Season IV:

Episode List

Reboot Page
A Minor Glitch: Season Four
Joe Smith's Unofficial ReBoot: Season Four
Official Site
Writing "Daemon Rising" (by Hanako/PG-13)

Season Four


Daemon Rising

It might have took a few years, but finally Season IV of Reboot has arrived! Fans of the show had a nice if somewhat weird feeling after all this time when the opening montage of "Daemon Rising" began with its montage of Season III highlights. Also, the site of Dot as a teenager with streaks in her hair was a site to see. Actually, fans had many highlights to catch in the first four episodes: the three faces of Hexadecimal (good virus, sprite, "good" bad virus), Dot's father (sprite and null form), Bob as a cadet and Glitch's previous owner, Daemon as a cute French teenager, and Mike the TV being called "Michel." Now, if the episodes had some more character development, backstory, and better games…. Well, it was a struggle to have a new season, so we can accept certain glitches.

I must admit to have been a bit disappointed when I first saw the "Daemon Rising" story arc. I felt it to be a bit unpolished, having various scenes that could easily have been expanded (one small example: the scene in which AndrAIa and Matrix fought the guardians started abruptly), and too reliant on fight scenes. The games (one for each episode, but only the first two was of any consequence) had charm ("Austin Powers" and "The Mummy" supplied the inspiration), but were too quick. Themes like AndrAIa and Matrix's love, Young Enzo's growing pains, Hex's love for Bob, etc. were addressed, but none that deeply. Daemon was done well though, but the practicably obligatory evil shown by her at the end (leaving Bob to nearly deplete his energy and fighting with Hex) annoyed me. She seem more angelic (bad angelic, but still angelic) than that, as shown by her calmly having her assistant deleted when he failed her.

Daemon on the whole did show the complexity of the Reboot universe. As Turbo mentioned, her attempt to bring unity to the Net is on some level not necessarily a bad thing, though Bob reminds us that the whole point of the Net is its (necessarily somewhat anarchic) diversity. Her voice, calm nature, and touching ignorance about love make her a charming character. Yes, she thought Hex was an abomination, but why not? Would not a sprite think a sprite that became a virus an abomination too? Matrix surely would. Furthermore, she was programmed as a chron virus; one really cannot see her as "sinful" any more than a cat is "sinful" for eating a mouse (imagine if we were mice). The look Daemon gave when told she was bleeding away Bob's (who she earlier respectably called "the greatest guardian") energy and while fighting Hex (though she asked why they were fighting, since Hex was a virus once more) was troubling. It was like they had to throw it in to show she was "evil" as if evil was simplistic.

The story arc also showed Reboot's risqué side. The story draft of "Daemon Rising" included a double entendre concerning the "Fembot" AndrAIa rebooted into during the "Austin Powers" game. The joke alluded to the guns that arose out of the chest of the evil robots, and AndrAIa (who is rather "sexy" in general) made a comment about the ".38s" she had. Hex is also rather attractively dressed in her good virus and sprite forms, and seems just to love to kiss Bob, and at one point talks about "down time" they can spend together. Mike talks about living with Hex for a time, but "not in the biblical sense." In jokes (Welman Matrix was named after a key Mainframe Inc employee, later jokes about the "Blues Brothers" that younger viewers might not get, etc.) are not the only way Reboot aims toward older viewers. In "My Two Bobs," there is even an efeminate sprite clearly meant to be gay! (note how he looks at Bob, talks, and later admires Cecil's decorating).

Though we do see how Bob first came to Mainframe, our heroes are not really fleshed out much in "Daemon Rising." Bob had a few other moments, especially as he got weak (I was reminded of "Back to The Future, when he looked at his fading hand). Mouse and Phong really had rather little to do. We do get some Enzo Matrix (young and old) characterizations. Matrix was again shown to be rather one dimensionally motivated toward a few ends. Cute (or annoying, you pick) growing pains for young Enzo. The game in Episode 4.03, a quick shot at Matrix as a wrestler type, appeared to exist just to show how animalistic he was without his one true love (AndrAIa). The power of this love was also shown in AndrAIa's sadness, even under Daemon's spell, when they were apart. Also, Matrix had a single-minded approach to defending his "home," which at times involved mindless violence. On the other hand, young Enzo just had to tell Matrix to get in touch with his hate (and have Frisket bite him; apparently, pain also has something to do with it) to get him out of Daemon's spell. A bit simplistic … and how did AndrAIa and the others escape? By following his lead?

