he
said. "Higher. Higher!" She looked up at him,
her head far back, the leash on her throat...."You
need not now keep your head in high-harness
position,", he said to the girl. She moved her head. |
Karta he slave kneels on the floor, her thighs spread wide,and leans forward placing her breasts and forehead against the floor, her arms fully extended, palms against the floor, ankles may be crossed or uncrossed. |
Kneel
To The Coffle slaves kneel, closely, one behind the other, as their left wrists are placed in wrist rings, this is usually followed by the order to stand and then the order "Lower chain" where the girls lower their wrists, they are then in line, standing, coffled "Kneel to be coffled,"
said one of the men. The girls knelt, closely, one behind
the other, there were six wrist rings on the chain he
carried. He placed the girl who had been whipped by Lady
Sabina first in the coffle line. "Left wrist
coffle," he said. They lifted their left wrists,
frightened. Interestingly, the man snapping the wrist
rings on the girls left wrists did not put the
first girl in the first ring, but the second. When the
four maids were coffled there was, thus, an empty wrist
ring both at the head and rear of the line. "Stand,
Slaves," said the man. "Lower chain." The
girls stood. Then, ordered, the lowered their wrists.
They were then in line, standing, coffled. |
Collaring
Position (Ko~lar or the position of female submission) a girl makes her way to You Master, melting to her knees at Your feet, leaning firm rounded cheeks to rest pon soft heels, she raises her sculptured arms of beauty high above her lowered head, crossing her wrists while warm soft eyes are kept lowered in the deepest respect "Then, to my astonishment,
the daughter of the Ubar Marlenus, daughter of the Ubar
of Ar, knelt before me, a simple warrior of Ko-ro-ba, and
lowered her head, lifting and extending her arms, the
wrists crossed. It was that same simple ceremony that
Sana had performed before me in the chamber of my father,
back at Ko-ro-ba - the submission of the captive female.
Without raising her eyes from the ground, the daughter of
the Ubar said in a clear, distinct voice: 'I submit
myself.' Later I wished that I had had binding fiber to
lash her soinnocently proffered wrists. I was speechless
for a moment, but then, remembering that harsh Gorean
custom required me either to accept the submission or
slay the captive, I took her wrists in my hands and said,
'I accept your submission.' I then lifted her gently to
her feet." |
Leading
Postition
a slave approaches her Master's side and bends at the waist, gathering up her hair to present to her Master, so He may lead her by the hair In a moment I had left the
building, pulling the captive behind me, her head down at
my waist, in leading position." |
Leasha
a slave kneels with her back to her Master, her thighs spread wide her back arched. she crosses her wrists in the small of her back for bracelets if required, she turns her head to the left, her eyes lowered in submission, her lips are slightly parted and awaits his leash. "`Lesha," snapped the
second officer to the blond girl. She spun from facing
him, and lifted her chin, turning her head to the left,
placing her wrists behind her, as though for snapping
them into slave bracelets." |
Leasha-High a slave stands with her back to her Master, feet are shoulder-width apart, wrists are crossed at the small of her back, she holds her head high turning to the left, lips are slightly parted and eyes are lowered in submission, she awaits His leash. |
Masters
Kiss Master takes her hair in his hand, yanking her head back hard exposing her neck and face to Him. He then attacks His girls lips with His own kissing her passionalty. Showing her His power and control over her at all times, He then takes her top lip in His teeth, bitting down ,then her bottom lip, and again bites down as well, continuing to kiss and ravish her lips, leaving her lips swollen and purple,and often drawing blood, He will then move down to her exposed neck and continue the most pleasuable torture. |
Nadu
a slave kneels with her thighs spread wide, resting her bottom on ankles, her back is arched, chest forward, her head held high and her eyes lowered, she lays her hands palms up on thighs "Nadu!" he snapped.
She swiftly turned, facing him, and dropped to her knees.
