To mind the inside of a book is to entertain one's self with the forced product of
another man's brain. Now I think a man of quality and breeding may be much
amused with the natural sprouts of his own.
-- Lord Foppington in the Relapse.
AN ingenious acquaintance of my own was so much struck with
this bright sally of his Lordship, that he has left off reading
altogether, to the great improvement of his originality. At the
hazard of losing some credit on this head, I must confess that I
dedicate no inconsiderable portion of my time to other people's
thoughts. I dream away my life in others' speculations. I love
to lose myself in other men's minds. When I am not walking, I
am reading; I cannot sit and think. Books think for me.
I have no repugnances. Shaftesbury is not too genteel for me,
nor Jonathan Wild too low. I can read any thing which I call
a book. There are things in that shape which I cannot allow for
such.
In this catalogue of books which are no books -- biblia a-biblia
-- I reckon Court Calendars, Directories, Pocket Books, Draught
Boards bound and lettered at the back, Scientific Treatises, Almanacks,
Statutes at Large; the works of Hume, Gibbon,
Robertson, Beattie, Soame Jenyns, and, generally, all those
volumes which "no gentleman's library should be without :" the
Histories of Flavius Josephus (that learned Jew), and Paley's
Moral Philosophy. With these exceptions, I can read almost
any thing. I bless my stars for a taste so catholic, so unexcluding.
I confess that it moves my spleen to see these things in books'
clothing perched upon shelves, like false saints, usurpers of true
shrines, intruders into the sanctuary, thrusting out the legitimate
occupants. To reach down a well-bound semblance of a volume,
and hope it is some kind-hearted play-book, then, opening what
"seem its leaves," to come bolt upon a withering Population Essay.
To expect a Steele, or a Farquhar, and find -- Adam smith. To
view a well-arranged assortment of blockheaded Encyclopaedias
(Anglicanas or Metropolitanas) set out in an array of Russia,
or Morocco, when a tithe of that good leather would comfortably
re-clothe my shivering folios; would renovate Paracelsus himself,
and enable old Raymund Lully to look like himself again in the
world. I never see these impostors, but I long to strip them, to
warm my ragged veterans in their spoils.
To be strong-backed and neat-bound is the desideratum of
a volume. Magnificence comes after. This, when it can be
afforded, is not to be lavished upon all kinds of books indiscriminately.
I would not dress a set of Magazines, for instance, in full
suit. The dishabille, or half-binding (with Russia backs ever)
is our costume. A Shakespeare, or a Milton (unless the first
editions), it were mere foppery to trick out in gay apparel. The
possession of them confers no distinction. The exterior of them
(the things themselves being so common), strange to say, raises no
sweet emotions, no tickling sense of property in the owner. Thomson's
Seasons, again, looks best (I maintain it) a little torn, and
dog's-eared. How beautiful to a genuine lover of reading are
the sullied leaves, and worn out appearance, nay, the very odour
(beyond Russia), if we would not forget kind feelings in fastidiousness,
of an old "Circulating Library" Tom Jones, or Vicar of
Wakefield! How they speak of the thousand thumbs, that
have turned over their pages with delight! -- of the lone sempstress,
whom they may have cheered (milliner, or harder-working mantuamaker)
after her long day's needle-toil, running far into midnight,
when she has snatched an hour, ill spared from sleep, to steep her
cares, as in some Lethean cup, in spelling out their enchanting contents!
Who would have them a whit less soiled? What better
condition could we desire to see them in?
In some respects the better a book is, the less it demands from
binding. Fielding, Smollett, Sterne, and all that class of perpetually
self-reproductive volumes -- Great Nature's Stereotypes -- we
see them individually perish with less regret, because we know
the copies of them to be "eterne." But where a book is at once
both good and rare -- where the individual is almost the species, and
when that perishes,
We know not where is that Promethean torch
That can its light relumine" --
such a book, for instance, as the Life of the Duke of Newcastle,
by his Duchess -- no casket is rich enough, no casing sufficiently
durable, to honour and keep safe such a jewel.
Not only rare volumes of this description, which seem hopeless
ever to be reprinted; but old editions of writers, such as Sir Philip
Sydney, Bishop Taylor, Milton in his prose-works, Fuller -- of whom
we have reprints, yet the books themselves, though they go about,
and are talked of here and there, we know, have not endenizened
themselves (nor possibly ever will) in the national heart, so as to
become stock books -- it is good to possess these in durable and
costly covers. I do not care for a First Folio of Shakspeare. I
rather prefer the common editions of Rowe and Tonson, without
notes, and with plates, which, being so execrably bad, serve as
maps, or modest remembrancers, to the text; and without pretending
to any supposable emulation with it, are so much better
than the Shakspeare gallery engravings, which did. I have a
community of feeling with my countrymen about his Plays, and I
like those editions of him best, which have been oftenest tumbled
about and handled. -- On the contrary, I cannot read Beaumont and
Fletcher but in Folio. The Octavo editions are painful to look at.
I have no sympathy with them. If they were as much read as the
current editions of the other poet, I should prefer them in that
shape to the older one. I do not know a more heartless sight
than the reprint of the Anatomy of Melancholy. What need was
there of unearthing the bones of that fantastic old great man, to
expose them in a winding-sheet of the newest fashion to modern
censure? what hapless stationer could dream of Burton ever becoming
popular ? -- The wretched Malone could not do worse, when
he bribed the sexton of Stratford church to let him white-wash the
painted effigy of old Shakspeare, which stood there, in rude but
lively fashion depicted, to the very colour of the cheek, the eye,
the eye-brow, hair, the very dress he used to wear -- the only
authentic testimony we had, however imperfect, of these curious
parts and parcels of him. They covered him over with a coat of
white paint. By ----, if I had been a justice of peace for Warwickshire,
I would have clapt both commentator and sexton fast
in the stocks, for a pair of meddling sacrilegious varlets.
