The Wheel Of The Year
|
|
According to the tenets of classical theism, God, who is One, is the supreme Creator, who, through the
mediation of His divine Logos, brings
the world into being and providentially
directs its course. This Primal Origin
(First Cause or Arche) is also the
Ultimate End (Final Goal or Telos) of
the world. Utterly transcendent and
thoroughly eternal, God is represented
as totally present to Himself. He is, in
fact, the omnipresent fount, source,
ground, and uncaused cause of presence
itself. (Taylor, 7) But in a world view
that sees everything as cyclical, death
itself cannot be a final ending, but
rather some unknown transformation to
some new form of being. In enacting and
reenacting the death of the God, we
prepare ourselves to face that
transformation, to live out the last
stage of life. (Simos [Starhawk] 1989,
112)
Although there is no orthodox
Pagan religious calendar, many American
Pagans follow a Wheel of the Year based
on the seasons and pre-Christian Celtic
holidays. Basically these holidays
chronicle the birth, life, death and
re-birth of the Sun King though the
person of the Great Goddess (or in
female-identified groups, the birth,
life, death and rebirth of the Goddess
herself).
At Yule (Winter Solstice,
December 21) the Sun King, conceived
earlier in the year by the mating of the
previous Sun King and the Goddess, is
born.
In the spring (Beltane, May
1), at the height of natural fecundity
and after the Goddess has magically
recovered her maidenhood, they mate,
causing not only the conception of the
next year's King but also the growth and
abundance of the food crops in the
natural world.
In the Fall (Lughnasad,
August 1) at the time of harvest the old
King dies and sets sail for the
Summerland from which he will sail forth
again as the new-born Sun at
Yule.
Samhaim, or Halloween, is that
period between the death of the old King
and the birth of the new when the
natural processes of the earth seem to
be dying. At this time the veil between
the world of the living and the world of
the dead thins to allow loved ones to
communicate. For many Pagans Samhaim
marks the New Year and is celebrated not
only with remembrances of the dead but
also by letting go of the old (ideas,
habits, etc.) and looking forward to the
new. (Fox, 8)
This process of birth, life,
death and rebirth is a "poetic statement
of a process that is seasonal, celestial
and psychological." (Simos 1989, 114) By
attuning themselves to these changes and
focusing on the reality symbolized by
each seasonal change, Pagans re-enact
their own "transformations, the constant
birth, growth, culmination and passing
of our ideas, plans, work,
relationships." (Simos 1989, 114)
Samhaim/Halloween then is the time to
focus on the passing away not only of
ideas, plans, work but also of
relationships. Traditionally Pagans who
follow this calendar use the rituals of
Samhaim to remember and communicate with
their dead.
The midi is entitled, "Butterfly Fairies" and it is © Geoff and used with his permission
|
|