She knelt back on her heels, her back straight, her hands
on her thighs, her head up, her knees wide. It was the
position of the pleasure slave." |
Nestle when a slave fits herself against her Master's side, nestling in the crook of His arm "Nestle," I told her.
"Yes, Master," she said. She nestled obediently
in the crook of my left arm. |
Obedience/Obeisance
Your girl melts at Your furs, she seductively leans forward until she her belly lays flat upon the ground, she rests her chin on Your boots, parting warm crimson lips, her devoted eyes are kept lowered in submission "She knelt before him, on
the dais, and put her head down. Gently, softly, she
licked and kissed his feet. She then rose again to her
feet, backed away, and then, on the tiles, again knelt.
She put the palms of her hands upon the tiles, and
lowered her head to the tiles." |
On The
Snap If a slave is in the service of a free Gorean, and He snaps His fingers,without futher motions, she goes His feet, and kneels. If she is at His feet already, she stands when He snaps His fingers |
Prostate Like a Karta this is used when a girl enters a room,she falls to her knees,touches her forehead to the ground,streching her arms out before her placeing her palms flat to surface and spreading her fingers as she begs to enter. |
Run
a slave runs toward her objective, taking small and rapid steps, legs almost straight, her feet barely leaving the floor, as she runs, her back is straight her head is turned to the left and arms are at her sides with palms facing outward, upon reaching her objectives she drops gracefully to her knees and resumes the position of nadu I was amused, for she had run as
a slave girl is sometimes taught to run, with rapid short
steps, her legs almost straight, her feet scarcely
leaving the ground, back straight, head turned to the
left, arms at her sides, palms out at a fourty-five
degree angle, more of a dancers motion than a true
run." |
She
Sleen
a slave gets down on her knees and elbows and clasps her hands over head, raising her hips as she does, she parts her thighs and arches her back, forcing her hips yet higher, exposing herself completely to his view or caress, she readies herself to be beaten or taken sexually like an animal, depending on her Master's whim In this discipline the female is
forbidden human speech. She is also forbidden human
posture, in the sense that she is not allowed to rise to
her feet. Her locomotion, unless commanded to roll, or
put under similar commands, suitable for a pet, will be
on all fours. Her food will be thrown to her, or put in
pans on the ground. In either case, she must feed without
the use of her hands. She may also, of course, be fed by
hand, but, again, will not be permitted to touch the food
with her hands. She may be taught tricks. Sometimes these
are taught as functions of arbitrary sounds, so that she
must learn them as any animal might, without the benefit
of an earlier understanding of the word used. If she is
slow to learn, of course, she is punished, as would be
any other animal. When used, too, it will commonly be in
the modality of the she-quadrupled. This discipline is
often used as a punishment, but it may figure in the
training of a new girl. It helps her to understand what
she now is, an animal totally subject to her master. Girl," I said to her. She,
addressed, scrambled to her knees. She kept her head
down. She whimpered."She does not speak," said
Boabissia."She is perhaps under the discipline of
the she-quadruped," I said.The girl whimpered,
looking at us, nodding her head affirmatively. Then she
put down her head, again. Melina, now a naked slave in
sleen collar, was ordered forth on her hands and knees. A
sleen leash was attached to her collar and she was
marched, as a she-sleen, crawling, abused, to the
rape-rack. "In what slavery, or
slaveries, will master place me?" she asked. I
looked at her position. "Perhaps in these slavery of
the she-quadruped," I said. "Master may do so,
if he wishes," she said, "if it pleases him, or
amuses him." |
Slave
Lips
a slave turns her head up to her Master, puckering her lips as she does, she waits motionless, forbidden to move until her Master's kiss releases her Similarly, I was not required to
respond to certain sorts of commands, for example, to
make "slave lips," pursing my lips for kissing,
or to writhe slowly before my viewers. |
Slaver's
kiss she goes to the floor on all fours ...her head lowered to the ground ...buttocks high in the air ...thighs widely spread ...her slaves heat exposed, she is ready for kiss of the whip or whatever else her Master wants. |
Submission a slave kneels bending at the waist, placing her cheek to the floor, then takes her Master's right foot and places it upon her neck, her arms behind her back with her wrists crossed, a girl might assume this position if/when she has displeased her Master, as it show complete submission, His foot on her neck showing that she offers Him her life She fell to her knees before
him, and lifted her head to regard him. "I will be
your slave," wrists crossed, as though for binding.
