Site hosted by Angelfire.com: Build your free website today!

ENGLISH

P R  E  S  S  I  N G

 Left to right: Dejan Utvar, Zoran Radovic, Vladislav Rac, Vladimir Markovic (photo: Vesna Pavlovic)

 

Band formed in Belgrade, Serbia, in the end of 1990. The founder and the leader of the band is Zoran Radovic aka Kiza, the bass-player of the extremely interesting Belgrade band Pasmaters, the distant relative of the New York no wave band James Chance & The Contortions. The person who mediated the creation of the band is Miki Ristic,the bass player of another Belgrade band of the same generation, Darkwood Dub, who used to play in the high school punk-rock band together with Crack (Vladimir Markovic), and who recommended Kiza this guitar player as an intriguing alternative for the new band of his. The only problem was that Crack used to live in London at that time. 

After hearing from Miki about new band plans, Crack comes back to Belgrade almost immediately. The first rehearsal was held in the end of November 1990 in the basement of SKC, the birthplace of the whole 1980’s Belgrade new wave scene. It proved immediately that the junction of the Kiza’s and Crack’s vibrations is very fruitful. The first line up was a trio, as Kiza used to play the bass guitar, but in the first half of 1991, Kiza wants to be hands free to concentrate on singing, and the new bass player comes to the band, Roman, at that time the bass player of Euphoria. The band was given the name “Pressing”, meaning pressure defence in basketball, the sport Crack used to practice in high school.  

The band remained attached to the post new wave guitar sound as a dominant for all the years of its career, with influences ranging from the psychedelic soul of Sly&The Family Stone, free jazz of Mingus and Coltrane, minimal pop experiments of the early Kraftwerk, Can, Pere Ubu, Red Krayolla and Captain Beefheart, post new wave of The Fall, Cocteau Twins, David Sylvian, Dali’s Car, Gun Club, and many others. The lyrics of Kiza’s, by many relevant opinions the biggest living Serbian post-punk poet, joined to the unusual way of guitar playing of Crack’s create the specific aesthetics of the band which is constantly tending to mutate and move the previously heard matrix off the edge, inside of the still solid song construction.

The first record contract the band got when in the spring of 1991, right before the war began, the owner of the pioneer of independent record publishing in ex-Yugoslavia, Zdenko Franjic, came to Belgrade and heard two bands practicing in the same basement room in SKC, Pressing and Darkwood Dub. He offered them first the single then the LP record with each band on one side, and the final song was supposed to be the cover of each other. Then by the end of the year both bands were supposed to release albums on Zdenko’s Zagreb based “Listen Loudest” label, and to tour major cities of former Yugoslavia. Out of the entire plan, they got to complete the single “Macho” / “Oboye”, that appeared on the compilation LP of Belgrade bands “I wanna ride till the ecstasy” (“Listen Loudest” / “Nova Aleksandrija” 1991).

In the end of June 1991 war began and members of Pressing spread in various European countries, boycotting the mobilization. In the spring of 1992 war seemed to be over, and Pressing gathered again in Belgrade, finishing its first album, “The Story of Totem, Spirit-That-Walks, Dog and Disappointed Woman”. The album was released in Zagreb – the material being sent through some channels in Hungary, as all the communication between Serbia and Croatia was torn and it took significant dose of courage to release such thing due to hostile atmosphere on the both sides. The album was rated as #2 album of the year by the prestigious music magazine “Ritam”, and also as #2 album on the annual list of ex-Yugoslav rockandroll albums made by Italian Radio Udine, behind “Laibach”.  

In 1993 band started recording the single for its second album, and the song recorded then, “Mammoth Hills”, remains the biggest success in the band’s career, reaching #1 chart in all the most important radios in the country, being included to the soundtrack of the movie “Ghetto” by Ivan Markov, and the compilation CD “Radio Utopia” by B’92, the 5th anniversary CD of the MTV award winner radio. However, the already prepared album was not recorded, due to the serious health problems Kiza suffered for couple of years.

It lead to a 3 years break, during which period Crack released an album with his band Tornado Birds.

In the end of 1996, Pressing reunited, recruiting Tornado Birds bass player Rac, and by the spring 1997, the new album was ready. B’92 showed serious interest in publishing it but before the talks were over, Crack was unexpectedly drafted by the Yugoslav Army and sent for a year long service.

The album “Sixth Heaven” was recorded in December 1999, but then, due to the conceptual misunderstanding with the label “Beoground” that produced it, the release was delayed for another two and half years. The label insisted on serious computer editing interventions that were not acceptable for the band, as they were changing the structure of songs. The release of the album was legally banned until the problem was solved by agreement. Finally the band found the new publisher and the album appeared as it is, on Belgrade based “Square” label, in May 2002.

By the end of June the first single video taken from the album, “Rhythm That You Stay In”, reached #1 in all the relevant Serbian charts, starting from the most prestigious local lists at TV B’92 and Studio B Television, to all the other relevant TV and radio stations and magazines. The album itself moves from #2 to #1 position in the number of sold copies in the country’s largest IPS Music Store chain list. The video will be soon made available on this web site.

Contacts: e-mail presing17@lycos.com / markv@eunet.yu

               Phone: “Square” label +381 63 396 819 > Ivan

CD release “Sixth Heaven” is available at special publisher’s price of 6 Euro / 6 US $ + postage fee.

CD reissue Pressing “The Story of Totem, Spirit That Walks, Dog and Dissapointed Woman” + Tornado Birds “An Airy Afternoon” is available at the price of 6 Euro / 6 US $ + the postage fee.

You may order by sending certified checks, or money transfer (thru Western Union). Please send an e-mail first to obtain details (address for directing the money, etc)

If you want the quicker way to obtain the disk, visit www.gerila.com where you can order the CD at the regular price of 9.95 US $ and pay by plastics.