I think I see them at their work -- these sapient trouble-tombs.
Shall I be thought fantastical, if I confess, that the names of
some of our poets sound sweeter, and have a finer relish to the ear
-- to mine, at least -- than that of Milton or of Shakspeare? It may
be, that the latter are more staled and rung upon in common discourse.
The sweetest names, and which carry a perfume in the
mention, are, Kit Marlowe, Drayton, Drummond of Hawthornden,
and Cowley.
Much depends upon when and where you read a book. In the
five or six impatient minutes, before the dinner is quite ready, who
would think of taking up the Fairy Queen for a stopgap, or a
volume of Bishop Andrewes' sermons ?
Milton almost requires a solemn service of music to be played
before you enter upon him. But he brings his music, to which,
who listens, had need bring docile thoughts, and purged ears.
Winter evenings -- the world shut out -- with less of ceremony
the gentle Shakspeare enters. At such a season, the Tempest, or
his own Winter's Tale --
These two poets you cannot avoid reading aloud -- to yourself, or
(as it chances) to some single person listening. More than one --
and it degenerates into an audience.
Books of quick interest, that hurry on for incidents, are for the
eye to glide over only. It will not do to read them out. I could
never listen to even the better kind of modern novels without
extreme irksomeness.
A newspaper, read out, is intolerable. In some of the Bank
offices it is the custom (to save so much individual time) for
one of the clerks -- who is the best scholar -- to commence upon the
Times, or the Chronicle, and recite its entire contents aloud pro
bono publico. With every advantage of lungs and elocution, the
effect is singularly vapid. In barbers' shops and public-houses a
fellow will get up, and spell out a paragraph, which he communicates
as some discovery. Another follows with his selection. So the
entire journal transpires at length by piece-meal. Seldom-readers
are slow readers, and, without this expedient no one in the company
would probably ever travel through the contents of a whole paper.
Newspapers always excite curiosity. No one ever lays one down
without a feeling of disappointment.
What an eternal time that gentleman in black, at Nandu's,
keeps the paper! I am sick of hearing the waiter bawling out
incessantly, "the Chronicle is in hand, Sir."
Coming in to an inn at night -- having ordered your supper --
what can be more delightful than to find lying in the window-seat,
left there time out of mind by the carelessness of some former guest
-- two or three numbers of the old Town and Country Magazine,
with its amusing tete-d-tete pictures" -- The Royal Lover and
Lady G----;" "The Melting Platonic and the old Beau," -- and
such like antiquated scandal? Would you exchange it -- at that
time, and in that place -- for a better book?
Poor Tobin, who latterly fell blind, did not regret it so much for
the weightier kinds of reading -- the Paradise Lost, or Comus, he
could have read to him -- but he missed the pleasure of skimming
over with his own eye a magazine, or a light pamphlet.
I should not care to be caught in the serious avenues of some
cathedral alone, and reading Candide.
I do not remember a more whimsical surprise than having been
once detected -- by a familiar damsel -- reclined at my ease upon the
grass, on Primrose Hill (her Cythera), reading -- Pamela. There
was nothing in the book to make a man seriously ashamed at the
exposure; but as she seated herself down by me, and seemed determined
to read in company, I could have wished it had been any
other book. We read on very sociably for a few pages; and, not
finding the author much to her taste, she got up, and -- went away.
Gentle casuist, I leave it to thee to conjecture, whether the blush
(for there was one between us) was the property of the nymph or
the swain in this dilemma. From me you shall never get the
secret.
I am not much a friend to out-of-doors reading. I cannot settle
my spirits to it. I knew a Unitarian minister, who was generally
to be seen upon Snow-hill (as yet Skinner's-street was not), between
the hours of ten and eleven in the morning, studying a volume of
Lardner. I own this to have been a strain of abstraction beyond
my reach. I used to admire how he sidled along, keeping clear of
secular contacts. An illiterate encounter with a porter's knot, or
a bread basket, would have quickly put to flight all the theology I
am master of, and have left me worse than indifferent to the five
points.
There is a class of street-readers, whom I can never contemplate
without affection -- the poor gentry, who, not having wherewithal
to buy or hire a book, filch a little learning at the open stalls -- the
owner, with his hard eye, casting envious looks at them all the
while, and thinking when they will have done. Venturing tenderly,
page after page, expecting every moment when he shall interpose
his interdict, and yet unable to deny themselves the gratification,
they "snatch a fearful joy." Martin B----, in this way, by daily
fragments, got through two volumes of Clarissa, when the stallkeeper
damped his laudable ambition, by asking him (it was in his
younger days) whether he meant to purchase the work. M.
declares, that under no circumstances of his life did he ever peruse
a book with half the satisfaction which he took in those uneasy
snatches. A quaint poetess of our day has moralised upon this
subject in two very touching but homely stanzas.
I saw a boy with eager eye
Open a book upon a stall,
And read, as he'd devour it all;
Which when the stall-man did espy,
Soon to the boy I heard him call,
"You, Sir, you never buy a book,
Therefore in one you shall not look."
The boy pass'd slowly on, and with a sigh
He wish'd he never had been taught to read,
Then of the old churl's books he should have had no need.
Of sufferings the poor have many,
Which never can the rich annoy:
I soon perceiv'd another boy,
Who look'd as if he'd not had any
Food, for that day at least -- enjoy
The sight of cold meat in a tavern larder.
This boy's case, then thought I, is surely harder,
Thus hungry, longing, thus without a penny,
Beholding choice of dainty-dressed meat:
No wonder if he wish he ne'er had learn'd to eat.
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