She was very beautiful. "I am your slave," she
said, "--Master." |
Suga the slave kneels on the floor, her thighs spread wide she leans forward placing her breasts and forehead against the floor, her arms are fully extended then crossed at the wrists, ankles may be crossed or uncrossed |
Sula
a slave lays flat on her back on the floor, her feet are spread shoulder width apart, she places her hands by her side with her palms facing up, her eyes are lowered in submission as she silently awaits her Master's pleasure Sula, Kajira!" said the
man. She slid her legs from under her and lay on her
back, her hands at her sides, palms up, legs open. |
Sula-Ki
also known as the alternate sula, a slave lays flat on the floor, face upward her hands at her sides, palms open and up, legs are spread wide in preparation for her Master's pleasure, she slowly lifts her hips of the floor |
Table
a girl goes to all fours, making sure her back is level, her head is straight, eyes lowered in submission, thighs are parted widely and her elbows are locked, she remains motionless, presenting her self to a Master as a table to support His feet or drink |
Tower
a girl kneels with her thighs modestly closed, back straight eyes lowered palms placed down on thighs The position of the Tower Slave, in which Vika knelt, differs from that of a free woman only in the position of the wrists which are held before her and, when not occupied, crossed as though for binding...The position of the Pleasure Slave, incidentally, differs from the position of both the free woman and the Tower Slave. The hands of a Pleasure Slave normally rest on her thighs but, in some cities, for example, Thentis, I believe, they are crossed behind her. More significantly, for the free woman's hands may also rest on her thighs, there is a difference in the placement of the knees. In all these kneeling positions, incidentally, even that of the Pleasure Slave, the Gorean woman carries herself well; her back is straight and her chin is high. She tends to be vital and beautiful to look upon.' Priest Kings of Gor p 46-47 |
Useage a slave melts to her hands and knees, keeping her back straight, head raised, eyes looking straight ahead. Spread your thighs widely, raising your buttocks into the air He knelt me there. "Put
your head down, to the floor," he said. "Clasp
your hands, firmly, behind the back of your neck."
"Yes, Master," I moaned. He was then behind me.
He put his hands, under my arms, on my breasts, sweetly
and firmly. Then he moved his hands back, caressing my
flanks. My head was down. My fingers were together,
behind the back of my neck. I was in his collar. It was
steel, I could not remove it. I belonged to him. My body
hurt, from his whip, that of my master. My head hurt,
from my hair, where I had been conducted,
unceremoniously, to this location. "Please,
Master," I sobbed. "Not like this! Not you,
please!" "The slave is pretty," he
remarked. "Oh!" I cried. "Oh!"
"You have a lovely ass," he said.
"Ohhh!" I said. "You may thank me,"
he said. |
Walk
as a slave gracefully turns, her hair caresses her body, as she walks quietly across the room/City her feet hardly seeming to leave the ground, hips sway sensually, her body erect and proud. When she reaches her objective she halts and stands, her body erect, shoulders back, chest thrust forward, belly in, hip turned a bit, her hands at her sides and points her foot, her chin held high and eyes lowered |
Whipping
Position (kneeling to the whip) a slave quickly drops to her knees in nadu, she places her head to the floor then crosses her arms across her belly, raising her hips she waits motionless ready to accept her Master's punishment, slaves with long hair will pull their hair from their backs ensuring that their backs are fully exposed I went to Targo, trembling, and
knelt at his feet... I crossed my wrists beneath me and
touched my head to the floor, exposing the bow of my
back. It is the submissive posture of a slave girl who is
to be punished. It is called Kneeling to the Whip." |