Bigfoot Sightings and Reports |
Is the film genuine?
The film has never been conclusively proved fake and the debate still rages
thirty years
after it was shot. It has been the subject of several legal actions, but
none have ever
questioned its authenticity. Bob Gimlin was actually cut out of the profits
for several
years and it seems unlikely this would have occurred if the film was not
genuine.
At its first showing, at the University of British Columbia, the film was
well received by
an audience of scientists, museum staff, and members of the press—no one
suggested it
was a fake. Bigfoot researcher Bob Titmus saw the film at this first showing,
and went to
California to check the evidence, he later wrote to author John Green reporting
what he
found:
"Since I know more about tracks than film and generally feel that they
will
tell me a more accurate story than film, I had a very strong urge to see
the tracks that were being made during the time that Roger was shooting
his film. I felt that the tracks could very well prove or disprove the
authenticity of the pictures. No one else present seemed inclined or able
so
the following day I went on to California to have a look at the tracks.
My first full day up near the end of Bluff Creek, I missed the tracks
completely. I walked some 14 to 16 miles on Bluff Creek and the many
feeder creeks coming into it and found nothing of any particular interest
other than the fact that Roger and Bob's horse tracks were everywhere I
went. I found the place where the pictures had been taken and the tracks
of Bigfoot the following morning. The tracks traversed a little more than
300 feet of a rather high sand, silt and gravel bar which had a light
scattering of trees growing on it, no underbrush whatever but a
considerable amount of drift debris here and there. The tracks then crossed
Bluff Creek and an old logging road and continued up a steep
mountainside... This is heavily timbered with some underbrush and a deep
carpet of ferns. About 80 or 90 feet above the creek and logging road there
was very plain evidence where Bigfoot had sat down for some time among
the ferns. He was apparently watching the two men below and across the
creek from him. The distance would have been approximately 125-150
yards. His position was shadowed and well screened from observation from
below. His tracks continued on up the mountain but I did not follow them
far. I also spent little time in trying to backtrack Bigfoot from where
his
tracks appeared on the sandbar since it was soon obvious that he did not
come up the creek but most probably came down the mountain, up the
hard road a ways and then crossed the creek onto the sandbar. It was not
difficult to find the exact spot where Roger was standing when he was
taking his pictures and he was in an excellent position.
I spent hours that day examining the tracks, which, for the most part,
were still in very good condition considering that they were 9 or 10 days
old. Roger and Bob had covered a few of them with slabs of bark etc. and
these were in excellent condition. The tracks appeared perfectly natural
and normal. The same as the many others that we have tracked and
become so familiar with over the years, but of a slightly different size.
Most
of the tracks showed a great deal of foot movement, some showed a little
and a few indicated almost no movement whatever. I took plaster casts of
ten consecutive imprints and the casts show a vast difference in each
imprint, such as toe placement, toe gripping force, pressure ridges and
breaks, weight shifts, weight distribution, depth, etc. Nothing whatever
here indicated that these tracks could have been faked in some manner.
In
fact all of the evidence pointed in the opposite direction. And no amount
of
thinking and imagining on my part could conceive of a method by which
these tracks could have been made fictitiously."
What the experts say
The film has been examined by several scientists and their opinions
as to its authenticity
differ. Dr. Grover Krantz, professor of Anthropology at Washington State
University,
while discussing the possibility of faking the film on a TV show:
"I went through it, frame by frame, measuring everything I could on it...
what the body proportions were... and I can state flatly that there is
no
human being alive who could fit into a costume with the dimensions that
are shown there."
His view is shared by Dr Dmitri Donskoy, Chief of the Chair of Biomechanics
at USSR
Central Institute of Physical Culture in Moscow:
"...with all the diversity of human gaits, such a walk as demonstrated
by
the creature in the film is absolutely non-typical of man."
But Dr John Napier, physical anthropologist, former head of the primate
program at the
Smithsonian Institute in Washington disagrees. Here is an extract from
his book 'Bigfoot':
"There is little doubt that the scientific evidence taken collectively
points to
a hoax of some kind. The creature shown in the film does not stand up well
to functional analysis. I could not see the zipper; and I still can't.
There I
think we must leave the matter. Perhaps it was a man dressed up in a
monkey-skin, if so it was a brilliantly executed hoax and the unknown
perpetrator will take his place with the great hoaxers of the world. Perhaps
it was the first film of a new type of hominid, quite unknown to science,
in
which case Roger Patterson deserves to rank with Dubois, the discoverer
of
Pithecanthropus erectus or Java man..."
Dr. William Montagna, director of the federal primate center at Beaverton,
Oregon, gave
his thoughts on the film in Primate News, September 1976:
"Along with some colleagues, I had the dubious distinction of being among
the first to view this few-second-long bit of foolishness. As I sat watching
the hazy outlines of a big, black, hairy man-ape taking long, deliberate
human strides, I blushed for those scientists who spent unconscionable
amounts of time analyzing the dynamics, and angulation of the gait and
the
shape of the animal, only to conclude (cautiously, mind you) that they
could not decide what it was. For real or woe, I am neither modest about
my scientific adroitness nor cautious about my convictions. Stated simply,
Patterson and friends perpetrated a hoax. As the gait, erect body, and
swing of the arms attest, their Sasquatch was a large man in a poorly
made monkey suit. Even a schoolchild would not be taken in. The crowning
irony was Patterson's touch of glamor: making his monster into a female
with large pendulous breasts. If Patterson had done his homework, he would
have known that regardless of how hirsute an animal is, its mammary
glands are always covered with such short hairs as to appear naked."
Dr D W Grieve, Reader in Biomechanics at the Royal Free Hospital School
of Medicine,
London, concluded in his report on the film:
"My subjective impressions have oscillated between total acceptance of
the
Sasquatch on the grounds that the film would be difficult to fake, to one
of
irrational rejection based on an emotional response to the possibility
that
the Sasquatch actually exists. This seems worth stating because others
have reacted similarly to the film. The possibility of a very clever fake
cannot be ruled out on the evidence of the film. A man could have sufficient
height and suitable proportions to mimic the longitudal dimensions of the
Sasquatch. The shoulder breadth however would be difficult to achieve
without giving an unnatural appearance to the arm swing and shoulder
contours. The possibility of fakery is ruled out if the speed of the film
was
16 or 18fps. [No one knows at what speed the film was shot.] In these
conditions a normal human being could not duplicate the observed pattern,
which would suggest that the Sasquatch must possess a very different
locomotor system to that of man."
Silas Salmonberry, co-founder of the Internet Virtual Bigfoot Conference said of the film:
"Some people actually believe (incorrectly, I might add) that the Patterson
Film has been shown to be a fake by experts. However, no expert has
claimed it to be fake based on relevant techniques from his (or her)
particular field of expertise. And certainly the film is of fairly poor
quality,
but not all that bad considering the apparent circumstances under which
it
was taken. A great deal could still be done with it if anyone with necessary
skills, equipment and money would take an interest in the film. In fact,
it is
possible that the Patterson film has enough evidence to prove the existence
of Bigfoot once and for all."
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