¡¡
¡¡
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A beautiful country is like a
dreamlike illusion,
It¡¯s senseless to cling to it,
Unless the inner forces of negative emotions are conquered
Strife with outer enemies will
never end.
----
Khytentse Rinpoche
¡¡
Like describes
in the poem on the previous page, Tibetan Buddhism focuses on the working of the
mind, as it is the only way to end all negative emotions. The ¡°working of the mind¡± is done through the process of
meditation, and the negative emotions are the suffering in which everyone born
to experience. One who completes
the process of meditation to the highest level is called the Enlightened One, as
the founder of Buddhism Siddarta Gautama
himself. The thesis of this
report is: In Tibetan Buddhism, utopia is reached through the process of
meditation, in which the Enlightened will feel an end to all suffers on earth.
Meditation
is the path to enlightenment. Tibetan
Buddhists believe that the seed of enlightenment is planted in every mind, and
it is uncovered through meditation. Meditation
is a slow process, in which the practitioner reaches a level of understanding of
the mind at a time.
The
first level is to realize the origin of suffering on earth.
According to the Tibetan Buddhists, suffering is caused by bodily
desires. These desires are our
needs to satisfy our senses, to feel satisfied from drinking a glass of water
for example. However, these
satisfactions we can reach are neither permanent nor independent in origination.
They are not permanent because we will eventually desire for more. Also,
they are not independent in origination, because whether or not we get satisfied
or how much we are satisfied depends on the circumstance and our past
experiences. Take the drinking
water example again, a glass of water would be very desirable for a person
traveling the desert, but once the same person on a freshwater river, it would
be worthless. This lack of
dependence origination of satisfaction or happiness is referred to as
¡°emptiness¡±. All earthly
observations and emotions experienced through our senses are empty in such a
way.
After
the realization of emptiness, the next step is to give up on everything with an
empty nature. This is a slow
process. One has to eventually give
up any material possessions, emotional attachments, and earthly desires.
This is why the Tibetan monks leave their family and homes to live in the
temples, where they would hardly contact the outside world.
This is the elimination of all suffering.
The
highest level of enlightenment is to experience bliss, or perfect happiness, and
the union of bliss and emptiness. Bliss
is built upon the realization of emptiness, which means it is completely in the
mind or independent of the senses. At
this stage, the mind controls the senses, instead of the other way around as
what we are born with. The
practitioner will thus observe all phenomena as manifestations, and bliss is the
only thing experienced by the mind.
The
above is a rather simplified meditation process.
In practice it is much more complicated, there are many different
approaches. One is for the
practitioner to regenerate oneself as a deity, through visualizing oneself on
that basis. A deity is a
transformation of the Buddha, and he/she represents an aspect of Buddha¡¯s
mind, purity for example. The
process is to imaging oneself entering the deity¡¯s palace, through many levels
of spiritual growth and knowledge, as finally reach the center of the palace and
becoming the deity. If this process
is complete, then the practitioner has just grew in purity.
To best represent the path to enlightenment, a Mandala will be the
obvious choice. The word Mandala
means circle, community and connection in Sanskrit.
A Mandala acts like a map of the palace of a deity, therefore it is a
visualization for the many stages of meditation. A journey of the mind is thus presented to the eye.
Tibetan Mandalas are mostly made with coloured sand, and the making process is considered a spiritual ceremony. Also, it can be regarded as a meditating process, as the Mandala is made from the outside going inwards, through the many staege of spiritual growth and knowledge. It is also an act of devotion.
For my creative transformation, I have chose to make a replica of such
Mandalas.
I
have used acrylics on canvas, because acrylics are known for its vibrant colours
and smooth texture. These qualities
best suit the colourful and intricate characteristics of the Mandala.
Like
all the other art forms with a religious theme, the Mandala is also highly
symbolic. First of all, it consists
of many concentric circles, each representing different levels of spiritual
understandings. The square is a
two-dimensional representation of the palace of the Deity.
The smallest circle is contained in the palace, and it holds many signs,
each symbolizes a deity.
The
four corners of the painting are perfume (contained in a shell), peaches,
mirror, lute ( a musical instrument), which are all wrapped in silk.
