Traditionally, there have been many ways of differentiating the many systems
of martial arts found in China. Sometimes they are divided into "internal" (Taiji, Ba Gua and Hsing Yi) and "external" (Hung Ga, Choy Lay Fut, Wing
Chun, etc.) or classified as either northern or southern systems. Perhaps the
most famous differentiation is between the Shaolin (Siu Lam in Cantonese)
and Wu Tang (Mo Dang in Cantonese) traditions. The Shaolin tradition, further
divided into the northern and southern, represents the martial arts practiced
by Chinese Buddhists while the Wu Tang tradition represents the martial arts
practiced by Taoists. However, there exists a third tradition of martial
arts most Americans know little to nothing about. That tradition is the Lama
school.
There have been numerous debates concerning the exact nature of the Lama school.
While it has often been labeled "Tibetan", it appears in many respects to be very
Chinese. Furthermore, the martial arts that exists in what is modern Tibet in
most respects do not resemble the Lama school as preserved in China. The truth
is that Lama represents the vast tradition of Western Chinese martial
arts. It represents the martial arts practiced in Tibet but also the martial arts
practiced in Outer Mongolia, inner Mongolia, Qinghai, Sichuan, Yunnan, and Xinjiang
provinces. It also represents the martial arts of Tibetans, Mongolians, Manchurians,
Ethnic Han Chinese and a wide variety of minorities. What these very different
groups have in common is a common faith, Tibetan Buddhism, better known as Lamaism.
Therefore, the Lama school, Lama Pai, is named for its common religious influence,
not its ethnic inspiration.
Lama Pai was founded in the Ming Dynasty by an ethnic Chinese who became a Buddhist Monk. He is known either as Ah Dat-Ta or the Dai-Dat Lama. Neither of these are real Chinese names and are Chinese approximations of this person's Buddhist name, which would have been in Tibetan. While we know very little about this person, we do know he was ethnically Chinese, a follower of Tibetan Buddhism, lived in Qinghai province and studied a wide variety of martial arts. These martial arts were Chinese, Tibetan, Mongolian and even Indian in origin and a good representation of the martial tradition in Western China.
Ah Dat-Ta's system was originally known as "Lion's Roar" and consisted of 8 fist strikes, 8 palm strikes, 8 elbow strikes, 8 finger strikes, 8 kicking techniques, 8 seizing (clawing) techniques, 8 stances and 8 stepping patterns. It included techniques derived from a wide variety of influences including Mongolian and Manchurian wrestling (Shuai Jiao), Northern and Western Chinese long arm and kicking techniques, and Tibetan and Indian close range hand techniques and evasive footwork. However, the more time it spent in China, the more "Chinese" the system became.
Presented here are the eight divisions and eight fundamentals within each of
these divisions. In most cases, techniques were never intended to be limited
to these fundamentals. Instead, they were designed to preserve various basic
principles from which other techniques could be derived. For example, in Lama
Pai all straight punches are derived from Chyuhn Choih. However, when Lama Pai
came into contact with other Chinese martial arts, straight punching techniques
such as Chaap Choih were added to the basic punches within this category. The
basic punch Paau Choih represents all techniques that rise up from a lower point,
such as uppercuts. The basic punch Kahp Choih was also expanded to include Pek
Choih (45 degree hammer fist) and Cham Choih (90 degree hammer fist).
The 8 fists strikes
These eight divisions were then used to create three distinct "forms", sometimes
thought of as different levels or fighting theories. The three forms were "flying
crane hands" (Fei Hok Sau), "Maitreya hands" (Neih Lahk Sau), and
"Dou Lo hands". Thus, the system was actually quite complex.
After several generations, teachers of Lion's Roar kung-fu created a number
of hand sets named after the Lo Han (Buddhist Saints) and the Gam Gong (literally
"diamond" but referring to Buddhist Guradians). Furthermore, once Lion's Roar
came to southern China its was renamed Lama Pai kung-fu and incorporated many
techniques and ideas from Chinese martial arts. The original eight divisions,
eight fundamentals in each division, and the three forms were gradually either
forgotten or only explained to advanced students. If it were not for the recorded
history left by earlier teachers, we may have never understood how Ah Dat-Ta
developed the original Lion's Roar kung-fu system.
The 8 palm strikes
The 8 elbow strikes
The 8 finger strikes
The 8 kicking techniques
The 8 seizing (clawing techniques)
The 8 Stances
The 8 footwork patterns
The third and final division was known as "Dou Lo hands" and was named
for a plant indigenous to India, whose seeds have a hard outer shell but a soft,
cotton like, substance within it. "Dou Lo Sau" was devoted to internal
aspects of the system such as vital point striking and the special "vein changing
skill". The needle in cotton hand set is derived from techniques of the "Dou
Lo Sau" division.