  • Though I find it a tad lame, the assumption seems to be that by shocking Matrix out of his stupor, Enzo allowed him to use his guardian code (Bob used his to temporarily heal Turbo, but apparently because Glitch was harmed, it was not strong enough to heal him ... Turbo himself wondered why Bob's code did not do the trick) to heal the others. Now, I will accept Bob (and thus his code) is a unique Guardian (though until now, we had no real proof his powers were uniquely stronger), but if his code once removed can counteract Daemon, she seems much less powerful than we thought. And, why didn't they just keep Matrix away so he can "save" the others instead of the Enzo in the game gambit? btw "Star Trek" fans might recall an episode when Captain Kirk eggs Spock (no shock for Kirk, he starts a fight with him) on so that emotion snaps him out of the control of his drugged out spore caused stupor.

    This simplistic resistance mechanism along with the Daemon v Hex fight at the end of "Sacrifice" reflected an underlining flaw to the story … it felt at times like a rough draft, not the well rounded excellence of Season Three. Dot fell victim to this problem as well. The "I need you" plea regarding her father was heartfelt but seemed a bit repetitive to her Season Three plea toward Bob. And what about that idiotic plan of hers? Is she now so cold blooded that she can send both young Enzo to grow up basically alone in the games again (a heartbreaking experience the first time around, even when he at least had AndrAIa) and send Bob away to hide? Enzo couldn't go through with it (thankfully for everyone) and Bob never had a chance to have to, but the whole plan was not to be believed. After all, how would Matrix alone save them anyway? Her only defense I guess can be "I wasn't bad and weak willed, I was just written that way" (to paraphrase Jessica Rabbit of "Who Framed Roger Rabbit?"), or a rather lame admittance later on of "tactical" errors.

    I must, upon a second watching, admit that the episodes are better overall than this review might suggest. Dot, for instance, does show some of her "can do" spirit, and the first hour in particular is rather deeply plotted in several ways. Nonetheless, I still reaffirm the bad taste left in my mouth ... a feeling that it was unpolished, perhaps because of monetary constraints. One more thing ... the destruction of the Twin Cities, etc. originally seemed to have something to do with Welman's attempts to change nulls back to sprites. This is never addressed; his gateway device is used to explain things instead, suggesting Mainframe was more isolated than some might have thought (Welman and company didn't realize there were other system and peoples out there in the net). Oh, and what about Dot and Enzo's mother?!

    Good ending though … love declared, but sudden entrance of another Bob (looking like his old stuff) and Ray Tracer.


    My Two Bobs

    The second set of episodes, which I saw in the Canadian version of one continual movie, started off quirky. It was a representation of Dot’s dreams, which portrayed her struggle with having to deal with two Bobs as a sitcom, including lame sitcom jokes, entrances, studio audience laughter, ending with a takeoff of the opening of "The Brady Bunch" This beginning set the theme of Dot’s portrayal in much of this story arc: more animated, in the middle of the action, but confused. As well as she should be with two Bobs (and she picks the wrong one, and doesn’t at first totally trust the real one even when she finds out … are fourth season writers anti-Dot or what?) to deal with, and true danger only coming toward the end of the four episodes. Glitch Bob also had a struggle of his own, wondering if he was the "real" Bob or only a copy, feeling inferior, and unable to play games because of his weakened state. The others didn’t have much to add but background. [Also slightly different opening by Bob]