These objects symbolize the five senses, smell, taste, vision, hearing
and touch in respect. Note these
objects are not contained in the Mandala, because these earthly senses should be
abandoned prior to the meditation, so that the practitioner can only focus on
the mind.
The
outer most ring is ¡°our realm¡±. It
contains scenes of violence between men and skeletal burial sites, which
represent suffer, decay and the impermanence of existence.
Snakes symbolizes evilness. This
realm represents an understanding of suffering and pain in our world.
The
next realm represents the five elements through five colours.
These colours are red, green, yellow, light blue, and dark blue.
They symbolize fire, wood, earth, metal water respectively.
This shows a rather simplistic view of the material world.
Moving
inwards, the next is a black ring detailed in gold. The golden symbols are signs
for thunderbolts, in Buddhism thunderbolts are the symbols for Buddha¡¯s active
passion with meditating person. This
is the protecting ring, called the realm of compassion.
The
next is the ring of lotus petals. Lotus
flowers are the symbol of spiritual purity, and the teaching of the Buddha.
The lotus is also the universal symbol for Buddhism, because the plant
grows from mud, yet the flower stands tall and stays pure.
After
the purity of the mind, the practitioner will now enter the palace gates.
Here, we can find a lot of symbols.
Bells are for emptiness and or openness, giving room for wisdom.
Jewel trees are the symbols for wealth.
Umbrellas represent royalty. These
gaining are purely in the mind, and are arisen from emptiness.
There are four gates leading into the palace, facing north, south, west
and east. The four directions are
represented by four colours, white, red, green and yellow respectively.
The
square is the palace wall. It is
detailed with diamonds to symbolize the nature of the mind at this level as
being indestructible. Couch shells
are also used represent the voice of Buddha expounding the doctrine of Buddhism.
Entering
the palace, there is the inner circle. Each
square in the inner circle contain a symbol for a deity, thus represent a aspect
of the Buddha¡¯s mind. The square
in the center shows the highest level of existence.
At this stage, the practitioner is able to visualize him/herself as a
deity, and thus has reached the highest level of enlightenment.
This
Mandala uses the many elements of design. The
most important would be symbolism, which is explained above.
Another noticeable element used is repetition. Repetition of symbols is
used to emphasize their importance. Also
this repetition along the circles create a circular movement to the eye.
This magnifies the characters of the circle as having no beginning and no
end.
All religious practices seek to end suffering and find true and permanent
happiness, it is the same with Tibetan Buddhism. In other words, Tibetan Buddhism explains a spiritual from
reaching utopia from a dystopic world.
As mentioned previously, to the Tibetan Buddhists, dystopia is the world
we are born into. However, the
world is dystopic because we are born to have many bodily desires, and the
failure for us to continue satisfy these desires is the mere cause of all our
suffering. The way to end suffering
is thus to eliminate all these desires. Through
meditation, one can have a realization of the emptiness of the satisfaction we
get through our bodily senses, purify the mind from these desires, and find
eternal bliss in the mind. Each of
these steps is a level enlightenment, and each level brings the practitioner
further away from dystopia or closer to utopia.
The fundamentals of Buddhism are somewhat more philosophical than
dominant religions such as Christianity, however in Tibet, it is also highly
practical. One similarity between
Tibetan Buddhism practices and Margaret Adwood¡¯s ¡°The Handmaids Tale¡± is
religious fundamentalism.
Tibetan monks live isolated from the rest of the world, unless their
spiritual practices demand them to make contact with ordinary people.
In the temples, they live rather simplistic lives, praying and meditation
being the main courses. They are not allowed to have meat products, consume alcohol
or become sexually active. Monks at
a high level of enlightenment do not converse with anyone at all for tens of
year, because they believe in the isolation of the mind. These are just some examples of the followers taking things
literally.
Through thousands of years of near isolation from the rest of the world,
Tibetan Buddhism remains one of the most well kept and unique religions of the
world. Like in most religions, the
spiritual practices in Tibetan Buddhism seek to end all suffers and find eternal
happiness. Dystopia is eliminated
and utopia is reached through the process of meditation.