    Yes, I must say that I continued to feel a bit cheated with the fourth season thus far. "My Two Bobs" early on had an off feel to it, like the first episode after Matrix and AndrAIa was shot into the web … it felt a bit stiff and slow. The Pokemon game was cute (as was their ribbing of the perversity of it), but really it was kind of boring (and a tad disgusting, though how Bob acted was significant, as seen later). The Rocky Raccoon reprise had some good points as well (cute "Star Wars" jokes) and was more exciting, but the original was much more fun (sequels rarely are as good). Glitch Bob’s attempts to separate from glitch also brought to mind "Star Trek" and "The Fly," (and "Star Wars" for that matter) and later we had a "Blues Brother" reference. And, of course, Dot looked great in a wedding dress. Still, the episodes didn’t have the good flow and fullness of many early episodes, surely no match to the late second and much of the third seasons.

  • Bob2: "You keep creatures in cages, and release them just to fight?" Matrix: "Yeah." Bob2: "That is sick!"

    Bob2 (to Matrix after game): "Hey, fancy a game of jetball?"

    I admit to being surprised when it turns out that "Bob" really is Megabyte, though you just knew the virus was too good of a villain to be gone for good. Also, Bob2 acted strangely in various ways, and saying "fancy" is a very Megabyte thing to do … okay, so I was in my "not thinking mode," while also being (sorry to say) a bit bored with the proceedings. Anyway, we also know that Hexadecimal will have some part in the future proceedings, since she altered little Enzo’s icon before she saved the day. After all, her doing so was involved somehow in bringing back Welman Matrix again, after Enzo touched his dad’s null form. Bob reminding Turbo that if Hex was destroyed, the whole system would still be infected, also was a good philosophical touch … surely notable given present views on what we need to do with evil doers. Bob’s optimism about viruses might be reduced just a tad after Megabyte tricking them and seizing control … setting up a cliffhanger just when things started to get a tad bit interesting.

  • Megabyte is now a "Trojan horse" virus, namely one hidden in something (or someone) we think is good or benign (read your Homer) … but wouldn’t Glitch Bob and the others suspect this a bit more than they did? And why did only Glitch Bob get the distrustful treatment? Bad plot advancement is the ultimate reason (or shallowness by people we believed in more), as is various other dubious points in the storyline.

    I must reaffirm my displeasure at how poorly the characters, who fans see as friends that they care about and respect, were used throughout these eight episodes. Daemon was a great creation, but she ends up being tossed aside via a fistfight and the mindless anger of Matrix. Mouse had little to do (she does look good, animation wise, etc.), Ray Tracer just was there in two spots, and others like AndrAIa and Phong really had no juicy moments. Dot had a ridiculous and foolhardy plan to defeat Daemon and then doesn’t trust or choose Glitch Bob (largely because of how he looks! Why should he look the same after four seasons? The others don’t, except for Phong, who already was old and battle tested to start with). Where is the levelheaded stable base of operations (with an emotional side) we saw in the first three seasons? And Bob? The real Bob does have some touching soul searching and sacrifice, but overall is rather feckless much of the time. Shoot the only character truly complex and admirable is Hexadecimal! Yes, there was much to like, but as a whole, I was disappointed. It’s like the old gang is together, it’s good to see them, but something’s missing.

    Megabyte: "Prepare yourselves -- for the hunt."

    to be continued? ….


    Hanako is known for her criticism of bad Reboot fan fiction. Her scathing criticism rubs some the wrong way, but on the whole is (in my opinion) amusing and often on point. I do feel that Hanako doesn't realize that one point of fanfic is to have fun, including expressing one's fantasies of what the characters would do. This would include messing with the Reboot universe, and even (big pet peeve of Hanako, known as the "Mary Sue" tactic) inserting yourself into the plot. Poor writing and/or spelling and the like is worthy of criticism, but just because certain fics might not be for all tastes, doesn't mean it's wrong to write them. Hey, give me a "Season IV" where Dot isn't such an idiot and Mouse and AndrAIa have something to do, and I'll accept a Mary Sue (or two!).

    Anyway, now that I said my piece, I also found this suggested actors for a Reboot live action movie page amusing. But really, you need a much younger Daemon!